Zhu Yisa has been engaged in calligraphy education for a long time, and has trained more than 10,000 calligraphy talents for more than 30 years. Many students have made achievements in calligraphy and academic fields.
Zhu Yisa's calligraphy works have participated in many major exhibitions of China Calligraphers Association, and served as the judge of Lanting Award, the judge of the national calligraphy seal cutting exhibition and the judge of the national calligraphy seminar. In 2009, he was named "Top Ten People of the Year in China Book Circle".
Zhu Yisa is unique in the study of calligraphy theory, and has published many works, such as Calligraphy Creation, Calligraphy Aesthetic Expression, China Famous Calligraphy 100 Lecture, and Calligraphy Notes. In recent years, calligraphy criticism has attracted the attention of the book world. He has published a large number of papers on literature and art research, China calligraphy, calligraphy, art history, art observation, Chinese painting research and calligraphy research. 20 1 1 was rated as "the most influential calligraphy critic".
Zhu Yisa's prose creation is also unique. He won the first Bing Xin Prose Award. He has been selected for many times in the annual list of China's prose, the best prose of the year in China, the collection of 2 1 century prose and the classics of contemporary prose. Attend the national writers' congress, accompany the China writers' delegation to visit abroad, and participate in the international writing camp. He published a collection of essays, Classical Dreams, Between Courses, Thinking on Paper and News under the Wrist.
Zhu Yisa's achievements in calligraphy education, creation, theoretical research and prose creation can be regarded as a model of the tacit combination of literature and art, creation and theory.