Yin Shoushi is a famous painting and calligraphy artist. Born on January 12th, 1919 in Qiaozhen Town, Zhou Tie, Yixing, Jiangsu. I have loved painting and calligraphy since I was a child.
In p>1933, he entered Yixing Ceramic Vocational School in Jiangsu Province to study pottery and calligraphy painting.
After the outbreak of the Anti-Japanese War in p>1938, he went into exile in Wuhan and entered Wuchang Art College. Since then, I have devoted myself to the creation of figure painting.
After the fall of Wuhan, he went to Guilin, Guangxi, where he was highly valued by famous poets Liu Yazi, famous politicians Li Jishen and He Xiangning, and often learned art from cultural figures Xiong Foxi, Ou Yangyuqian, Tian Han, Duanmu Hongliang, Chen Erdong, Ju Zan and Ye Cuoyin. Since 194, he has been a researcher in the Fine Arts Department of Guangxi Provincial Art Museum.
There are Qu Yuan, Zheng Chenggong's plan to set up a navy to stay in the capital, Shi Kefa's map of Yangzhou, Boyi Shuqi, and the statue of Master Juzan. And held two solo exhibitions.
I went to Chongqing in p>1944, and in October 1945, during the peace talks between China and Mao Zedong, I painted a portrait of President, which was exhibited in the Joint Exhibition of Liu Shiyin's Paintings jointly organized with Liu Yazi, and was appreciated by Guo Moruo, Xu Beihong, Jian Bozan, Feng Zikai, Liu Kaiqu, Chen Erdong, Chen Xianghe and other famous artists.
in p>1946, with the help of Zhou Enlai, Yin Shoushi went to the Shanxi-Chahar-Hebei border region and served as a faculty member of the College of Literature and Art of North China United University. In 1947, he was engaged in propaganda work with Inner Mongolia Art Troupe, and edited the supplement of Inner Mongolia Daily and Inner Mongolia Pictorial.
After the founding of New China in p>1949, he attended the first National Literary Congress and was elected as a member of the National Artists Association. In 195, he joined the China * * * Production Party, and in the same year, he served as deputy director of the Preparatory Committee of Inner Mongolia Federation of Literary and Art Circles, member of the Cultural and Educational Committee of Inner Mongolia Autonomous Region and member of the CPPCC.
In p>1956, he was elected as the chairman of Inner Mongolia Branch of China Artists Association. In 1957, he served as Deputy Secretary-General of Beijing China Painting Academy.
In p>1958, Yin Shoushi was wrongly classified as a "rightist" and sent to work in Hulin, Heilongjiang Province, and later taught at Harbin Art Institute. In 1962, he was transferred back to Beijing Painting Academy.
In April p>198, he became the vice president of Beijing Painting Academy, attended the 4th Literary Congress in the same year, and was elected as the director of China Artists Association; In the same year, he was elected as the vice chairman of Beijing Federation of Literary and Art Circles and the chairman of Beijing Branch of China Artists Association. In 1981, he was elected as the executive director of China Calligraphers Association; In 1988, he was elected executive vice chairman of China Federation of Literary and Art Circles.
In p>1992, I donated my life-long masterpieces, paintings, calligraphy and art treasures to my hometown for free.
in p>1997, he was re-elected as the vice chairman of China Federation of Literary and Art Circles. Member of the 8th and 9th Chinese People's Political Consultative Conference; He died in Beijing on April 14th, 1998.
Yin Shoushi (1919-1998) loved painting and calligraphy since childhood. In 1933, he entered Yixing Ceramic Vocational School in Jiangsu Province to study pottery and calligraphy painting. After the outbreak of War of Resistance against Japanese Aggression in 1938, he went into exile in Wuhan and entered Wuchang Art College. The national peril aroused his strong patriotism, and for many years, he devoted himself to the creation of figure paintings, inspiring the soldiers and civilians in the rear area in the struggle against the enemy with the image of national heroes and contemporary outstanding patriots.
In p>194, he worked as a researcher in the Fine Arts Department of Guangxi Provincial Art Museum, and created Qu Yuan, Zheng Chenggong's plan to set up a navy to stay in the capital, Shi Kefa's map of Yangzhou, Boyi Shuqi, and the portrait of Master Juzan.
During his stay in Guilin, he was highly valued by Liu Yazi, a famous patriotic poet, and Li Jishen, He Xiangning and other famous politicians, and spent time with Xiong Foxi, Ou Yangyuqian, Tian Han, Meng Chao, Duanmu Hongliang, Chen Erdong, Ju Zan, Ye Cuoyin and other famous politicians to learn from each other. Two solo exhibitions were held in Guilin in 1942 and 1944, which were well received.
In p>1944, the Japanese army invaded Hunan and Guangxi, and took calligraphy and painting to the southwest via Guiyang and Zunyi to Chongqing. In October 1945, during the peace talks between China and Mao Zedong, he sketched a portrait of in Chongqing. This portrait was exhibited in the "Liu Shiyin Painting Exhibition" held in Chongqing with the poet Liu Yazi. Mao Zedong wrote an inscription for the exhibition, which caused a sensation in the rear and had a great influence. Guo Moruo, Xu Beihong, Jian Bozan, Feng Zikai, Liu Kaiqu, Chen Erdong and Chen Xianghe successively published articles. In 1946, with the help of Zhou Enlai, Yin Shoushi arrived in the Shanxi-Chahar-Hebei Border Region and became a faculty member of the College of Literature and Art of North China University. In 1947, he was engaged in propaganda with the Inner Mongolia Cultural and Art Troupe. He was the editor-in-chief of the supplement of Inner Mongolia Autonomous Newspaper and Inner Mongolia Pictorial, and attended the first National Literary Congress in Beijing. He was elected as a member of the All-China Artists Association.
In p>195, he served as the deputy director of the Preparatory Committee of Inner Mongolia Federation of Literary and Art Circles, and later as a member of the Cultural and Educational Committee of Inner Mongolia and a member of the Inner Mongolia Political Consultative Conference. In 1956, he was elected Chairman of Inner Mongolia Branch of China Artists Association. In 1957, he served as Deputy Secretary-General of Beijing China Painting Academy. In 195, he joined the China Producer Party. In 1958, he was wrongly classified as a "rightist" and sent to work in Hulin, Heilongjiang Province, and later taught at Harbin Art Institute. In 1962, he was transferred back to Beijing Painting Academy.
In p>1979, he became the vice president of Beijing Painting Academy, attended the Fourth Literary Congress in the same year, and was elected as the director of China Artists Association; In 198, he was elected Chairman of Beijing Federation of Literary and Art Circles and Chairman of Beijing Branch of China Artists Association. In 1981, he was elected as the executive director of China Calligraphers Association; In 1988, he attended the Fifth National Literary Congress and was elected as the executive vice chairman of the China Federation of Literary and Art Circles. In 1996, he attended the Sixth National Literary Congress and was re-elected as Executive Vice Chairman of the China Federation of Literary and Art Circles. He is a member of the eighth and ninth sessions of China People's Political Consultative Conference.