Zhao huafeng
Looking at Feng's calligraphy, it is solid and empty, with flying strokes and vibrating strokes, small-minded and courageous. In the form of knots and stippling, the ancient people's purport of "size", "density" and "fatness" is also obtained, such as the strange peaks in the summer clouds, which are unpredictable. In the expression of rules, there are both traditional forms and new forms, so as to achieve a refreshing feeling in visual effects.
He is a blue chip with great collection potential. Anyone familiar with him knows that he has made great achievements in the field of calligraphy. His calligraphy works have won calligraphy awards for dozens of times. He is a contemporary calligrapher with artistic personality and still developing. His audience is not very wide, but it may be chosen by historical theory. He has a bright future! !
Mr. Shao Peng devoted himself to writing many works with the contents of Chinese studies, which is the bearing and responsibility of calligraphy for culture, aiming at revisiting the tradition and strengthening the sense of mission of contemporary cultural workers.
The key to his success is that he is thoughtful and a thoughtful reader. For example, in the post, he opposed the thoughtless accumulation. The ink spent a thousand jars and the paper piled up like a mountain, which may not be able to achieve "from quantitative change to qualitative change"; He studied the classics of his ancestors and put form and quality first, while in calligraphy creation, he consciously put temperament first. This temperament is "handwriting", which is a natural writing after a lot of ups and downs. "Writing" is the soul and language of calligraphy. The realization of "writing" lies in points and lines, and the richness of points and lines comes from form. Therefore, he learned from the past vertically, pursued the present horizontally instead of the left and right, neither doing well nor hurting the present, and embarked on his own creative path.
His cursive script is gentle and elegant, and his official script is fresh and elegant, but it is also naive. The small characters are meaningful and have strong rhyme, and the big characters are strong but not correct, and the rhyme is in it. He emphasized "writing", which is a kind of "writing". The content is freehand brushwork, emotional and heartfelt. He writes about the world with a plump belly and the ups and downs of his life journey.
With his own pen and ink, he devoted himself to writing the pace of the times, making the rapidly changing social world and hard and busy public life more calm, moist and elegant, restoring calligraphy to life scenes, making life full of the pure fragrance of calligraphy, and his unique cultivation is both antique and can improve the calligraphy culture of modern people's life and psychological state. He is more diligent and in-depth to seek inward, adhere to the right path, correct bias, return to the standard, and better serve as the inheritor of China's calligraphy skills and the disseminator of China culture. He tempered a tube of soft things in his hand to be more pure and firm.
Life is a free and continuous process, and calligraphy is the freest and simplest form of life creation. Mr. Shao Peng loves calligraphy and is crazy about it. His study of calligraphy is not only for the cause of settling down, but also for refreshing, being happy and caring. How fulfilling this life is! !
I'm happy for Mr. Shao Peng!
In the fourth year, I started writing on the first auspicious day of the first month, and wrote seven drafts on the seventh day of the calendar. I'm so happy!
In the fourth year, Meng Chun Huafeng wrote in Haiyuetang.
(The author is a disciple of Mr. Qi Gong and a doctoral supervisor of a famous calligraphy seal engraver. )