This article is touching and touching, which makes people cry. The momentum is overwhelming and the words are like clouds. Tian Huan used extreme rhetorical devices, such as parallelism and personification, to describe the past of cranes and sent them to mourn. For this crane, he can put his life and death at risk, just as the book says, "If adults can move mountains, villagers will turn cranes into cranes and cranes into villagers." The magistrate received the book and was speechless. A few days later, he returned the crane to the Buddhist temple.
Deng studied with his father at the age of 9 and dropped out of school at the age of 10. 14 years old, he "can't go to school because he is poor, so he picks firewood, sells cake bait from village to village, and turns his back on it." However, under the influence of his grandfather and father, he became interested in calligraphy, epigraphy and poetry and made great progress. /kloc-at the age of 0/7, he wrote the seal script "Preface to Xuelangzhai" for the "handsome old man", which was well received by Bo Shi people. From then on, he embarked on the road of seal cutting. At the age of 2 0, he set up a library in his hometown and served as a boy scout. He gave up because of the students' "stupid jump" and went to Shouzhou (now Shouxian) to teach Mongolian library with his father. At the age of 2 1, he resigned due to the death of his wife, and traveled abroad to engrave books to alleviate his grief.
In the thirty-ninth year of Qianlong (1 7 7 4), when he was 3 2 years old, he returned to Shouzhou to teach. He often carved seals for the students of Shouchun Methodist Church and wrote fans with small seals. He was appreciated by Liang Xian (a native of Boxian County, famous for imitating titles), and recommended him to study at Mei Miao's home in Jinling (now Nanjing). The Mei family is not only a famous family since the Song Dynasty, but also the family that Emperor Kangxi gave the most calligraphy treasures in the Qing Dynasty. It has a collection of "secret treasures" and many rare epigraphy books from the Qin and Han dynasties. Shi Ru watched the Expo, studied it carefully and made great efforts. Eight years in Meijia, specializing in seal script in the first five years and learning Chinese in the last three years. In 47 years, at the age of 4 0, he left Mei's family, traveled around places of interest, copied a large number of ancient inscriptions, honed his calligraphy and seal cutting, and finally produced a large number of works of various styles with various instruments. In the forty-seventh year of Qianlong, he traveled from Huangshan to Shexian, where he met Fang, a famous epigraphy scholar of Huizhou School, Cheng, a scholar from Southwest China, and Jin Bang compiled by the Hanlin Academy, which is good at the study of seal calligraphy. On the recommendation of Mei Miao and Jin Bang, he met Cao Wenzhao, senior minister of housing. In the autumn of Qianlong's fifty-fifth year, on his eightieth birthday, Cao went to Beijing to celebrate his birthday and invited Deng to go with him. Shi Ru refused to follow Wen Yu's team, but wore a straw hat and sandals and rode a donkey alone. After he went to Beijing, calligrapher and connoisseur Lu saw his handwriting and was greatly surprised. He commented, "There has been no such work for thousands of years." Later, calligraphers represented by Weng Fanggang, a bachelor of cabinet, were excluded and forced to "go out of Beijing". Later, Cao introduced him to Bibu (Wuchang Department), our envoy, as the minister and governor of the Ministry of War, as a curtain guest, and taught Shuo Yuan. After working in the department for three years, I didn't achieve my goal and went.
When Qianlong was 5 2 years old in 59 years, he returned to his hometown from Wuchang, bought 4 0 mu of land, built a house the following year, and hung a calligraphy plaque "Tieyan Mountain House" at the door. I often carve and sell books to help the villagers, and the poor can't bury them and do their best to support them. In the following 1 0 years, his calligraphy and seal cutting became more and more sophisticated. Regardless of age, he often traveled to Jingkou (now Zhenjiang), Nanjing, Yangzhou, Changzhou, Suzhou, Hangzhou and other places. One year before his death, he climbed Mount Tai to meet friends and learn skills. At the age of 6 0, he traveled to Jingkou, met Bao and taught for three years. He suggested in calligraphy: "You can lead a horse in a sparse place, but you can't let the wind out in a secret place." You often count white as black, you can be curious. " All the books of the Six Dynasties verified by Bao's method are consistent. On his deathbed at the age of 6 3, he still regarded his disciple Cheng Heng's shirt as Zhang Zi Xi Ming. That year, I learned that there were eight stone tablets in Jingxian county that needed to be written in various fonts, such as Da Zhuan, Xiao Zhuan, Fenshu and Xingkai. I was generously invited, but only one returned due to illness and died at home in 65438+ 10 of the lunar calendar.