Among the original works of Mi Fei's life, his letters can best reflect his calligraphy temperament and realm, and among all the letters handed down from generation to generation, one work is the best representative of his calligraphy style, and that is his Le Xiong Tie.
1096, Mi Fei was 46 years old. He just resigned as the county magistrate. Before I left my job, I wrote the famous "Worship Zhong Yue's Life", and later I got a leisurely job. Naturally, he is not greedy and despises powerful people. Because he has a special relationship with the royal family, he is extremely knowledgeable and self-centered, which also forms him.
This "Le Xiong Tie" is Mi Fei's reply to a friend after he was idle in Zhongyue Temple. This work fully embodies the "Eight Faces" and "God Horse" in Mi Fei's calligraphy style.
Although this work has only more than 100 words, every word deserves repeated scrutiny. Every word will be applied to the extreme by the diversity of strokes, that is, the so-called "eight fronts", that is, the diversity of strokes. A brush is a cone with infinite faces. When writing, after finishing a stroke, it will switch to the other side of the pen after peak cutting, and the wrist will accumulate strength, thus realizing the transformation of "center and side" in a sense, making the presentation state of each stroke all the time.
? In knitting, Le Xiongtie applied the changes of horse knitting to the extreme. "Li Fengma" is a swaying trend of characters and ranks, which makes the glyph show a variety of jumping feelings such as oblique, horizontal, shades, opening and closing when dealing with different yin and yang relationships, thus making people feel sad. Be ashamed of yourself.