The author of the paper Qingyun Pu prose is Deng Tao, a member of the Chinese Writers Association! Now I will introduce to you the original text of Qingyunpu prose in paper version. Welcome to read and appreciate it! Qingyun Pu on paper
Qingyun Pu is by no means limited to geographical appellation. From the seclusion mode and behavioral patterns of traditional Chinese literati, Qingyun Pu provides a complete set of Eastern cultural insights.
——Inscription
A
This is a free afternoon, and I need some emotional preparation.
The recently released "Bada Shanren Research Series" made me lose the calmness that a middle-aged person should have. Albert Camus said: "All unique personalities mean strength." This is a rare and large book. Looking at Qingyun Pu with the eyes of Bada Shanren, it seems that it is solidified in Bada Shanren’s unique painting expression, and Qingyun Pu is symbolized by Bada Shanren.
I know that the history of paper is vast, and it is not just the face of Bada Shanren, but more than twenty centuries of personnel and affairs are preserved in paper. Every bird song is new, but our nostalgia is so old. Clamping every inch of your eyes into the paper of Qingyunpu, it embodies the footprints of faith and culture in rural China.
Paper is one of the most influential inventions in China. I am obsessed with the smell of paper. Paper contains the lingering fragrance of vegetation, the warmth of thought and the condensed time. The significance of paper is that Chinese culture is based on written documents. Reading is always accompanied by a sense of solemnity, and what you hold up is the entire heavy Qingyun Book. This is a left-behind culture, exuding a noble and pure atmosphere, and its scenery Related to the soul.
Scenes of cultural scenes require the soul to catch up. In this cultural history lurking behind the history, we can complete a period of nostalgia and find the true feelings of traditional Chinese literati, as well as the lotus petals that are abundant in this local area. The fragrance of flower sticks, such as seven-mile incense and sweet-scented osmanthus, evokes the old memories and wakes up little by little in the paper.
Entering the paper, You Tong pushed open a firewood door and stumbled into a different time and space in Qingyunpu with some recklessness.
Qingyunpu’s civilization started from a god-centered geography, and those ethereal stories still maintain this land.
The frustrated Mei Fu was packing his bags. He was going to cross the river and go to the mountains to refine some elixirs. The emperor of the Western Han Dynasty was tired of the endless nagging of this humble official. He asked him again and again. Writing a letter could not change the fall of the empire. Since this was the case, he decided to change himself. Mei Fu did not say goodbye to the villagers too much. He stopped and walked along the way, farther and farther, and even practiced on an island. He wandered among the mountains and rivers. No matter where he was, the geographical name would be marked with the character "Mei". This was a memory of a lonely figure, even though the loneliness had been drowned by the bustling crowd. For example, the island was Mount Putuo.
Where is Mei Fu’s destination? Villagers firmly believe it is the sky. As a result, Qingyun Pu established the Mei Xian Temple, a place where a deity could go home and live.
It should be said that the cultural gene of Qingyunpu has been infused with a lonely and elegant temperament from the beginning. This cultural essence and flavor of life have been passed down along with the paper.
B
I really want to be parasitic in the paper of Qingyunpu, and my life will suddenly flourish. All the aloof personalities will be like legends. They are brothers and mentors far away.
Qingyun Pu is the soil and water on which the souls of literati depend. It has some connection with the literati’s detached temperament from outside things, and more of them come from the Eastern Jin Dynasty. Celebrities fell in love with Qingyun Pu as soon as they arrived. They looked at the mountains with a light face and drank wine while singing. This kind of freedom and ease under the thinking of Lao Zhuang is an important core of Qingyun Pu's aesthetics.
Strengthening the legends, writings and attitudes on paper are the memories of this field. Qingyun Pu has always been a cultural object observed by scholars. The meaning of Qingyun Pu is interpreted in various handed down texts. Situation as it is.
To understand Qingyun Pu, you must first understand Lao and Zhuang. The style of the Wei and Jin Dynasties that followed Lao and Zhuang had a profound influence on Chinese intellectuals, and this is also the lasting charm of Qingyun Pu.
The paper version of Qingyun Pu has been waiting for Wang Xizhi.
In an era when both the dynasty system and social spiritual needs regarded the art of calligraphy as a kind of worship, the birth of Wang Xizhi was no accident.
He took his pen and inkstone with him to Jiangxi to take office. He took advantage of the opportunity to spend some time at Qingyunpu Tai Chi Temple to get a sense of the turbid atmosphere of officialdom.
There are many similarities between the Taoist charm and the style of the Wei and Jin Dynasties. Life in Wang Xizhi's writings is a state of mind that returns to nature. It is as if you can still smell the fragrance of Wang Xizhi's ink by the pond, and you can still see him accompanied by a white goose over and over again. Wash your brush again and again.
The guests all left their own notes on paper.
This paper is a cultural paradise full of flowers, and Xie Lingyun is definitely indispensable.
Xie Lingyun, who has a beautiful beard, is like a tireless landscape hunter who regards the great mountains and rivers as a majestic mansion. Whenever he has free time, he will travel around on his Xie Gong clogs, "Go up the mountain and go." Xie Lingyun's "front teeth, go down the mountain to remove the back teeth" is a great invention of Xie Lingyun, even Li Bai was envious.
The mountain is lined with seven stars as a crown, and the stream is wrapped around nine sides as a belt; the right hand is patting the shoulder of Hongya, the left hand is lifting the collar of the white tiger, turtles and snakes are lying on its sides, the ladder is set up in front, and the green pines of Daishan Mountain are towering. , Meihu has a clear water bay.
The scenery of Qingyun Pu obviously touched Xie Lingyun, who had read countless scenes. He stayed here not only because he wanted to be imbued with the immortal style of Mei Fu and Xu Xun, but also in the process of annotating the Tao Te Ching. It can penetrate the essence of Taoism to answer the doubts in the world. Xie Lingyun had a special interest in studying Lao Tzu here, and he really chose the right place. However, Xie Lingyun could not answer the confusion in his heart. After all, his wild character did not calm down in the "Tao Te Ching".
Qingyun Pu gave Xie Lingyun a chance to enlightenment. He could completely leave like Mei Fu and go to the distant mountains and rivers to find the spiritual Lao Tzu. Maybe there is still too much in this world that he cannot let go. . He can only become a traveler, but cannot be the Xie Shenxian mentioned in later generations. Xie Lingyun's dissolute life eventually led to tragedy. A talented life was thrown to the street by the emperor. This is fate. At this moment, I think of Xie Lingyun's words back then: "The world only has one stone, Zijian has eight buckets, I have one bucket, and the world has only one stone." **It’s a fight.” It’s really heartbreaking.
Huan Yi’s flute sound is a profound experience.
A life that has been repeatedly washed away by bloody storms on the battlefield knows better about life and death, warmth and coldness. The Battle of Feishui is a bend in history. Soldiers like Hengyi who have experienced such a battle, his flute The sound has a profound meaning. Du Mu once lamented in a poem: "The bright moon makes me miss Huan Yi even more, and the sound of a flute brings out my sorrow."
Beethoven said: "Music is the higher revelation of all wisdom and all philosophy."
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Great musicians come from the soul and cleanse the soul. Only a person as sophisticated as Huan Yi can play sublime melodies, and the encounter between soul and soul is a blend. After the world-class conductor Seiji Ozawa listened to the erhu piece "Er Quan Ying Yue", tears filled his eyes and he knelt down. He heard the vicissitudes and suffering of a nation.
"Shishuoxinyu" excerpts the meeting between Wang Huizhi, the third son of the calligraphy sage Wang Xizhi, and Huan Yi, the flute sage known as "the best in Jiangzuo":
Wang Ziyou After leaving the capital, he was still at the foot of Zhu. I heard in the past that Huanzi was good at playing the flute, but I didn't know him. When he met Huanzi on the shore, the king was in the boat. Someone who knew him said: "This is Huanziye." The king then asked people to hear him, and said: "I heard that you are good at playing the flute. Please try playing it for me." Huan Shi was already noble and had always heard the name of the king. Even when he got back from the car, he sat on the bedside and performed three tunes. After finishing, he got in the car and the host and guest didn't say a word.
The informal and unrestrained temperament of Jin people vividly appeared on the page. I imagined this widely circulated aesthetic picture, surrounded by mountains and rivers, with a pure heart and floating leaves. Meeting by chance is worse than meeting by chance, which is quite like a chivalrous person approaching the wind. It means that Huan Yi conveyed his thoughts of life to Wang Huizhi's ears with the sound of a flute, and everything was tacitly understood. It is rumored that Huan Yi's flute was the "Keting flute" made by Cai Yong, a musician and scholar of the Eastern Han Dynasty. The continuation of culture is handed over and carried forward again and again. According to textual research, Huan Yi's flute performance during the Huanhui Festival gradually became the famous ancient song "Three Plum Blossom Lanes". Zhu Quan, King Ning who had lived in Nanchang for a long time in the Ming Dynasty, was a generalist. When he talked about "Three Plum Blossom Lanes", he said: "Huan Yi The flute was used to compose the tune of "Three Nongs of Plum Blossoms", and later generations used the qin as the "Three Nongs of Plum Blossoms".
The idiom "love deeply" comes from Huan Yi's deep love for music. In fact, Huan Yi's deep love was also Jiangzhou, which he governed for ten years. At that time, Nanchang City was within the jurisdiction of Jiangzhou. Huan Yi died in office. He was reluctant to part with this land and was buried on the spot in Qingyunpu. The imperial court ordered the construction of a Huan Yi temple on the shore of Meihu Lake.
History has stretched out its rough hand and erased the temples and tombs dedicated to Huan Yi, but the Qingyun Pu in the paper cannot be flattened. Hengyi’s music has been embedded in this soil and water. The sound of his flute seems to be lingering in the dynamic landscape of Qingyunpu. Qingyun Pu was the most popular during the Eastern Jin Dynasty. The paper version of Qingyun Pu left behind the style of Eastern Jin figures such as Wen Qiao, Wang Xizhi, Huan Yi, Xu Xun, and Xie Lingyun. They were nobles walking in the green shade of the lake. The sound and the faint light all attracted our attention, and we listened carefully, so that we can still smell the atmosphere of that distant dynasty among the buildings of modern civilization.
C
Qingyunpu Jingjiashan produced a prime minister.
Yes, it is Jingbo.
Boring refers to the sound of bells and drums. What is very interesting is that you can hear such a boring sound in Jingbo's diplomatic resume.
If the Song Dynasty did not have fighting and killing, it would be considered a happy era. In the splendid cultural landscape, poetry and books are the real way of living, and art is the elegant way of playing. Those days are reserved for literati, and they will definitely give opportunities to intellectuals like Jing Boring who are well-read in poetry and books. He is roughly the same type as the great judge Mei Ru'ao who came out of Qingyun Pu in modern history. It is Qingyun on paper. The score bolstered their confidence in uprightness.
When Zhao Gou, the Supreme Emperor of the Southern Song Dynasty, passed away, the Kingdom of Jin sent envoys to express condolences. Later, Emperor Xiaozong sent Jing Boring as the "envoy to express gratitude" to the Kingdom of Jin. The people of the Jin Dynasty are well aware of the power of this Jingbo master. Last time Emperor Xiaozong sent envoys from all over the country to congratulate him on Christmas, it happened that Zhao Gou had just passed away. During the mourning period, Emperor Xiaozong was inconvenient to visit him, so he appointed Jingbo to receive him. The Jin envoy expected to be in the bustling city. When he stayed in Hangzhou for a few more days, Jing Boring refused sternly: "You are here to celebrate your birthday. After celebrating your birthday, you should go back. How can you stay and play?" The envoy Jin hit a soft nail and returned angrily.
This time it was Jingdong who came. According to the practice of the Jin Kingdom, the envoys from the Song Dynasty had to hold a banquet and play music. Due to the national mourning, Jing Bor asked to skip the banquet, but the Jin people did not agree. Jing Bor thought about it and said: "If it is really impossible to avoid the banquet, then cancel the banquet." The Jin people forced him to sit at the table, and Jing Bor said: "I can take my head, Le Le." It can't be heard." Jin Bing drew his sword to stop him. The empire running from the snowfield was accustomed to the humiliation of the Song Dynasty. Jingbo was surrounded by fierce faces. Jingbo shouted harshly. He was the broad throat of the Song Dynasty, and he was scolding the rudeness of the entire dynasty. When Emperor Jin heard about it, he sighed that Jing Bor was a loyal and upright minister, and ordered the banquet to be withdrawn. Jing Boring expressed his determination at that time with the sentence "I only want to be buried in the cauldron." This tone is surprisingly similar to Mei Ru'ao's impassioned speech at the Tokyo Tribunal when he faced Japanese war criminals.
Compared with many literary giants in the Song Dynasty, Jing Boring is difficult to reach, but his words still have important documentary value. When he was in office in Shu, he expressed the land of Tianfu in the form of words. Country folk customs.
When Jing Boring was a young man, he was considered a capable official, decisive and eloquent. It can also be seen from his style of writing that Jing Boring is genuine and unadorned. In his later years, Jing Boring held the high position of Prime Minister, but he lost his vitality and lived in the word "tolerance". In the whirlpool of party strife, he did not achieve much. He "asked for exemption from the prime minister because of his old age." This Songpa layman could not even come up with a decent poem.
Ding
The paper allows us to explore the cultural code of this geography in the depths of Qingyunpu. It is a sample of the character of Chinese culture and the contemptuous living conditions of literati. When the restless times are scrawled and rewritten, these spiritual topics become extremely precious.
Many friends from the cultural circles come to Nanchang and habitually compare Qingyun Pu with Tengwang Pavilion. The simple Qingyun Pu is the tenacious heart of Nanchang City, like an old vine deeply rooted in the local area, while the magnificent Tengwang Pavilion completed its blooming in an accidental cultural event. Representatives of two cultural phenomena: stillness and movement, wonderfully coexist in the same city.
In Xu Xun’s hands, this vine is the tenacious chain that locks the evil dragon that makes trouble; this vine is the big rope that Wang Dayuan used to fix the long-voyaging ships in ports such as Australia and Tanzania. His Maritime legends are like pages of images, and we witness Australia's barbaric era; this vine twists and turns into the power of "Give me back my rivers and mountains" in Yue Fei's pen, and becomes the eternal motto of a nation when it is bullied by foreign powers. This vine is also a lonely vine. Along this vine, we see the Badashanren born out of pain.
This thread of resilience binds the Qingyun spectrum that exudes the flavor of time, allowing us to stand on the magnetic field of a cultural context and be inexplicably seduced repeatedly, like an instruction or reaching into the glitz. A trustworthy hand to save those spiritual outcasts.
Putting aside my ambition and power in the Qingyun Pu on paper, I have always wanted to experience a free, singing, and invisible man in the rivers and lakes from the vivid wild flowers and birds painted by Xu Xi, a painter from Yuzhang during the Southern Tang Dynasty. Qingyunpu.
This is a clear cultural pastoral outside the tall and thick walls of the empire. Avoiding the clanging metal sound above the temple, the fairy family and various characters built it under a sense of value. artistic life circle.
I am addicted to paper, and some names seem to have a kind of blood relationship, like the Tang Gui plant in Qingyunpu, the fragrance is as fresh as ever.
Perhaps this kind of indulgence will disturb Bada Shanren’s conception of a painting and disrupt the gathering of a group of friends such as Luo Mu and Bada Shanren. Without time and space travel, we can’t hear Heng Yi’s words. The sound of the flute and Wen Qiao's speech before the expedition, he wanted to sing harmonious poems with Wang Dayuan, he wanted to help Wang Xizhi clean up his pen, and he even wanted to put in a good word for the knowledgeable local governor Song Nao in front of the stubborn old man Bada Shanren, just like the old man Qi Baishi talked about Xu Qingteng , Bada Shanren, and Wu Changshuo confided in their hearts: "I want Jiuquan to be a lackey." History cannot assume that, for example, Wang Dayuan's "Dao Yi Zhi" has not been lost, and Shi Tao and Bada Shanren, two masters who have known each other for a long time, met... ...A history that leaves regrets is a chewy drama.
Wu
The Qingyun Pu on paper is a quiet river, a cultural homeland that will not be abandoned, and a Qingyun Pu that cannot be moved away. The agility of water and the brilliance of words stand because of the paper. Every line on the rice paper of Qingyunpu is like a lightly plucked string, making the soul tremble slightly.
Time passes layer by layer, and the cultural texture of the Qingyunpu paper is permeated with the style of Xu Ruzi, a famous figure in the Eastern Han Dynasty. He did not seek high office and rich salary in his life, but only wanted to teach and educate people, and instill the virtues of the Chinese nation. Passed down from generation to generation, a considerable number of their descendants moved into Qingyunpu, nurturing the sincere and simple folk customs of this land. Hu Yan, a high-ranking official of the Ming Dynasty, retired to the paper version of Qingyun Pu. He passed on the paper version, and his presence was indispensable in academies across Jiangxi.
It is an effective path to connect the eyes and the mind in the huge capacity of paper. Traveling in a hinterland of Chinese culture, there is a kind of travel that belongs to the mind. The soul becomes solid during the journey, and you can stay calmly and comfortably in the world. There is no Internet, no mobile phone, no high-speed train, and I can feel the breath of a group of people. The vitality of history lies in the appearance of different characters in different eras. Within the radius of the blue sky, they have come and gone, standing alive or lying down or sitting cross-legged in the depths of ancient time. Their happiness, sadness and Pain is the changing emotion of this land. The paper version of Qingyun Pu seems to be a memory from another life. Reading the fragments of their lives and residence in Qingyun Pu, their talents and thoughts are also the warmest place in the paper.
This is love.
Who dares not to criticize this paper easily? It allows us to weigh the preciousness of life. It contains Fan Zeng’s dream and Yu Qiuyu’s eyes that have been reluctant to move away for a long time. If a period of life could be written down on paper, it would be considered a luxurious cultural ideal.
We can easily reach the geographical Qingyunpu, but the spiritual Qingyunpu is far away from home. It is a high-level cultural vocabulary. Every scholar has a legend in his heart. A refreshing vegetarian dish in the world cultural feast shows the awe-inspiring character, attitude and lifestyle in traditional Chinese culture. Those saints seemed to be still in the sky above Qingyunpu, watching the countless footsteps of pilgrims coming from the secular world gradually dissolving into this spiritual realm. The paper Qingyunpu sets up an archway that symbolizes the spirit of Chinese literati, and even the hypocritical material society can still find insufficient coordinates that make us completely lost in our hearts.
Culture is rippling among the great people. Qingyunpu is a far-reaching place in the world. There are still unknown cultural masters hidden among the flowers and grass. It is likely that we will never know their existence, but the culture follows There is no stopping with transcendence.
This is China, a cultural China that has been cultivated for thousands of years.