1, lowercase
Small script, as its name implies, is a small regular script, which was founded in Zhong You during the Wei Dynasty of the Three Kingdoms. He was once an outstanding master of official script, and the brushwork of regular script was born in Han Li. His brushwork is as vivid as playing in the sea.
However, the structure is wide and flat, the horizontal painting is long and the vertical painting is short, and the legacy of official division still exists. However, the model method is ready, and it is actually the ancestor of the official book. When Wang Xizhi came to the Eastern Jin Dynasty, he studied the lower case calligraphy more carefully and made it perfect, which also set a good appreciation standard for China's lower case calligraphy.
Step 2 print letters
Under normal circumstances, people call block letters one inch or more and a few inches or less block letters. The larger characters in real books are called "Bangshu" and "Broken Book". According to the accumulated experience of calligraphers in past dynasties, learning calligraphy should start with writing big characters and doing basic exercises.
Mastering the stippling, structure and white cloth in block letters, and making stippling accurate and proper, then writing in block letters can be comprehensive and the stippling rules are clear; Moreover, the study list can be intimate, open-minded and not distracted.
Spreading data composition is an important part of the formal beauty of calligraphy, stippling is the beauty of lines, frame structure is the beauty of local composition, and composition is the beauty of overall composition. The laws of Zhao Ti's regular script can be studied and grasped from two aspects.
First, uniformity. The overall sense of regular script, first of all, is neat. The arrangement of words and lines is equidistant, giving people a steady and solemn visual effect. This form is most suitable for regular script in a strict sense. If the shapes with different knot widths and lengths change locally, there will be no disharmony or monotony in regular script that is uniform but not stiff.
Second, diversity and unity. The biggest feature of Zhao Ti's regular script is that it contains elements of running script, and its brushwork is changeable, taking characters as shapes, without deliberate arrangement, and it has a very harmonious and unified relationship in diversity and changeability. It gives people the feeling that there is movement in silence and affection in words. A calligraphy work is first infected with its overall effect, which is composed of countless parts.
Therefore, when arranging the composition, we should not ignore the details of each word, such as the shape, length, change, and sense of rhythm, which require careful consideration and strict design. Only after a long period of unremitting tempering can we handle the composition freely, presenting a design beauty that seems to have no design, and reaching a higher realm of calligraphy art.
References:
Baidu encyclopedia-regular script