First, write positive strokes, such as skimming, pressing, hooking, folding, etc., and try to write with a pen, that is, convey the ink in the pen to the end of each stroke. Pay attention to the fullness of strokes, which can speed up the follow-up, but don't scribble, put the pen in, pay attention to the hints between strokes, and add some parallel strokes. As for writing brush strokes, strokes depend on the brushwork. When writing, the pen tip should be lifted quickly, but not too fast. In order to make the strokes sharper, you can use a pen with a better nib. Be careful not to rush when lifting, and the ink should be even. There should be ink in the nib so that it won't fly white.
Second, pay attention to the method of holding the pen. Whether you hold the pen correctly or not will have different effects on the words we write and will affect our strength. Many people can't write a pen, and a big reason is related to holding a pen. The correct way to hold the pen is to place the pen holder between the thumb, middle finger and forefinger, with the forefinger in front and the thumb behind the side. The forefinger presses the pen tip 3cm, and the pen holder is at an oblique angle of 60 degrees with the front face.
As follows:
1. Thumb, forefinger and middle finger naturally bend and pinch the pen from three directions respectively. The ring finger and the little finger naturally bend and lean against the middle finger in turn;
2. The thumb is at the lower left of the pen holder, the index finger is at the upper right of the pen holder, and the middle finger is below the pen holder;
3, the index finger is slightly ahead, and the thumb is behind;
4. The thumb and forefinger hold the pen with the front end of the first knuckle, and the middle finger holds the pen with the upper side of the first knuckle;
5. The upper end of the pen rests on the joint with the highest index finger, and the pen forms an angle of about 50 degrees with the paper;
6. The pinch point is about one inch (about 3 cm) away from the pen tip;
7. When writing, be "virtual"; That is, the fingers should hold the pen firmly, the palm should be empty, and the little finger should not touch the palm;
Third, pay attention to the amount of practice. Don't be greedy for too many words every time you practice. Although the amount is large, the effect will not be great. It's just a waste of time. On the contrary, we must first break through one by one, word by word. In this way, it will soon be integrated and the effect will be better than writing dozens of words at a time. It is suggested to practice 50-80 words every day, not quantity, but quality.
Extended data:
Brush strokes and brush strokes are a whole and two concepts. A high-quality brush must have two elements: one stroke and one painting. Generally, high-quality pens have both excellent bristles and high-quality tips (glumes), such as equal outer hairs, secondary hairs and waste hairs. It can also be made into a writing brush, which looks like a writing brush from the outside, but actually has bristles and no nib. The role of brush tip in writing is very important. For example, in the process of writing, you can use the center, flank and exposed front to rotate freely, and you can lift the pen according to the pen without falling back and scattering the front, all of which can be done by the pen front. Twist the front edge of the pen tip by hand, pinch it flat, and then look at it in the sun or light. There is a relatively transparent and glittering part, that is, the nib, referred to as the leading edge.
1. The tip of the brush.
Tang Fanggan's poem "Lu Zhuo Mountain Man Painting Water": "The sea color is not dyed with green juice, and the pen is still beside the ink."
2. The momentum and spirit revealed by poetry and calligraphy.
Southern Song Dynasty? Bao Zhao's poem "Imitating the Ancient" said: "Two words are poor, and five cars destroy the pen."
Tang Li Bai cursive song: "Mo Chi flew out of the north grilled fish, and the pen front killed all the Zhongshan rabbits."
Qu Qiubai's On the Realistic Problems of Popular Literature and Roper's Popular Literature and Art: "Ironic writing and vicious description, for the enemy, I don't know what forgiveness is."
3. The clarity of strokes.
Epilogue 9 of Song Ouyang Xiu's Notes on Ancient Books: The Preface to Yin Fu Classics is what Cai thinks most, because Yun is good at hiding pens. "
Yu Yue in Notes on Tea Room: Notes on Mi Fei's Xiangyang in Qing Dynasty: "Today there are stone books, but from the perspective of sketches, pens are like steamed cakes.