For Yu Zhitong, he is first known in the industry as a famous entrepreneur in China and an expert with outstanding contributions in the State Council. At the end of 198s, China's construction industry used the advanced experience of foreign construction project management for reference, and carried out project-based construction. Yu Zhitong took the lead in piloting successfully, setting a precedent for China's construction project management. At the beginning of the 199s, the national infrastructure construction was on the fast track, and the construction of high-grade highways was in the ascendant. Yu Zhitong was unique in urban construction in Beijing, leading thousands of people to Shandong to participate in the construction of the third expressway in China-Ji (South) Qing (Island) Expressway for three years, which was arduous and successful. He also personally edited the book "Expressway Construction Management and Technology" to fill the expressway construction technology in China. When Yu Zhitong made great achievements, he studied calligraphy and ink and kept writing. He worked hard in the fertile soil of traditional calligraphy for decades and became an influential calligrapher in contemporary calligraphy. He explored the subtle and eclectic, and dabbled in calligraphy in Qin and Han Dynasties, Wei and Jin Dynasties, Six Dynasties tablets and Tang, Song, Yuan, Ming and Qing Dynasties. He attaches great importance to the inner connotation and deep implication of calligraphy creation, and emphasizes the ideal grasp of the essential meaning of calligraphy under the influence of artistic penetration. Judging from the track of Yu Zhitong's pursuit of ancient calligraphy, his regular script is based on Tang Kai, which is mainly manifested in Fa Tie of Xizhi, Yan Zhenqing, Chu Suiliang, Ou Yangxun and other schools, and he pursues the vigorous and vigorous legacy of Jin and Tang Dynasties. His official script is based on the Han stele, starting with Zhang Qianbei and Ode to Shimen, and then taking the method from bamboo slips, taking the stele as the quality and the Jane as the use, which is both simple and natural. See interest in casual.
China's calligraphy emphasizes rich cultural background and perfect personality cultivation. A calligrapher should rely on virtue, ambition, benevolence and artistry, so as to achieve the realm of "Taoism is natural". At this point, Yu Zhitong is ignorant. Life, for example, is full of color and time. This is Yu Zhitong's compliment to Mr. Shao Yifu. Looking at his works, it is not his personal portrayal! The works that Mr. Tong assembled and displayed this time are the crystallization of his years of hard work. Apart from his profound understanding and practice of the traditional origin of calligraphy, it is important to have something to do with his long military career in the past. Yu Zhitong has more than 2 years of military career and entrepreneurial experience. His generosity, perseverance, frank nature, childlike interest, flying smartly, condensed his pen, watched his works and wanted to see him as a person.
What is particularly respectable is that, as the pilot unit of 12 large enterprise groups in the State Council and the general manager of the group company, one of the 225 large contractors in the world, despite his busy affairs and arduous tasks, he can devote himself to calligraphy creation after work, serve the construction of corporate culture and socialist spiritual civilization, which, to a certain extent, embodies a noble, humble, selfless and professional spirit, which is not only the remarkable achievements of Yu Zhitong in calligraphy creation, but also makes people feel comfortable.