Who writes the best contemporary Chinese calligraphy?

Modern and contemporary calligraphers who write well with brush calligraphy are:

Tianjin calligrapher Hua Shikui (1863 ~ 194 1), Qi Chen, Han nationality, is one of the "Eight Masters" in Tianjin. Originally from Wuxi, Jiangsu Province, he moved to Tianjin and is a famous calligrapher. His calligraphy is bold and unconstrained, with boundless strength and profound skill. The calligraphy "Tianjin Quanyechang" is a five-character giant plaque, 1 meter, which is his masterpiece. Calligraphy works are small to capital letters, and large to large books above the diameter, and the structure is very dignified. Xu Xiasheng was stronger and taller in his later years. Ranked first among the four great calligraphers in modern Tianjin;

Li (born in June, 1930, 165438) is a native of Licheng, Jinan. He graduated from Shandong Normal University in his early years and retired as a senior teacher. He has been engaged in calligraphy art activities for many years. He used to be a member of Shandong Calligraphy Association, a member of Provincial Retired Cadres Calligraphy Research Association and a director of Jinan Retired Cadres Calligraphy Research Association. He has held personal book exhibitions in Beijing Chinese History Museum, Chinese Revolution Museum, Ming Ge in Jingchuan, Wuhan, China Armed Police Engineering College, Shandong Provincial Art Museum, etc. In 2002, sponsored by Jinan Veteran Cadres Calligraphy Research Association, Li IV's calligraphy exhibition was held in Mingshige, Wulongtan Park. 1993 was included in China Dictionary of Contemporary Education Celebrities. In the same year, Li Calligraphy Art was published by Shandong Education Publishing House, and Selected Calligraphy of Li was published by Hubei People's Publishing House 1995. Participated in the third international calligraphy art exhibition in Japan and won the silver prize.

Zhu Xueda (1933-2005), male, Han nationality, from Xin 'an, a famous village in Pingdu, Qingdao, Shandong Province, was the No.1 stone donor. He studied books with his father since he was a child. After 1952, I worked as an art teacher in primary school and a county cultural and artistic cadre. From 1956, he entered the art class of Shandong Art School to study painting, and from 1959, he was transferred to Shandong Mass Art Museum to engage in the creation and research of art calligraphy.

Zhang Jiayan (1937~), male, from Dezhou Plain, Shandong Province. 1987 graduated from Wuxi Calligraphy Art College, Jiangsu Province. At present, he is a first-class calligrapher of the Artists Committee of China Talent Research Institute, a first-class calligrapher of the Cultural and Art Market Research Center of China Academy of Art, a member of the China-Korea Cultural and Art Expert Committee of the International Artists Federation, a senior member of the China pacesetter cursive script society, a distinguished calligrapher of the academic committee of the Chinese and foreign celebrity cultural research institute of China, a first-class calligrapher and researcher of the Chinese Academy of Art of the Ministry of Culture, a member of the China International Calligraphy and Painting Art Research Association, a member of the Shandong Calligraphers Association and a director of the China Young Calligraphers Association.

Zhan Fei, male, 1972, from Qingdao, Shandong Province, member of China Calligraphers Association and Shandong Calligraphers Association. Graduated from the History Department of Shandong University. Born in a scholarly family and a calligrapher's family, he inherited family instructions from childhood, traversed all the stickers, and was good at regular script and cursive script, as well as seal script and official script. Regular script begins with Yan and Liu, involving Qian Nanyuan and Tan. Later, he absorbed the meanings of stone carvings, seal script and official script of the Northern Wei Dynasty into regular script, which was vigorous and dignified, vigorous and simple, beautiful and powerful; The book style is "detached and free and easy, elegant and free and easy". His works have been selected for many times in UNESCO World Art Achievement Exhibition, National Calligraphy Exhibition and National Calligraphy Exhibition for Young and Middle-aged People. His works have won many international and domestic awards and won the love and collection of friends at home and abroad.

Figure 1 Hua Shikui word

Figure 2 Li's words

Fig. 3 Zhu Xueda characters

Fig. 4 Zhang Jiayan characters

Fig. 5 Unfolded flying characters

Extended introduction:

Yan Style was created by Yan Zhenqing, a calligrapher in Tang Dynasty. Yan Ti and Liu Gongquan are collectively called "Yan Liu" and "Yan Liu Jingu". "Yan Ti" is aimed at Yan Zhenqing's regular script. Its regular script structure is square and dense, the strokes are horizontal and light, the brushwork is vigorous and round, and the momentum is solemn and vigorous.

Reference source (Baidu Encyclopedia):

Hua Shikui: /view/76967.htm

Li Gonglin: /link? URL = t 10 x6o 2 rqmysssznwfexria 1 _ s 43 1 enf 9 rlbasyoz _ 8 1 yzul 558 i9 pub PVM _ C-aempe 3 hvzevf 2c yods 8 ee 8 q

Zhu Xueda:/view/211810.htm.

Zhang Jiayan: /link? URL = pakzrzwpmwkryluoe 6 uxmuro-p 507 tlshdm 7 mz 2 IP 24 uiumzqakq 33h 3 LPS 0 b4z _ ylywnbvnouy 6 nzhgq 4 AQ 0a

Zhanfei: /link? URL = se zor 2 zs 5 bcupvaqrfpdgb _ fzop-db 1 bksqzncydd _ yf6 oltd _ zmdprprjzfk 0 kuofhyhvnaghtwixv 2 em _ bSK

Face: /link? URL = ynuntxsifvlvusmqn 7 gglkfwdoo 9 qpmb 1v 1 nvlipgtvg 47n-g 5 hkrrrtrew _ fxi ZT 9 FAZ j 6 QE 8 b 9 qhxhn 3 nyrk