Yu Jianhua's Role Introduction

Yu Jianhua

Yu Jianhua (1June, 895,1June, 9-1June, 979, 65438+1October 6), formerly known as Yu Kun, was once known as Yu De and Zi Jianhua. He is a famous China painting historian, China painter and art educator.

Mr. Yu Jianhua devoted his life to the study of China's art history and Chinese painting theory, and made outstanding achievements. He has published nearly 10 million words of theoretical works on art history, such as China's Painting History and China's Painting Theory Collection, which has made important contributions to the development of theoretical research on China's art history.

Chinese name: Yu Jianhua.

Alias: Jianhua

Nationality: China.

Place of birth: Jinan, Shandong Province

Date of birth:1June 895 19.

Date of death: 1979

Occupation: painting historian, painter, art educator

Graduate school: Jinan Middle School

Representative works: China Artist's Surname Dictionary, Chinese Painting Research, China Mural.

The life of the character

Yu Jianhua (1895— 1979), formerly known as Yu Kun, used to be called Yu De and Jian Hua, and wrote in words. /kloc-0 was born in Jinan, Shandong province in June, 895. 19 12 entered Jinan middle school (hereinafter referred to as Shandong No.1 middle school) and was good at ancient Chinese painting. 19 15 summer work Forty Days (including pictures, articles, diaries, etc. ) participated in the Shandong Education Exhibition and won the gold medal.

In September 2005, he was admitted to Beijing Normal University and studied under the famous painter Li. 19 18 After graduation, he successively worked as a teacher of Chinese painting and China literature in Shandong No.1 Middle School, Shandong No.1 Normal School, Beijing Fine Arts School (1920), Beijing Normal School and Shandong Fine Arts School, and as a lecturer of instrumental painting in Beijing Jiaotong University. During this period, he published many articles in the supplement of Beijing Morning Post, especially the travel notes sketched in Qufu and Taishan in 192 1, which were reprinted by Shanghai Current Affairs and translated by the Central Art Center of Japan.

1925 After the "May 30" tragedy in Shanghai, a charity sale of painting and calligraphy exhibition was jointly held with Jinan painters to help the poor people in Shanghai. 1September, 927, worked as a Chinese teacher in Shanghai patriotic girls' school. 65438-0928 Professor and Dean of Shanghai Xinhua Art Institute. Together with Huang, Xiong Songquan, Chen Gangshu, Ma, Zhang Daqian and others, he organized a brilliant painting club and printed a number of brilliant paintings.

At the beginning of 1929, he served as the director of Chinese painting department of Xinhua Art College. During the summer vacation, I traveled to Tokyo and Osaka with Zhang Daqian, and held a solo exhibition in Osaka. From 65438 to 0930, I was an adjunct professor at Shanghai Academy of Fine Arts. 193 1 year, floods occurred in Hunan and Hubei, and three solo exhibitions were held in succession. All the proceeds from the charity sale were donated to disaster relief. 65438-0938 Secretary of Jinan University, Professor of Shanghai Academy of Fine Arts. 1940, 10, became a professor and general manager of Jinan University; 1September, 1946, Professor of Wusong Merchant Marine College.

Mr. Yu Jianhua put forward the requirements of "reading thousands of books", "taking the Wan Li road", "writing ten thousand frames" and "painting ten thousand pictures" for himself and those who are engaged in art history research. Yu Jianhua studied under Chen Shiceng and has a solid foundation in painting. He is good at landscape painting, flowers and calligraphy. Influenced by Wang Meng, Zhenwu, Shen Zhou, Shi Tao and others, the landscape paintings created are vigorous, full of composition, implicit and meaningful, and unique. Mr. Wang is very diligent. Only 1930 a year, he accumulated dozens of sketches and 60 travel notes. Among them, Yu Jianhua's sketch tour (photocopy edition) includes his sketch works "Walking on the Road of Wan Li", including four parts: Wuyi Nine-song Tour Atlas, Continuing the Tour of East Zhejiang, Zhejiang and Jiangxi, and Yu Jianhua's Tour Atlas of South Anhui, which contains both his sketch works and precious written materials. Mr Yu Jianhua pays special attention to the collection and interpretation of original materials. In his research, he emphasized the combination of literature and physical observation, on the one hand, he spoke with literature; On the other hand, he personally went to Gansu, northern Shaanxi, Shanxi, Henan and other places for field trips. With a serious attitude and his own unique method, he personally copied and studied the stone relief of Dunhuang Mogao Grottoes, Han Tomb Murals, Infinite Temple, Yungang Grottoes and Longmen Grottoes. Yu Jianhua's investigation of Dunhuang art is the result of his rigorous research methods. This book is also photocopied. The text includes four chapters: general introduction, the content of Dunhuang Mogao Grottoes murals, the artistic value of Dunhuang murals and the general situation of grottoes.

1979 1.6 died in Nanjing, Jiangsu.

Personal work

He worked hard all his life and made outstanding achievements in the study of China's art history and Chinese painting heritage. Before the founding of New China, the published works mainly included History of China Painting, Latest Pattern Law, Three-dimensional Pattern Law, Calligraphy Guide and so on. After the founding of the People's Republic of China, China has published 2.8 million-word masterpieces such as Classification of Chinese Paintings, Murals in China, Research Materials of Landscape Paintings in the Southern and Northern Dynasties in China, Research Materials of Gu Kaizhi, Painters' Series, Elvis Presley, Notes on Shi Tao's Painting Quotations, Notes on Xuanhe's Painting Spectrum, Notes on Famous Paintings in Past Dynasties and Notes on Pictures. And published a large number of artistic papers in newspapers and periodicals. His works have a certain influence at home and abroad. His comments on Shi Tao's painting quotations have high academic value. Translated into Japanese by Teng Guangyi at 1977 and published by Professor Watson Song of London University in London. His History of Painting in China has become an important material for some countries in the world to study China's fine arts.

He is good at landscape painting, flowers and calligraphy. The landscape paintings created are vigorous, rich in composition, implicit and meaningful, and unique in style. From 65438 to 0976, he presented more than 4700 books, picture albums, periodicals, manuscripts and a large number of Chinese paintings to Nanjing Art Institute.

Achievement honor

After 1949, he served as the provost of Chengwen College. 1951September as vice president of Shanghai university. From 65438 to September 0952, he served as a professor and head of teaching and research at East China Art Institute. 1958 Professor of Nanjing Art Institute. 1959 was hired as a professor at Nanjing Art Institute. He used to be a researcher at the National Fine Arts Institute of the Central Academy of Fine Arts, a director of the East China Artists Association, a director of the Jiangsu Branch of the China Artists Association, and a member of the Jiangsu Provincial Political Consultative Conference.

Social assessment

China painting historian, China painter and art educator.

At the beginning of the 20th century, in the face of drastic social changes, Yu Jianhua, as a researcher of art theory, took an active part in cultural and artistic changes, wrote theories, expressed opinions and set goals, which played a leading and promoting role in the field of art research, laid a foundation for the reform and reconstruction of the symbol system of modern art theory and created a paradigm. His research has far-reaching influence, and the gradually formed Yu Jianhua School occupies an important position in the field of art research. Looking back on Yu Jianhua's works today, we find that his academic thoughts and research results are still of great practical significance for today's art theory research and practice.