"Bushua has been the first to write a word, although Sue and Xin couldn't hold back" shows that Liu Yazi is right about this word.

What Liu Yazi said is Chairman Mao's "Spring and Snow in Qinyuan", which shows that Liu Yazi's admiration for this word is amazing! He thinks that even Su Dongpo or Xin Qiji can't compare! 1945 10 month. It is indeed a rare spectacle in ancient and modern times that a poem can cause such a great sensation. In A.D. 10, Mao Zedong led a delegation from Yan 'an to Chongqing for peace talks with the Kuomintang. During the negotiation, Chairman Mao was very happy to see his old friend Liu Yazi, so he wrote "Qinyuanchun Snow" in calligraphy and presented it to Liu Yazi on a page of stationery printed with "Chongqing Office of the 18th Army". Liu Yazi was very excited after reading it, that is, he sang a song "Qinyuanchun". "The second rhyme and Chairman Mao's snow-chanting works can't be as original as expected." After Liu Ci's "Spring in the Garden", Fen wrote a poem after the poem, so I might as well copy it here. Let's take a look at how a generation of nouns Liu Yazi appreciated Mao Zedong's "Spring and Snow in the Qinyuan": "I know a lot, May 1926, director of the Propaganda Department of the Kuomintang Central Committee in China, Guangzhou also. On 1945, I met Yuzhou again, shook hands disconsolately, and could not help feeling that mulberries were soaked in the valley. Yu Runzhi wrote the Long March poem, which benefited from his first visit to northern Shaanxi to see the snow "Qinyuanchun". After reading it, I sighed at first hand for China since he wrote poetry. Sue and Xin can't fight, can they? It itches, just like this. " Later, Liu Yazi reluctantly gave up what he wanted and gave it to Chairman Mao's Qinyuanchun. Snow was sent to Yin Shoushi, a famous painter. He kept asking him for ink, and made a postscript, which was sent together with his own works. In this postscript to Yin Shoushi, Liu Yazi went on to write: "Mao Runzhi's" Qinyuanchun "is a masterpiece, and the rest are eternal songs. Although Dongpo and You 'an are still backward, let alone the poems of the Southern Tang Dynasty and the slow poems of the Southern Song Dynasty. ..... "Then Liu Yazi copied Chairman Mao's words and his own summation to Xinhua Daily (a newspaper with Chongqing as its capital at that time). The person in charge of the newspaper believes that the publication of this poem should be asked by Chairman Mao himself. At that time, Chairman Mao had signed the October 10th Agreement and returned to Yan 'an. Asking for instructions takes time. Then I decided to publish Liu Yazi's harmony words first. When Liu Ci came out, it immediately aroused widespread concern, because people knew from the preface of his ci that Chairman Mao had a poem praising snow in Qinyuanchun. At that time, journalists and intellectuals ran around looking for it, so some manuscripts appeared and circulated privately. Wu Zuguang, who first appeared in newspapers, is the editor of the supplement of Xinmin Daily Evening News, a private newspaper in Chongqing. He copied the incomplete draft of the poem from three places (or several places) and assembled it completely. Published in the second edition of June165438+1October 14, with the note: "Mr. Mao Runzhi can write poems, which seems to be little known. A guest copied the word "Chun Xue in the Garden", which is unique in style, rich in literary talent and emotion, but not equal in boldness of vision. According to Shi Mao, games are not enough for juvenile law, especially for outsiders. " As soon as this poem comes out, if a spring thunder on the ground causes a big shock in Chongqing, people will rush to tell each other and discuss with each other overnight, which will become an enduring major news; From the young to the old, from the office to the teahouse, the voice of praise is endless. At the same time, a stone stirs up a thousand waves, and the waves will spread out round after round until they reach the 9.6 million square kilometers of land in China. At that time, the Kuomintang panicked, and Chiang Kai-shek personally ordered the Propaganda Department of the Kuomintang of the Communist Party of China to hold an emergency meeting to lay out siege strategies. All day long, newspapers controlled by the Kuomintang reactionaries published a large number of "Qinyuanchun" which was tit-for-tat with Mao Zedong, and also attacked Mao Zedong's "imperial people's thought". Chongqing cultural progressives also countered the bad behavior of the Kuomintang authorities. Guo Moruo first published his first poem "Qinyuanchun" in Xinmin Daily Evening News, and then published a poem with Nie Gannu in Objective magazine. Wang Ruofei's uncle, Mr. Huang Jisheng, also fought back against Qinyuanchun. At that time, two schools of "Qinyuanchun" (revolutionary Qinyuanchun and reactionary Qinyuanchun) fought bravely and danced with the earth over Chongqing, and "Qinyuanchun" became the mantra of thousands of citizens. In this heated debate, a very clever restaurant owner in Chongqing immediately decided to use "Qinyuanchun" as the name of the store, and hung "Qinyuanchun Snow" by President Mao Zedong in the store to attract customers, and the business immediately flourished, and it was not a problem to fight for money every day. Therefore, for the enemy's accusation, this poem has "imperial thought." How did Chairman Mao handle it? Later, in1958 65438+February 2 1, Chairman Mao officially endorsed this poem and pointed out the theme: "Snow: anti-feudalism, criticizing a reactionary aspect of feudalism in 2000. Literary talent, coquettish, and big carving can only be like this, knowing that this is writing poetry! Can we abuse these people? Other explanations are wrong. The last three sentences refer to the proletariat. " Finally, let's look at the artistic charm of this poem itself. As Liu Yazi said, Chairman Mao's poems are masterpieces through the ages, and his superb skills and mind are also the first works since China wrote poems, even after Dongpo and Jiaxuan. Since ancient times, scholars and poets have sung about snow, and there are many excellent works. However, Chairman Mao's poems about snow broke the previous stereotype and used innovative words. At the same time, it follows Guge and can't be published unless it is written in a big way. It is indeed "crossing Liuhe and sweeping away the past and the present", and the atmosphere includes Wan Li's motherland and China's long history. Uptown begins with a description of the heavy snow in the north. Together, the vision is magnificent, thousands of miles away, thousands of miles away, frozen with ice and snow, neatly arranged and extending in all directions. Here, the poet's inner passion has overshadowed the "northern scenery" in one fell swoop. Then he wrote the elephants inside and outside the Great Wall and up and down the Yellow River as azimuth geography, and then ran through the four lines of east, west, north and south with a cavity of heroism. Then, take advantage of the unfinished great heroism, have a little dinner, and enter the detailed description. The dance of the mountain is like a silver snake, and the snow field is like a white elephant, which is a metaphor for God's arrival. Ingenious entry can be easily done without blowing off dust. Do the mountains and the snow want to compete with God? The poet also took this opportunity to hint at his heroic feelings of fighting against heaven and earth. Love starts from the scenery and leads the scenery. When the poet is in the dreamland of beauty, waiting for the sun to shine, and it is sunny, the sunny sky on the white snowfield shines on the rivers and mountains, and the color is like a group of girls in red, gorgeous, charming and radiant. At the end, the poet is full of enthusiasm. From the vast snow, Jiangshan has a new red posture, the sun. The essence of the essence gradually emerged, indicating that a brand-new China was born in the motherland. The beauty of the scenery naturally leads to the history of the next scene, because thousands of heroes and heroines in history are competing to sing for the exquisite and beautiful mountains and rivers (using indirect anthropomorphic rhetoric). After the nature film was finished, guided by a "pity", seven sentences were connected to deny historical figures, and the five famous emperors of China were cited as the overall evaluation of "criticizing a reactionary aspect of feudalism in 2000". (Author's language) The merits and demerits of the Millennium have been swept away. If the situation does not return to the river, the waves will destroy the heroes. Then, the word "it's all over" turns again, and it is another sigh, just like Kong Qiu's sigh that "the deceased is so dead that he doesn't give up day and night", which is also a sigh in the soul of the Chinese nation. Then the pen turned sharply and saw joy: "Count the romantic figures and look at the present." This is a tribute to the new face of contemporary China, to the upcoming liberation of the people of China under the leadership of the Chinese Production Party, and to the upcoming socialist China in the dark old China of the East. As the poet himself said, "the last three sentences refer to the proletariat." The new China under the dictatorship of the proletariat will be born in this ancient land.