Difficulties and hardships, Yucheng. In the era of bloody battles, the cold environment, brilliant talents and the pursuit of art have made Cha Qidian form a moral character of kindness, loyalty, love and hate, a kind, silent, introverted and thoughtful character, and a spirit of diligence and dedication. You can only learn from the inside, from the outside. Teaching and inspiration, coupled with his careful thinking and understanding, gradually entered the realm of analogy. With the development of painting skills and the practice of carpentry, Cha Qidian became a well-known folk craftsman who could write and draw on both sides of Xiaoqing River in his hometown when he was in his twenties. Just as his self-titled poem: "A blank sheet of paper gives birth to the countryside, and a poor family drops out of school to be Woodenhead. I love painting and calligraphy, no one guides me. " The birth of New China has brought light and opportunities to Cha Qidian's artistic career. After liberation, I went to work in Gaoqing Xinxing Service Corps (actually an art service corps). With great joy and enthusiasm, he used a brush as a weapon to promote a new society and a new life. His "Marriage Law" paintings were exhibited in Gaoqing urban and rural areas with excellent results. 1950, 28-year-old Cha Qidian was gloriously elected as the first NPC deputy in gaoqing county and became a celebrity in the county. 1953 officially joined the work in the county construction company. From 65438 to 0955, he publicized water conservancy construction and literacy work in the form of art. During this period, he carefully studied artistic anatomy, perspective, color science and Menser sketch, which laid a solid foundation for fine arts.
1958, Cha Qidian was transferred to Huimin Agricultural Exhibition Hall as the chief designer. He devoted himself to his work, designing and drawing exhibition boards, light boxes, scene boards, movie posters, stage sets and so on with various themes day and night. In order to draw a huge poster "Sentinel under Neon Lights" with a square of 8 meters, he waved crayons and worked continuously for more than ten hours, and successfully completed the task in just one day. During this period, he splashed oil paints and gouache on linen and wooden boards and swam happily in them. After work, he devoted himself to the study of famous paintings of past dynasties, far from the rigorous brushwork of landscape in Song and Yuan Dynasties, and recently to the unrestrained charm of various schools in Ming and Qing Dynasties. In the face of masterpieces handed down from generation to generation, he is eager to catch up, forget all about eating and sleeping, study hard and be poor. He worships traditional masters such as Qi Baishi, Pan Tianshou and Fu Baoshi. It also studied the artistic treatment of Xu Beihong, Zhang Daqian and other integration masters who absorbed western sketches, composition, oil paintings and watercolors, and studied the profound meaning of combining Chinese and Western, making the past serve the present. Bona's charm is delicate and profound. He not only traced the success of his predecessors, but also borrowed their artistic creation realm of "heart, emotion, will, ambition and spirit" and created a ladder to climb the art palace. In 1960s, his artistic creation became more and more mature, and he worked as an artist in Huimin Peking Opera Troupe, People's Theatre and Hong Guang Cinema. During this period, he created many works with industrial and agricultural production as the theme.
1964, Cha Qidian spent a month walking to Daoxu Ferry to sketch, experience life at the ferry, talk with boatmen, accumulate a lot of creative materials, and return to China to create. After repeated deliberation and several drafts, the studio produced a masterpiece "Tugboat at Daoxu Ferry", which reflected the enthusiastic production scene and the high-spirited style of workers, and was selected for the East China Art Exhibition in one fell swoop. Taking this opportunity, he got to know the famous painters Fu Baoshi, Yaming and Fang Zengxian, and got their appreciation. Later, encouraged by Chen Weixin, I went to the regional oil cotton factory and Zouping Baiyun Mountain to experience life. He was inspired to create "Yinshan Zhao Hui", which reflected the joyful scene of cotton harvest in northern Shandong, and was recognized by the leaders of Shandong Provincial Party Committee. The above two works were also selected for the 4th National Art Exhibition 1965. At that time, only nine Chinese paintings were selected in Shandong, and he was selected for two. Cha Qidian emerged in the whole country, gained fame in China painting circle and attracted the attention of the art world. The art circles inside and outside the province praised "Cha Qidian likes to jump the Dragon Gate". Cleverness and tempering, diligence and hard work have created Cha Qidian, a new star who jumped from the bottom of society to the national painting world.
After ten years of catastrophe, Qi was also hit. However, he did not waste time. He often invites several friends to talk about painting art and learn from each other for mutual benefit. Cha Qidian, who was born as a carpenter and has a skill, can still take part in some useful painting and calligraphy activities. 1970 participated in the model production of the national agricultural exhibition hall, and in June 10 participated in the National Day ceremony of Tiananmen observation deck. 197 1 year transferred to the People's Art Museum in Huimin District of Zhaqidian as an art creator. His "Cultivating New Seedlings" was published in five newspapers in the province; Salt Harbor Sea Breeze Crystallization Day and Taming Natural Barrier participated in the provincial art exhibition successively. Even in turbulent times, he remained close to the masses, went deep into life and insisted on writing, which is really commendable. The brush shines with the light of the times.
1978, "Dongfeng Man Chun", the spring breeze of the Third Plenary Session of the Eleventh Central Committee of the Party spread all over the motherland and warmed the painting world. Mr. Cha Qidian, who is nearly sixty years old, is full of artistic youth. Full of rich colors of the times, he created "Spring Man" to participate in the provincial art exhibition. Since then, embracing and depicting the spring of the motherland, eulogizing the reform and opening up has become the theme of his creation. At the third enlarged meeting of the third session of the Provincial Federation of Literary and Art Circles, he cooperated with Yu Xining, Heibolong, Zhang Yanqing and others in four representative works, such as "Borrowing Dongfeng to Open a Hundred Flowers" and "Too Dai Ying Zhao Hui". After his retirement, Mr. Cha Qidian devoted himself to the study of freehand brushwork flower-and-bird painting, reaching the peak of his creation and gradually forming his own style and characteristics. Autumn Heron, Flowers of Traditional Chinese Medicine, Distant Years, Jujube Bud Hair, Luming Literature's Mid-Levels River and Liu Hua in May have all participated in exhibitions inside and outside the province. 1980 rising sun and panda go to Japan for exhibition. In the same year1October 27th, 65438, Shandong Today, a provincial radio station, broadcast an excellent masterpiece-a record of Cha Qidian, an old painter. The Shandong painting circle was called "Southern King (Xiao Gu) and Northern Cha Qidian", which fully explained the influence and position of Cha Qidian in the painting circle.
Keeping pace with the times, promoting the good and stabbing the evil is one of Cha Qidian's self-study methods. Pen and ink are in harmony, and calligraphy and painting are in harmony. Literary and art workers shoulder great responsibilities in promoting the construction of two civilizations, especially spiritual civilization. They should praise goodness and beauty and oppose ugliness. He is silently practicing the literary thoughts of this new era, participating in various beneficial social activities with exciting pen and ink, embodying noble moral sentiments and full political enthusiasm. This sense of the times is integrated into pen and ink, which promotes his artistic progress. Many of his works take the rise and fall of the Chinese nation as the theme, eulogize the new style and criticize the shortcomings of the times, so that people can appreciate its deep details through pictures. The painter put pomegranate and Yan 'an cave into the picture, praising Yan 'an spirit for its radiant and fruitful achievements. 1986 made Song Ying for Zhao Yiman Memorial Hall in Yibin, Sichuan, and 1987 made double eagle map for the New Fourth Army Memorial Hall. 1988 army day, condolences to Zhanhua border guards, and "Red Willow Map". A Tamarix tree stump growing in saline-alkali land stands upright in the wind, full of flowers, which makes people respect, and wrote such a poem: "Being in saline-alkali land is cold and happy." I don't care about knives and axes. I'll return them in the spring. "I highly praised the border guards who defended the frontiers of the Bohai Sea and did not fear the dangers. The painter's "Casting Sword to Kill Violence" expressed the lofty desire of China people War of Resistance against Japanese Aggression to win, and denounced the crimes of Japanese militarism. When writing "Su Wu Shepherd", he remembered the cold and humiliation of being forced to build a Japanese watchtower in Weijiabao when he was young. He arranged Su Wu among the sheep, squatting and looking at the southern sky, with a firm image and a deep expression. The majestic and unyielding spirit, coupled with the snowy environment, makes the painting more moving, more vivid and more infectious than the standing image of Su Wu in previous dynasties. After the return of Hong Kong, Cha Qidian created 16 Chinese paintings, participated in the joint exhibition of the central and four provincial literature and history museums to celebrate the return of Hong Kong, and the provincial CPPCC painting and calligraphy exhibition to commemorate the 50th anniversary of Liu Deng's army's breakthrough in the Yellow River. Teacher Cha personally took the painting to Heze Painting Academy to participate in the painting and calligraphy exhibition of Shandong Painters Association. His Chinese painting "Equally Brilliant" has vivid brushstrokes and rich colors. A peony has red and white flowers at the same time. The old man introduced to visiting leaders and colleagues; " It is difficult to draw flowers to express political opinions. I drew a peony with two colors. First, it symbolizes the feelings of China that the motherland and Hongkong are connected, heart to heart and inseparable; Second, it symbolizes the bright future of Hong Kong's prosperity after its return to the motherland. Third, it symbolizes the vitality of the grand blueprint for reunifying the motherland with one country, two systems. "All participants were deeply impressed by the novelty of creativity, the atmosphere of composition and the complexity of brushwork. At the calligraphy and painting exhibition celebrating the return of CPPCC in Huangshi County, he was original. The azaleas in full bloom formed the map shape of the motherland, and a full moon shone in the sky. The old gentleman wrote a poem on the painting and said, "Don't forget the Opium War in history. Tears turned into red azaleas. Today, Hong Kong returns to the motherland, and * * * celebrates national reunification. "