Yexunquan, also known as casting sword pool, is the biggest source of Laolongwan. The rock next to Yiqing Pool is engraved with three characters "Casting Sword Pool", and there is an inscription on the cliff: "Heaven cares for Yin and Yang swords, and the magic axe chisels the pool". The pen is wonderful, and the font is vigorous. This is written by Xue Xiu at the request of Feng Weimin.
Shanxi Spring is located 40 meters east of the former site of Bailong Palace in the south of Laolongwan. Spring water gushed out from under the lying cow stone at the foot of the floating sea, shining like a string of pearls. In midsummer, I take a nap in spring, and the summer heat disappears; Boiling water to make tea has a pure fragrance. Li Daoyuan once rested on a lying cow stone, hence the name.
Zhuomatan is located in the front triangle bay of Conantai, where the spring is full and the water is refreshing. According to legend, at the end of the Warring States Period, Qi Xuanwang's wife Zhong Lichun washed horses here, hence the name Zhuomatan. The "catching the horse pond" in Feng Weimin's Ten Scenes of Yeyuan refers to the deep water behind Conantai.
Wanbaoquan, located in the north of Laolongwan, is a rectangular pool with clear water, which is the main drinking spring for northern residents. There is a stone tablet in Song Jieting in the east of the pool, which reads the word "Wan Baoquan", written by Feng Xitian, a scholar in Tongzhi period of Qing Dynasty.
There is a Qingshi arch bridge in the east of Xuehua Bridge, which is the passage for tourists to enter Laolongwan. Its shape is beautiful, and the bridge body touches water. Even in the dead of winter, the water temperature can warm the bridge deck. When it snows in winter, snowflakes fall on the bridge deck and melt, so it is named Xuehua Bridge.
At the exit of Qiaoyun Zhuoma Beach, there is an arched stone bridge named Qiao Yun. Zhuo Ma Tanshui has not crossed the Yunqiao Bridge, that is, it meets the external water. There is a dividing line between the two waters on the water surface, which is as static as broken glass lines, moving like the wind and sending the hairspring into nothingness. If you break the surface of the water and recover instantly, it will be a spectacle.
The former site of the South Longwang Temple of Xuehuaqiao in Bailong Palace is the Bailong Palace surrounded by water on three sides. On the opposite side stands the colorful bamboo stone carving of A Qing Dynasty Chen Rong. The stone tablet is inlaid with blue bricks, with an inner diameter of1.58m and a width of1.56m. It is carved with bamboo poles, with vigorous and neat branches and leaves, colorful and distinct layers. The brushwork is vigorous, with both form and spirit, and it is quite elegant in bamboo.
Haifushan is on the south side of Laolongwan, with an altitude of 2 15.9 meters. Legend has it that there was a Wang Yang here in ancient times, and only this mountain looked up at the sea, so it was called Haifu Mountain. Fushan Temple at the top of the mountain is well known. This ancient temple was built in the third year of Heping in the Northern Wei Dynasty (462). It was built on the former site of Nanqi and Shang Yuan, and was named Temple. Later renamed yuquan temple and Fushan Temple. After several generations of expansion, this temple has reached a large scale in the Qing Dynasty, covering an area of 1.4 hectares, with more than a dozen temples, pavilions and more than 70 temples. After the late Qing Dynasty and the early Republic of China, incense was gradually ignored because of many wars. Hundreds of years old trees were cut down and temples were burned down. After the founding of People's Republic of China (PRC), the government restored ancient buildings, and many celebrities wrote plaques. The rebuilt Fushan Temple is divided into three courtyards: front, middle and back. The main buildings are Bi Xia Temple, Jade Emperor Pavilion, Empress Dowager Hall, East and West Hall, Bell Tower, Drum Tower and Kuixing Building.
In the Cuifen Cemetery on the south slope of Haifu Mountain, Wei Lie's history of commanders and generals were excavated in April 1986, which is of great historical value to the study of China's painting history. There are many ancient tombs in this area, belonging to the tomb group of Haifushan. 1992, Shandong provincial government designated it as a provincial key cultural relics protection unit. To the east of the mountain is the famous Yeyuan Reservoir. On the Shanxi side, there are stone mushrooms in Wollongong, trickling clear springs and Maolin bamboo planting.
On the floating mountain in the pavilion sea, among the bamboos, there is Kangnantai in the south of Laolongwan, which was built by Feng Weimin, a famous composer of Sanqu in the Ming Dynasty, when he abandoned his official position and returned to his hometown to live in seclusion next to Laolongwan. Formerly known as Jiangnan. During the reign of Qianlong in the Qing Dynasty, 19 12 rebuilt the plaque titled "Blue Wave Cloud", and Feng, a descendant of Feng, changed his name to "Conantai". /kloc-in the autumn of 0/986, calligrapher Wu Zhongqi wrote a book "Blue Waves and Clouds", and a re-created plaque was hung in Jiangnan Pavilion. In the north of Laolongwan, there are Zhoufang Pavilion and Bailong Palace, which face each other across the sea. According to the Records of Linqu County in Guangxu period of Qing Dynasty, Feng Qi once built Qingyi Pavilion here in Ming Dynasty, and for a long time built a small pavilion at its address with the title "Zhou Fang". Due to disrepair, it was demolished on 1965 and rebuilt on 1973, and it is still named Zhou Fangting. Zhoufang Pavilion is a blue tile Dan column pavilion with beautiful shape and surrounded by water. Only a small bridge connects with the north bank. Dozens of acres of bamboo around the pavilion are said to have been transplanted from Jiangnan. Bajiaowan, Xiaoxue Bridge and the murmur of Liu Qing in front of the pavilion are the beautiful scenery of Laolongwan. Feng Weimin once lived in seclusion here, calling himself "Hai Fushan". During his seclusion in the wild garden, he created a large number of Sanqu and Zaju. Sometimes, I celebrate the feast with my peers, sing songs that suit me, put out landscapes, and leave many chapters praising the scenery of Laolongwan.