Poetry about Changshu Yushan Tea

1. Poems about Yushan

Visiting Yushan (Chen Meng of the Song Dynasty)

The apricot blossoms in Yedian are full of red branches, and the weather is in early spring in the south of the Yangtze River. Qingshan laughs at how late I am, and my gray hair reminds me of how old I am.

The snow in Yun Dou disappears, the dragon stream is full, and the star altar tree is in danger of faltering nests. In the Ming Dynasty, when the Ming Dynasty wanted to ascend to Linxing, it also went to the Taoist period in the clouds.

Lakes, Mountains and Colors at the Loukou account for four poems (in order)

One (late Yuan Dynasty and early Ming Dynasty·Gu Ying)

The wind and rain are blowing across the lake, and the stream is Flowing clouds come out of the trees. The secluded people upstairs don't know the heat, and they watch Yushan with their wine behind the hooked curtain.

Two poems by the same gentlemen at the foot of Fanyu Mountain

One (Ming Dynasty, Wang Shizhen)

The beauty of the green mountains is endless, I can only look at it after the rain. Idle clouds are floating on the sky, and waterfalls are scattered in the forest.

A wandering girl sings thousands of flowers in the dark, singing wildly in the cold bamboos. There is no need to doubt the wine cup, why should I wear any clothes?

Two poems with all the gentlemen at the foot of Panyu Mountain

The second one (Ming Dynasty, Wang Shizhen)

The drums are all over the south of the Yangtze River, and the current tour is more magnificent. The sky is suspicious of broken pillars and brakes, and the mountains seem to be pushing away tents.

Outside the sound of the flute and the spring, the rain is falling. The stream in front of me is flowing smoothly, so there is no need to worry about the poor road ahead. 2. That poem is about the Xingfu Temple in Yushan, Changshu

"Inscribed on the Zen Temple Behind the Poshan Temple" is a poem on the wall written by Chang Jian, a poet of the Tang Dynasty. There are many existing versions.

"Inscribed on the Buddhist Temple Behind Poshan Temple" Tang Dynasty: Chang Jian Entering the ancient temple early in the morning, the first sun shines on the high forest. The bamboo path leads to a secluded place, and the Zen room is surrounded by flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent here, except for the sound of bells and chimes.

(Version 1) Entering the ancient temple early in the morning, the first sun shines on the high forest. The winding path leads to a secluded place, and the Zen room is deep with flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent except for the sound of bells and chimes.

(Version 2) Entering the ancient temple early in the morning, the first sun shines on the high forest. The bamboo path leads to a secluded place, and the Zen room is surrounded by flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent, except for the sound of bells and chimes.

(Version 3) Entering the ancient temple early in the morning, the first sun shines on the high forest. The winding path leads to a secluded place, and the Zen room is deep with flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent, except for the sound of bells and chimes.

(Version 4) Notes: 1. Poshan Temple: Impromptu Fu Temple, located on Yushan Mountain in the northwest of Changshu City, Jiangsu Province. It was built in the house of Ni Deguang, the governor of Chenzhou, a native of Qiyi in the Southern Dynasties.

2. Early morning: morning. Enter: enter.

Ancient temple: refers to Poshan Temple. 3. First day: the morning sun.

Photo: shine. Gaolin: A forest of tall trees.

4. Bamboo path: one is called "winding path", and the other is called "one path". Tong: One word is "encounter".

You: quiet. 5. Zen room: a place where monks live and practice.

6. Yue: This is a verb used to make...happy. 7. Pool shadow: reflection in clear pool water.

Empty: This is the use of verb, making...empty. This sentence means that the water in the pool is clear and empty, and the reflection in the pool makes people disappear all their common thoughts.

8. Wan Lai (lài): various sounds. Lai, the sound coming from the holes, generally refers to sound.

Here: Here, that is, in Houchanyuan. Du: One word means "all".

9. Danyu: Only stay. One is "Weiyu" and the other is "Weiwen".

Zhongqing (qìng): a percussion instrument used to gather monks in Buddhist temples. Qing is an ancient ruler-shaped percussion instrument made of jade or metal.

Definition: I walked into this ancient temple early in the morning, and the rising sun reflected the woods on the mountain. Bamboo groves cover the path leading to the depths, and the flowers and trees in front and behind the Zen room are luxuriant and colorful.

The bright mountain light makes the birds more happy, and the clear water in the pond also refreshes the mind and purifies the mind. At this moment, everything was silent, leaving only the sound of bells and chimes.

About the author: Chang Jian, a poet of the Tang Dynasty. Kaiyuan (the reign of Emperor Xuanzong of the Tang Dynasty, 713-742 AD) was a Jinshi, on the same list as Wang Changling.

He once served as Lieutenant Xuyi. Frustrated in his official career, he lived in seclusion in Wuchang, Ezhou (now part of Hubei).

Most of his poems are in five characters, often with themes of mountains, forests and temples. There are also some frontier fortress poems.

There is "Chang Jian Ji".

Extended information: This poem is about the Buddhist temple and Zen courtyard, and expresses the author's reclusive mind of forgetting the world and focusing on the mountains and rivers.

The poet climbed Poshan Mountain in the early morning and entered Xingfu Temple. The rising sun illuminated the woods on the mountain. Buddhists call the place where monks gather as a "forest", so "Gaolin" also means to praise the Zen monastery, and the scene of the illuminated mountain and forest shows the feeling of praising the Buddha.

Then, the poet walked through the bamboo path in the temple and walked to the deep backyard. He found that the Zen room where he chanted sutras and worshiped Buddha was deep in the flowers and woods in the backyard. Such a quiet and wonderful environment made the poet marvel, be intoxicated and appreciate it with forgetfulness.

He raised his eyes and saw the green hills behind the temple glowing with sunshine, and saw the birds flying and singing freely. When he walked to the clear water pool, he saw the sky, the earth and his figure in the water. Suddenly, the sky becomes clear, and all the distracting thoughts from the worldly world are instantly eliminated from my mind. At this moment, in this scene and in this situation, the poet seems to have realized the mystery of Buddhism Zen, free from all the troubles of the world, as free and carefree as a bird.

It seems that all other sounds in nature and the human world are silenced, and only the sound of bells and chimes, this melodious and loud Buddhist sound, guides people into a pure and joyful state. Obviously, the poet appreciates the beautiful and unique residence of this Zen courtyard, appreciates the artistic conception of this empty world and forgets the worldly world, and expresses his feelings of being secluded from the world.

This is a five-character poem, but the style of writing is similar to the ancient style, the language is simple, and the meter is flexible. The first couplet uses flowing water pairs, but the second couplet does not use them, which is due to the need for creativity.

This poem has been highly praised since the Tang Dynasty, mainly because of its beautiful and interesting conception. The poem begins with a morning visit to the mountain temple and ends with a praising detachment. It describes the scenery and expresses emotions simply, but the meaning is implicit.

This kind of euphemistic and implicit idea. Most of the landscape poems in the prosperous Tang Dynasty sing about seclusion and leisurely mood, but each has its own unique style and achievements.

Chang Jian's poem is about enlightenment while traveling. It has the popular sentiment of the landscape poetry of the prosperous Tang Dynasty, but its style is elegant and clear. Artistically, it is different from Wang Wei's sublime and Meng Haoran's plain urban poetry. Not similar, but truly unique. Poshan is located in today's Changshu, Jiangsu Province. The temple refers to Xingfu Temple. It was rebuilt from the alms house of Ni Deguang, the governor of Chenzhou during the Southern Qi Dynasty. It was already an ancient temple in the Tang Dynasty.

The poem expresses the impression of the Zen courtyard after visiting the temple in the early morning. The style of writing is simple, the description is clear, the interest is profound, the artistic conception is blended, and the art is quite complete. It is unique among the landscape poems of the Tang Dynasty. Famous articles. Baidu Encyclopedia - Titled Poshan Temple Houchanyuan. 3. Poems and sayings describing Changshu

"The seven streams all lead to the sea, and half of the ten miles of green mountains enter the city."

"The green water surrounds the city, and the green mountains reach the county." "

"The mountains are beautiful and the fields are beautiful in the southeast, and the sky connects the clear lake with light above and below." 4. What are the poems and songs about Changshu?

The folk art Yushan Qin School has been developing the guqin art for 3000 years. Among qin players with various artistic views and playing styles, some people with the same characteristics are called qin schools.

The unique characteristics generally depend on the local color, the origin of the teacher and the origin of the qin. The passed-down musical notations, from the "Wu" and "Shu" sounds in the Tang Dynasty to the "Chen" and "Zhu" sounds, to the Gepu and Jiangxi Pu in the Song Dynasty, record the development process before the emergence of the Qin School and lay the foundation for the formation of the Qin Dynasty. The qin school has accumulated increasingly mature conditions.

Since the qin school refers to a group of qin players, the early "sounds" or "pu's" are not officially the qin school, they can only be said to belong to it. In its embryonic form, the famous Qin schools in history are mainly Zhejiang School, Yushan School and Guangling School. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, Xu Mengji (known as Xiaoshanzhongren), the grandson of Xu Tianmin, the famous teacher of the Zhejiang School and the founder of the "Xu Men Zhengzhuan" in the piano world, had been giving lectures in Changshu, Jiangsu for a long time. Therefore, it can be said that he gave rise to the Yushan School in Changshu. The conditions were prepared, and the founders of the Yushan School, Yan Cheng (alias Daoche, also known as Tianchi) and Xu Shangying (known as Qingshan), had the same teachers - the famous piano master Chen Aitong and his son Chen Xingyuan laid the foundation for the birth of the Yushan School. foundation.

At the end of the Ming Dynasty, the Yushan sect flourished in Changshu, Jiangsu. It was named after the local Yushan sect (also known as the Shu sect and Qinchuan sect). Its founder, Yan Tianchi, organized the first Chinese sect in Changshu. A piano club organization - Qinchuan Qin Club. He inherited the excellent tradition of Chen Aitong, and also absorbed the creation of Shenyin of the Beijing Qin School, forming a "clear, subtle, light, and distant" Qin style.

In the preface to "Song Xian Guan Qin Pu" compiled by Yan Tianchi, he emphasized the artistic expression of the music itself and severely criticized the trend of overfilling music and lyrics at that time. In addition, Yan Tianchi was the son of Yan Na, Duke Wenjing, and had served as the prefect, so his prominent status was even more valued.

Xu Qingshan, another disciple of Chen Aitong, made even more achievements. He summarized the aesthetic views of Qin music performance into 24 point-by-point discussions, which is the important point in the history of Chinese aesthetics, "Xishan Qin Kuang". He made up for Yan Tianchi's shortcomings of one-sided emphasis on "lateness", advocating that there is delay and speed, such as cold and heat in the four seasons, and he also included Yan's rejection of the fast repertoire "Pheasant Flying in the Morning", "Black Night Cry", "Xiaoxiang Water Cloud" " is included in his "Dahuange Qin Music Score", so it can be said that he fully inherited and enriched the Yushan School's qin music.

Because Yan Tianchi and Xu Qingshan’s musical harmonies were profound and their theoretical achievements had far-reaching influence, the Yushan School became popular all over the world and had a wide influence. There are more than ten kinds of main qin music scores, which are so popular that the Guangling qin school that emerged later is also considered to have "the same flavor as the familiar school" ("Erxiang Qin Pu: Pure Words of Qin Xue"). From a historical perspective, the Yushan School inherited the essence of the Zhejiang School and inspired Guangling Qin style, making outstanding contributions. Therefore, later generations called the Yushan School "authentic ancient music", "removing the vulgar and returning to elegance, and becoming the mainstay of the Ming Dynasty". "The most influential Qin school during the Qing Dynasty" is indeed worthy of the title.

Over the past three hundred years, the Yushan qin sect has gathered many disciples, and many famous qin players have emerged. The contemporary qin player Mr. Wu Jinglue is particularly worthy of praise. Mr. Wu Jinglue has a profound foundation in Jiangnan folk music, the courage to learn from others, and the creative spirit of daring to make progress.

His playing style is coherent, smooth, gorgeous and colorful, with the unique lyrical, soft and cantabile characteristics of southern my country. And among the soft beauty, there are often ups and downs intertwined, exciting and powerful charm, novel style, and today's people are fascinated.

He not only perfectly interpreted the aesthetic essence of Yushan School's guqin art, but also promoted guqin to the level of professional colleges and cultivated a number of contemporary famous players such as Wu Wenguang and Li Xiangting, who have made great contributions to the field of guqin. The impact can be described as huge and far-reaching. Calligraphy Changshu calligraphy has a profound foundation and a long history.

In "Youxian Advocacy" written by Zhang Gu of the Tang Dynasty, the story of Zhang Xu, a master of cursive calligraphy known as the "Sage of Calligraphy", discussed calligraphy with an old man from Changshu. According to statistics from the "Dictionary of Names of Chinese Artists", there are nearly 200 calligraphers from Changshu selected.

There are only a handful of similar calligraphy talents in the country. Although Zhang Xu is not from Changshu, his calligraphy improved day by day because he met a calligrapher when he was a captain in Changshu County. As a result, he made extremely outstanding personal achievements and reached the level of proficiency, which also opened the door for Changshu. The custom of cultivating literacy through calligraphy was established.

To this day, there are monuments and legends about Zhang Xu’s calligraphy such as Zuiwei Street and Xiyanchi. Since the Yuan Dynasty, there have been many famous calligraphers in Changshu, especially the three Changshu calligraphers Yang Yisun, Weng Tonghe and Xiao Hui who emerged from the late Qing Dynasty to the early Republic of China.

Yang Yisun devoted himself to the study of calligraphy since childhood, and was especially fond of the study of seal script. His seal scripts have become unique by absorbing bronze inscriptions, stone drum inscriptions, Qin Liangzhao editions, and Han steles. The great calligraphers of the Jin Dynasty, such as Wu Dacheng, Wu Changshuo, Luo Zhenyu, etc., all studied Yang's seal script.

Xiao Hui was diligent in learning calligraphy and calligraphy when he was young. In his prime, his calligraphy achievements were well-known far and wide. The seal script is rich but not bloated, the official script is clear and graceful, the cursive script is pure and natural, and the running script is mellow and lively. It can be said that all four calligraphy are excellent, and he is known as "the first calligrapher in Jiangnan".

Weng Tonghe, the imperial teacher of the two dynasties, studied Ou, Chu, Liu and Zhao in his early years. In the middle age, he studied beauty and acquired his character. He even went to and from Sumi, and was known as the "child's body" at that time.

In his later years, he studied officialdom, returned to writing books, and pursued Jingmu. At that time, people found the piece of paper and the characters and regarded it as a treasure.

"Manuscripts of Qing History" and other documents say that Wengzhi's calligraphy "is a family of his own and is the ancestor of the world", "recommended as the best in the world between Tongzhi and Guangxu", and "a person after Qian and Jia." Changshu Museum There are many calligraphy and calligraphy works by Yang Yisun, Weng Tonghe and Xiao Tui for viewing.

Painting Changshu, a national historical and cultural city, is home to numerous painters. According to incomplete statistics, by the end of the Qing Dynasty, there were more than 1,000 painters. It can be said that there are bright stars and successors from generation to generation.

Among them, the "Yushan School of Painting", which merged northern and southern schools into one, has a popular style that continues to this day. Changshu paintings can be traced back to Huang Gongwang of the Yuan Dynasty.

Huang is versatile, skilled in calligraphy, poetry, and sanqu, and is especially good at landscape painting. The creation focuses on sketching, and the materials mostly come from the mountains and rivers of Yushan and Fuchun, either using light crimson or ink colors.

The composition is powerful and the landscape in the painting is "full of mountains and lush vegetation". He is known as the first of the "Four Yuan Schools" and has a profound influence on landscape painting of the Ming and Qing Dynasties. There are about twenty pieces of Huang Gongwang's handed down works, which are regarded as treasures by the world.

Among them, "Dwelling in the Fuchun Mountains" is the most famous volume. Half of this painting is now hidden in mainland China and half in Taiwan. After Huang's death, his tomb was at the west foot of Yushan Mountain.

Zhou Zhimian, a famous Jiangnan painter in the Ming Dynasty, painted flowers with dots and clusters of dyes, and he also worked with calligraphy. He formed a school of his own, which was called the "Chai Hua Jie Ye School" in the history of painting. Zhou has more than thirty works handed down from generation to generation, mainly. 5. That poem is about the Xingfu Temple in Yushan, Changshu

"Inscribed on the Zen Temple Behind the Poshan Temple" is a poem on the wall written by Chang Jian, a poet of the Tang Dynasty. There are many existing versions.

"Inscribed on the Zen Temple behind the Poshan Temple" Tang Dynasty: Chang Jian Entering the ancient temple early in the morning, the first sun shines on the high forest. The bamboo path leads to a secluded place, and the Zen room is surrounded by flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent here, except for the sound of bells and chimes.

(Version 1) Entering the ancient temple early in the morning, the first sun shines on the high forest. The winding path leads to a secluded place, and the Zen room is deep with flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent except for the sound of bells and chimes.

(Version 2) Entering the ancient temple early in the morning, the first sun shines on the high forest. The bamboo path leads to a secluded place, and the Zen room is surrounded by flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent, except for the sound of bells and chimes.

(Version 3) Entering the ancient temple early in the morning, the first sun shines on the high forest. The winding path leads to a secluded place, and the Zen room is deep with flowers and trees.

The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart. Everything is silent, except for the sound of bells and chimes.

(Version 4) Notes: 1. Poshan Temple: Impromptu Fu Temple, located on Yushan Mountain in the northwest of Changshu City, Jiangsu Province today. It was built in the house of Ni Deguang, the governor of Chenzhou, a native of Qiyi in the Southern Dynasties.