Selected poems of Yueyang Tower

The first song "Looking at Yueyang Tower at Night"

Gankun travels thousands of miles, and the fishing boat returns.

The north wind is oblique upstairs, and the west of the lake is upside down.

Huai Sha hates poets, while Di Zi idles about.

What is the dusk? Several smoke trees meet Man Jing.

-Cui Jue, the author, is not an unknown poet. His works have a volume in the whole Tang poetry. It's just that there are too many outstanding poets in the Tang Dynasty, and he is too humble. But as far as this song is concerned, the level is still good. The first alliance starts from the overall situation and broadens the horizon first; Write a close-up in the middle of two couplets, which is very neat; The last couplet has the artistic conception of "only I look home, the twilight fades, and the river waves are covered with sad fog". He is just an ordinary scholar and a small county magistrate, but this poem has everyone's demeanor.

The second "Yueyang Tower"

Leaning against the building, looking forward to the future.

In the evening, the red leaves remain in Chu, and in autumn, Jiangbi enters Wu.

The geese in the clouds are in a hurry, and the sails are finally lonely.

The moon with me, leisurely god.

—— Author Jiang Wei, poet of Southern Tang Dynasty. Jiang Wei is not a nobody. At that time, he was a famous genius. He once wrote a poem in Bailu Temple in Lushan Mountain, which was later seen by Li Houzhu and highly appreciated by the latter. Therefore, Jiang Wei is pretentious and frivolous, thinking that fame and fortune are easy to get. Unexpectedly, he is always making things difficult for officials in Nantang. In a fit of pique, he wanted to go to wuyue. He didn't want to reveal the matter and was found guilty. This shows that he is arrogant. This "Yueyang Tower" is elegantly written, not worse than others.

The third song "Rebuilding Yueyang Tower"

This is the only building that crosses mountains and rivers, and its name has been passed down from ancient times to modern times.

However, I watched the new scenery floating in Hunan and paid attention to the old tour of Junshan.

Romance is still an old friend, and the porch window is now crowned in Zhou Nan.

Chasing Zhang Xiang and Teng Hou from afar, fortunately, the rules and regulations are better than swimming.

—— Author Zheng, known as the Yuezhou Army, was stationed in Yuanfeng. This poem is very ordinary, and its artistry is not high at all, only better than most online rhythmic poems now. But considering that the author is only a small local military attache, after all, he is not a scholar who lives by reading. Moreover, there are still some things worthy of recognition in this poem, such as the admiration for the sages and the humble attitude of being too modest to come out. There are few full-time military attaché s with titles in history. As far as this work is concerned, it is obvious that this man has worked hard on metrical poems. It is not clear whether he studied for a few days to please his boss or because of the policy of "civil servants are officials, supplemented by military attache" in Song Dynasty.

The fourth "Yueyang Tower"

The book is empty in August, and Yueyang Tower overlooks Qingchuan.

The sound of water makes the emperor happy, and the mountains make the jade emperor smell fragrant.

The ship sailed off the island, and the lonely clouds held the sunset glow.

There is no place in the southeast, send me to heaven.

-Author Liu Xianlun, a poet in the Song Dynasty, and Liu Guo, together known as Luling Ershi, are quite famous. This poem changes the thinness of Song poetry, but it is very similar to Tang poetry. If you pretend to be the works of Wang Wei, Du Fu and Cen Can, it is not impossible to hide it from others.

The fifth "Yueyang Tower"

After the music, worry first and then remember the panorama, so today we can only rely on the fence.

Swallowing nine waters is wide, and the cashier has a wide realm.

The music of the Yellow Emperor is loud and broad, and Xiang Jun's shadow is immersed in the clear blue.

Jiang Shan He Du advocated that Qing Hui's writing should be tidied up.

Author Wang, a poet in Song Dynasty. Shaoxing in the Southern Song Dynasty was the champion and famous minister of the anti-Jin school. He had been giving lectures in Yueqing, his hometown, and didn't take the exam until Qin Gui's death, which shows his resolute anti-gold thought. This poem is also quite a legacy of the Tang Dynasty, and the combination of neck and jaw has a sense of atmosphere.

The sixth song "Meng Xiangyang Rhyme Used in Daojing Baling Dengyueyang Tower"

Seeing guests off in the west of Dongting, the dragon is piled green.

Chendian is empty, and Wucheng is more vast.

As the lake gets darker and darker in spring, the wind will make the tide sound longer.

Willow reading hall, hibiscus picking ling OARS.

I have never stopped thinking about others, and I hope to succeed.

-Author Yang Weizhen, Shaoxing poet at the end of Yuan Dynasty. When the Yuan Dynasty was an official, Zhu Yuanzhang got on the bus and asked him to write music books. He is not bound by official duties and will return within 100 days. This work is fresh and beautiful. "Spring makes the lake darker, and the wind will make the tide sound longer." The two couplets of "Liu Yang Reading Hall and Furong Picking Ling Paddle" are even more impressive, showing the elegance of the Jianghu School and Yongjia Four Spirits in the Song Dynasty, which shows that the environmental impact is still great. Jianghu School and Yongjia Siling are mostly from Zhejiang, active in Wenzhou, Hangzhou.

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The seventh "Yueyang Tower"

The wind is blowing and the snow waves are flying to Bai Ou.

Air permeates the sky, the sun and the moon are wet, shadows shake the earth, and mountains and rivers float.

Several times, I cracked the Jade Cave and was a little worried about Dai Xiang.

An De Tian Piao drank fairy wine and crossed the whale to Fusang Prefecture.

-Author Chen Fu, a native of Taizhou in the late Song Dynasty, became a monk to avoid war. When Yuan Shizu became a monk, he once presented The Great Unity Fu. When the national hatred is most acute, we can see that this person's character is really poor. It is estimated that when metabolism works, people are ashamed to mention this person. But as far as poetry is concerned, this work is quite good. The momentum is not inferior to Du Li, and the allusions are natural and appropriate. Even in Tang poetry, it is considered the top grade. "The air soaks into the sky, the sun and the moon are wet, the shadows shake the earth, and the mountains and rivers float." A pair of couplets, quite like Lao Du's style of "the stars come down from the clearing and the moon comes up from the river", but not as heavy as Lao Du's feeling. But the charm of the whole poem can be said to catch up with Li Bai.

Obviously, the author was greatly influenced by Du Li (in fact, how many later poets were not influenced by outstanding poets in the Tang Dynasty? )。 In contrast, the neck joint and jaw joint are a little heavy and calm of Lao Du, but the head joint and tail joint have learned enough of Li Bai's romantic exaggeration and frivolity. Obviously, he should be a man with great artistic talent, and those who contribute to the official position are of course outstanding in literary talent, but in contrast, Sima Xiangru's contribution to the official position in the prosperous period of the Han Dynasty is harmless even if it is not good for the country and the people. This guy can't get rid of his reputation of betraying his country and seeking glory. Of course, I'm just talking about the actual situation. In my personal opinion, I wouldn't belittle him. "Qin lost its deer, and the world chased it away." Once lost, there will inevitably be a new dynasty to replace it. Why must we be loyal to the decadent old dynasty? It was only at that time that ethnic hatred was the sharpest, and he was inevitably criticized by the world for doing so. If I were him, maybe I still can't do it. I have to do it, but I dare not.

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The eighth "Climbing Yueyang Tower"

Independent smoke is vast, knowing that the scenery is isolated from the world.

After all, there is no land, but there is a mountain in the center of the water.

Lonely clouds come from afar, and the drums and horns are magnificent.

The vassal's career is ancient, and there is no fairy crossing crane.

—— Author Li Chun, a poet in the Ming Dynasty, was born in Huarong, Hunan Province, and was the number one scholar. Finally, the number one scholar, written with great style. It's just that the mandibular association can't escape the suspicion that Xu Tang "can't find the land, there is a mountain in the middle" You know, Xu Tang is famous for these two sentences! The title of Xu Dongting is like this. The neck couplet of this poem is heroic and heroic, while the tail couplet hides a trace of nostalgia for the past, drawing lessons from it, like the pen of the champion.

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The ninth "Climbing Yueyang Tower"

Sudden high-rise buildings lean against the city, and Dongting spring water sits in the afterlife.

Sanjiang to the sea breeze is strong and the island is light.

Wu Chu Gankun's world sentences, the feelings of the ancient rivers and lakes galleries and temples.

There may be a dragon cave in the middle stream, lying down and listening to the flute of Junshan.

—— Author Li Dongyang, a famous poet in Ming Dynasty and the pioneer of Chaling Poetry School, is by no means unknown. Finally, it is a master. This poem is steady, quoting nature. The antithesis of jaw and neck couplets is extremely neat. The couplets translated into Du Fu's "Wu Chu is the best place in the world, and I can see the endless drifting of heaven and earth" and Fan Zhongyan's "Ju Lang Temple worries about the people, while the rivers and lakes worry about the husband" quote Liu Yi's biography and Lv Dongbin's legend, so as to imply their transcendental thoughts. In fact, this is mostly just an empty talk style of literati. These literate literati began to be conceited and arrogant, boasting of their ability to bring peace and stability to the country. In fact, literary talent and practical ability are irrelevant. As far as poetry is concerned, although the artistic conception and momentum of this poem are excellent, what profound thoughts are there? A work without thoughts, no matter how artistic, has no practical significance.

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The tenth "Baling"

The West Lake in Baling City goes upstairs, and the waves in front of the building are clear in autumn.

I don't know who the ship is.

-The writer is a famous Tang Yin in Ming Dynasty. When I first read this poem, I felt more like an image of ink painting. At first glance, the author is actually a famous Tang Bohu. Although he is known as the first of the four great talents in Jiangnan, in fact, the paintings and calligraphy of the four great talents in Jiangnan are far more successful than their poems. Art is interlinked. After all, Tang Yin is better at drawing. When writing this poem, I'm afraid the first thing that comes to mind is painting. The light connotation of this poem also conforms to the style of traditional landscape painting.

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The eleventh "Yueyang Tower"

A castle by the lake wants to fly to the sky, and there are guests in spring.

Talking about Yao's winning strategy, looking back at the yellow crane is evenly matched.

Outside the curtain of the iron flute, several fishing boat leaves were in the smoke.

Hong Tao waves shake heaven and earth, who is the mainstay?

—— Author Mao Bowen, Ji 'an, a poet of the Ming Dynasty. Guanhai must have been deeply touched by the ups and downs, so the end couplet means boasting. This poem goes from events to scenery (accompany guests to visit Yueyang Tower in spring, talk about the comparison of three famous buildings in the south of the Yangtze River and see the scenery. ), and then lead to the theme by the scene (iron flute smoke Zhu-huge waves Hong Tao-who is the mainstay. ), step by step and undertake tactfully natural, very sophisticated thinking, confrontation is also very stable.

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The twelfth "Yueyang Tower"

Dongting is the water of the world and Yueyang is the building of the world.

Who is the man of the world, drinking upstairs.

—— Author Wei Yunzhen, a native of Henan in the Ming Dynasty, was an official in Wanli. There is an unwritten rule between old-style poetry and modern-style poetry, because the number of words is very small and the expression content is naturally limited, so we usually try not to repeat words. Cui Hao's poems on the Yellow Crane Tower used several "yellow cranes" and were called bold and unconstrained by later generations. This poem is even worse. There are at least 56 words in the Seven Rhymes, and his five-character quatrains only use three of the 20 words "Shi", which, like Cui's poems, destroys the meter. However, form serves the content after all, and form cannot be higher than content. If you think your content is really brilliant, what's the harm of breaking the form? The author obviously wrote with such an idea. The simplest and most direct way to praise Yueyang Tower and the water in Dongting, and then the simplest and most direct way to praise yourself, I don't want to play with you at all. If this adult Wei is not a fanatic with shallow knowledge, then he must be a straightforward temperament middleman. As far as poetry is concerned, this "simplicity and directness" is very creative, and this sense of pride is still very good.

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The thirteenth "Yueyang Tower"

Brother Jie went out of town, and it was stormy all day and night.

The ground swallows 800 miles, and the clouds soak two or three peaks.

Very impressive. It's really inspiring.

If you don't accept Jane's orders, you will travel bravely.

-Author Qian Daxin, a famous poet in Qing Dynasty. He deserves to be a man of great literary fame. Apart from couplets, I think the first three sentences are well written, with an open atmosphere and Lao Du style. In fact, Yueyang Tower is three stories high, but it is no more than ten meters. However, his necklace is "impressive", which really makes me feel Fu's "misty clouds? My mind is free and easy, and birds fly back and forth in front of my nervous eyes. ".Why is it too cheap to kiss up to the emperor for no reason? It's a little disgusting. Under the account of Qianlong, there are many such literati.

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The 14th "Climbing Yueyang Tower"

The water falls on the lake like a mirror, which makes tourists feel sorry for Yueyang City.

I am ashamed of being happy, and I plan to learn from the immortals.

When I am full of energy, I dare to attach Ling Du's name.

Why do you want to listen to Xiangling playing drums? Maybe you will meet the old tree spirit.

—— Author Zhao Yi, a famous poet in the Qing Dynasty, is as famous as Yuan Mei. However, his poems are really not so good. The mandibular joint is the best, the antithesis is neat and the meaning is good. The necklace is not necessarily too big. With his achievements, a poet in the Tang Dynasty is no worse than him. Compared with Du Fu, he is indeed a little frivolous and arrogant.

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The fifteenth "Yueyang Tower"

Junshan sunset is good, leaving half a lake in autumn.

But seeing the endless water, I don't know how to lean against the building.

Crossing geese three times in ten years takes a thousand miles to Sha Ou.

It's just the wind. Really sweaty.

-The author He is a famous calligrapher and a scholar in Qing Dynasty. Wang Zengqi, a master of contemporary Chinese studies, once called it "Ji Shao of Daozhou River", because this man, like Emperor Qianlong, likes to write poems and couplets on famous buildings all over the country, and there are couplets written by him in three famous buildings in the south of the Yangtze River. To be fair, calligraphy is good, much better than Qianlong. The joints are average, but I'm afraid they will be worse. As far as this poem is concerned, it's not bad, it's passable, and the two couplets of chin and neck are also remarkable, especially the sentence "Crossing geese three times in ten years, traveling thousands of miles in Sha Ou", which makes people feel a lot, has no trace, and is a good sentence. This is also the only one of his works that I have seen.

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The sixteenth song "Climbing Yueyang Tower"

The sound of spring rolls is lonely at night.

There is nothing wrong with the building in Yueyang, and the Dongting water tries Junshan tea.

-Author Wang Wenzhi, Qing Dynasty, life is unknown. As far as this poem is concerned, there is quite a "frivolous romance" style, and the last two sentences are a bit of Zhao Shixiu's charm of "not coming to the appointment at midnight, knocking chess pieces and snuff".

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The seventeenth "Yueyang Tower"

Hushan and I are the most intimate, and every time we get on the boat, we are unique.

Waves fly and rain fall, and lonely clouds set the sun to clear the border.

Singing high is suitable for diving, and sitting still is like listening to music.

It's a pity that loyal souls have nowhere to drink, but they teach feather guests to live in Huaying.

—— Author Chen Yuhuan, county magistrate of Baling (now Yueyang) in Qing Dynasty. The first three paragraphs of this poem are unremarkable, the neck couplet is barely good, and there is no glory, but the tail couplet contains rich ideological and unique opinions, which makes the whole poem immediately promoted to another height. The third floor of Yueyang Tower is dedicated to Lv Dongbin, who advocated that it should be dedicated to Qu Yuan. Wang Zengqi mentioned in an article that he agreed with this idea. It can be seen that the most important thing in poetry and articles is not the cleverness of form, but the substance of words to achieve * * *.

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The 18th Song "Crossing Dongting Lake"

The shock wave is always uncertain, and the temple can be pointed out in half a day.

Looking around, there is no land, and there are mountains in the middle.

The bird peak is terrible, but the sail is far away.

The fisherman's leisure is holding hands, and the song is vast.

-The poem about Yueyang Tower, this is the last one I chose. Author Xu Tang, all Tang poems have his works. He became famous for this poem, which was then called Xu Dongting. This poem, including his introduction and comments, was directly searched by me from the Internet.

Xu Tang is famous all over the world for this poem, which is extremely a silent picture of the vast Wang Yang with a 800-mile Dongting. Zhuan Xu's "Looking around without doubt, there are mountains in the middle stream" not only cuts into the realm of Dongting Junshan, but also contains philosophy, so it is greatly appreciated by people at that time. The chronicle of Tang poetry calls this sentence "the puzzle of people" Sun Guangxian's Poem of Lao Xu Hall Crossing the Dongting seems to be overrated, but there is still a gap between Meng Xiangyang's Poem of Clouds and Clouds Trapping Yueyang City and Meng Xiangyang's Poem of Wu in the east and Chu in the south, which reveals the infinite floating of heaven and earth. But Tang is famous for it, even known as "Xu Dongting" (see Pan Deyu's Poems on Yang Yi Zhai), and he is also the one who is short and tall.

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The following words begin.

Nineteen "Linjiang Xianzi"

The lake is connected with water every day, and Qiu Lai is particularly clear. Junshan is naturally a small Peng Ying. Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang.

The emperor had the right to play the harp, but he was still injured. I heard Lan Zhi moving. The music is quiet, but there is no drums of the water god. The river disappears, revealing several peaks, which are green and charming.

—— Author Teng Zijing, whose real name is Zong Liang, and Fan Zhongyan are classmates and friends. In fact, I personally think that Teng's poetry level is still good. It's a pity that his Preface to Yueyang Tower is too long. After all, it can't be right, so I won't type it out. That paper is actually quite good. This word is also beautiful and refined. The trouble is that he borrowed four sentences directly from a word with ten sentences. "Shangque" and the mist from Yunmeng Valley have been bothering Yueyang City, which borrowed Meng Haoran. The next song is "When the song ends, the peak on the river is green." He borrowed money and it seems that he can't escape the suspicion of plagiarism. Wang Zengqi teased him that it was "too easy".

But then again, these four famous sentences of the predecessors are naturally embedded here, and there is no far-fetched feeling. This should also be regarded as a brilliant artistic creation. In fact, despite the plagiarism of fame, there is no derogatory meaning. With Teng Gong's knowledge and fame at that time, it is impossible not to know that these four sentences are famous. As soon as he wrote it, everyone would naturally know where it came from. If he feels guilty first, he won't dare to make them public and bring shame on himself. He must be open-minded and calm.

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The twentieth song "Selling Flowers". Yueyang Tower

Under the leaves of the wood, there is boundless empty water. Pour ten times to make you look beautiful. Don't sing Yangguan unless you are from the west of Weicheng.

Drunk sleeves caress the dangerous aperture, and the sky is light and the clouds are idle. Who survived this road? Looking back at sunset, it should be Chang 'an.

—— Author Zhang Shunmin, from Chang 'an. In the last two sentences, the meaning of parting is written incisively and vividly. "Don't travel to the west of Weicheng, don't sing Yangguan" is quite unique. Others have no intention of singing the song of parting, causing pain in their hearts. It seems that writing parting from the side is better than describing it directly.

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No.21The Wind Butterfly Order

Autumn wind, leaves rustling. Listening to Zheng's funeral on Yueyang Tower, who knows that Jiang Yue is bleak downstairs?

Fog and rain sink clouds and dreams, smoke and waves are boundless, there is nowhere to ask Xiang Ling, only the ruthless river flows around the lonely city.

-Li Qi, the author of the Song Dynasty, this word seems too sad. A series of images, such as Autumn Wind, Fallen Leaves, Mourning for Zheng and Who knows the bleak river and moon, render a very sad feeling. Without knowing the author and the background of this word, it is not clear whether he is "mourning for the new words" or really feels it, but even so, it is just like the later masters. Too many words with strong colors make the connotation of the work lose its depth and restrained aesthetic feeling.

Obviously, the author carefully designed the layout of this article. In the pavilion, a series of autumn winds, fallen leaves and sad piano sounds echo with the bright moon for whom. In Xiaque, a series of verbs such as Shen, He, Wen and Huan also echo each other, and the word is exquisite. It can be seen that he must have carefully studied the layout method.

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The 22nd Fang Ting the Man

In the prosperous Han Dynasty, a Jiangnan figure still preached political romance. Green window, vermilion, rotten silver hook. Once the swords are raised, the flag is held high and a million people are brave. March straight ahead, singing and dancing pavilions, the wind is falling, and flowers are sad.

Qingping was born 300 years ago, and people in laws and regulations don't sweep the floor. Fortunately, I'm not in the north, I'm in the south. Where is the broken Xu Lang? Empty and melancholy, there is no reason to meet. Since then, the soul has broken thousands of miles, and Yueyang Tower has been built every night.

-This word is my favorite work in Yueyanglou Ci, so I put it at the end. Shangque wrote about the prosperity of the Song Dynasty. Even compared with the legends such as Liu Yong and Wang Haichao, which made Yan Hongliang, the gold owner, covet the prosperity of the south of the Yangtze River, it didn't lose much. With a stroke of a pen, Xia que wrote down the pain of the country's destruction and the determination to die for the country with a heavy style. It can be said that every word is in tears. The whole word is vigorous and profound, that is, the masters of the previous generation. If you see this word, you have to show your respect.

This word has an important position in the history of China literature. The author is a Yueyang woman in the late Song Dynasty, who was taken captive to Hangzhou by Jin Bing. Because of her beauty, the master wanted to convince her, so he never used force. She never obeyed, and the master became angry from embarrassment and wanted to use it. She tactfully said that she needed to pay homage to her husband first, and then left this desperate sentence on the wall and died. She didn't leave her life and name, and she was only called "Xu Junbao's wife" in history.