Zhu's analytical artistic style

Judging from the overall art, Mr. Zhu's calligraphy works are delicate and smooth, just like his works. Its brushwork is dry and moist interweaving of ink, mainly moist. Fiona Fang has both ability and skill, which is based on a square circle and a smooth circle. The circle is square and draws strength from Yan. For example, his calligraphy art work "There are so many beauties in the mountains and rivers", which combines the momentum with the dynamics of Fang Bi, the fluency of cursive script with the rigidity of Weibei, subtly exudes the artistic effect of combining rigidity with softness in fluency, and achieves the ideal artistic effect of combining rigidity with softness. In fact, it is a brand-new calligraphy creativity. In the standard cursive script, we can see the strength of the calligraphy style of the Northern Wei Dynasty, which is unprecedented in ancient and modern ink. Its cursive scripts "Sleeping on the Wind Bridge", "Operator Yongmei" and "Jiang Xue" adopt the standard cursive script, which is full of creativity, dynamic and static combination, smooth and elegant, flying and quiet, uneven, elegant and open-minded. The whole work is beautiful, elegant and smart, elegant and moist, and unique. The poems, pens and ink in the works make the author's creative feelings hearty. Mr. Zhu is the master of a hundred schools of thought, and has formed a unique modern cursive style. Many authoritative figures in calligraphy and painting praised him as a great calligrapher with excellent calligraphy art and theory and outstanding achievements. Its cursive script is better than blue in shine on you. Outstanding painters and collectors praised in amazement: "Mr. Zhu's cursive script is a rare cursive script after Mr. Zhu."