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What style does calligraphy practice start from? Experts believe that it is better to write more regular script.
When writing regular script, we should not only pay attention to its stippling posture, but also pay attention to its structure. When the structure is right, the posture will naturally appear. Some teachers have specially summarized 30 methods of regular script structure, and parents have also learned to teach their children.
Regular script structure 30 method
1, horizontal and vertical
We usually say "horizontal" refers to horizontal painting fluency, not horizontal. The outer right upper oblique angle is 5- 10 degrees, which is called "taking oblique potential" in calligraphy. "Vertical" means that vertical painting is quite strong, not vertical. According to the font, it can be oblique, straight, curved and straight. As shown in the figure below:
2. Tighten and loosen
The upper strokes are compact and the lower strokes are sparse. As shown in the figure below:
3. Open the top and close the bottom
Mouth characters, or words with flat mouths, such as mountain characters and grass characters, should be slightly wider on the top and narrower on the bottom. As shown in the figure below:
4. Pick it up and put it down
When the lower part of the word has extended strokes such as apostrophe, pressure and long horizontal, the upper structural unit should be tightened; The lower part should be stretched left and right, which is called "ground load". As shown in the figure below:
5. Put down the collection
When the upper part of the word has extended strokes, the lower structural unit should be tightened; The upper half stretches left and right to cover it, which is called "covering the sky".
6. Stretch to the left and stretch to the right
In order to make the horizontal painting next to the left and right characters be divided into two sections by vertical painting, the left is long and the right is short.
7, thin left and thick right
When there are multiple vertical pictures in a word, the left vertical row is thin and the right vertical row is thick.
8. Left short and right long
Where there is a long mouth frame, the left vertical is short and the right vertical is long and thick.
9. Left disconnection and right connection
The small horizontal line between the mouth frame or two vertical strokes is generally connected with the left vertical line but not with the right vertical line. If there is a middle vertical line passing through the small horizontal line, the small horizontal line is usually hung between the left and right vertical lines.
10, left small lifting
In the left-right structure, when the left is small and the right is large, the left one is slightly higher than the right one.
1 1, right droplet
In the left-right structure, when the right is small and the left is big, the right one should live slightly below the left.
12, narrow left and wide right
The left ear is narrow and slightly shorter to make way for the right ear; The right ear is slightly wider, and the vertical length of the hanging needle matches the left ear.
13, left hanging and right hanging
When a word has multiple vertical drawings, the left vertical cannot be written as a hanging needle.
14, glance left and right
Pay attention to the shapes of left and right structural units and small strokes to make them vivid and closely related.
15, left-right symmetry
Take the middle vertical as the standard, and the length, height and width of the left and right strokes should be coordinated to achieve balance.
16, surrounded by lower left and upper left, slightly to the right inside.
When surrounded by upper left or lower left, the internal structure should be written slightly to the right, so that the center of gravity of the whole word is in the grid.
17, surrounded by the upper right, slightly left inside.
Surrounded by the upper right, the internal structural unit should be written slightly to the left, so that the center of gravity of the whole word is on the grid.
18, low suction and high throw
The line between the tip and the tail is a diagonal (the other two points on the left and right are the same as it), which is also related to the oblique position.
19, even gap
When there are many horizontal or vertical arrangements, try to make the gap even up and down or left and right.
20, hook to the middle
For curved hooks and cross-folded oblique hooks, the pen position of the hook tip is preferably aligned with or close to the center line of the structural unit or word.
2 1, smooth around.
Where there is a box, the outer frame is a smooth square and cannot be tilted into a parallelogram.
22, full to the left
The structural unit in the box should occupy the internal space, slightly to the left.
23, are not allowed to draw vertical lines.
When there are no strokes in the mouth, the lower right corner of the mouth frame extends horizontally to wrap vertically.
24. There are paintings and bags.
When there are strokes in the mouth, the lower right corner of the mouth frame protrudes vertically to cover the horizontal.
25, through the center
The intersection of skimming should be in this structural unit or the center line of the word.
26, don't repeat
Where there are more than two strokes, stretch only one stroke and change to other points.
27. The pen is broken.
Although the pen is independent, it is necessary to make the trajectory between the upper pen and the lower pen natural and internally related.
28, skimming into the box
When it is composed of an upper frame and a lower frame, the tip is usually inserted into the frame.
29. Entrance and exit
Gather in the middle and put down the periphery of the word, which is the antonym of Yan-ti.
30. Lift the vertical bar to the right.
In characters with vertical strokes and left strokes, the starting position of the left stroke is generally on the right side of the vertical stroke.
5000 common characters in regular script