Regular script four everyone:
Ouyang style
The artistic characteristics of European-style calligraphy are extremely flat, fine stippling, tough and powerful, angular and good at making risks.
Then use other stippling to assist, surprise, so that each word and the whole word are smooth and safe.
Therefore, his book seems to be steady, solemn and rigorous, but it is changeable after careful study, full of vigor and danger, moving silently and interesting.
Some people praised his book as "strong and unyielding, with the wind of honest law enforcement and tearing face."
Nothing can be better with its wonderful stippling and precise meaning. "
Some people also criticized that "Ouyang rate is too high and the structure is too restrained."
In a word, although individual paintings and most hooks in European books still have the official meaning of following the trend,
However, the appearance of European style in the early Tang Dynasty already meant the basic maturity of Tang Kai.
Yan style
Regular script is called "regular script" because of its dense structure, light horizontal and heavy vertical, strong and round brushwork and solemn momentum. His cursive script is concise and powerful, with ups and downs.
Yan Zhenqing has opened up a brand-new realm of calligraphy: in terms of characteristics, Yan has a brand-new figure, strict statutes and great momentum. From the aesthetic point of view, beauty of face and beauty of body are dignified, masculine and artificial, and beauty of number is simultaneous, which sets a rule for later generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan style appeared, the new style of Tang Doutan casting became one of the distinctive features of the prosperous Tang Dynasty.
Liu style
Uniform, thin and hard, steadily chasing the north of Wei River, crisp and beautiful stippling, strong bones and compact structure. "Books are expensive, thin and hard, and the spirit is clear." Compared with his face, his regular script is slightly flat and thin, so it is called "Yan Gu". The method is beautiful, original and unique, with thin brushwork and charming posture.
Zhao style
First, uniformity. The overall sense of regular script, first of all, is neat. The arrangement of words and lines is equidistant, giving people a steady and solemn visual effect. This form is most suitable for regular script in a strict sense. If the shapes with different knot widths and lengths change locally, there will be no disharmony or monotony in regular script that is uniform but not stiff.
Second, diversity and unity. The biggest feature of Zhao Ti's regular script is that it contains elements of running script, and its brushwork is changeable, taking characters as shapes, without deliberate arrangement, and it has a very harmonious and unified relationship in diversity and changeability. It gives people the feeling that there is movement in silence and affection in words.
There are also thin gold bodies and so on ~ ~ ~