The bitterness of a translator's life begins with literacy, so as long as he can write, he can recognize his own name. What's more, boasting about the magic and speed of calligraphy with cursive script is confusing and worrying. I used to like cursive when I laughed at myself. I don't want you to have this problem. I don't know when I can recover. It is also said that there is the greatest happiness in it, and it is very complete, which is no different from Zhuangzi's carefree tour. Recently, Mr. Wang built the Drunken Ink Hall, just like drinking wine can relieve one's worries. After seeing Mr. Rainbow say this, I realized that Liu Zongyuan was right: patients who like clay charcoal eat it as a delicacy. Mr. Wang's calligraphy reached its peak, piling broken pens on the wall as high as a hill. When the mood comes, how much paper can be used up with a wave of pen and ink, just like a fine horse stepping all over Kyushu in the blink of an eye. My calligraphy is created by imagination, without any rules in it. I wrote it bit by bit, so I'm too lazy to ponder it carefully. Why can only my husband accept what I say casually, even a piece of paper? If Mr. Wang is evaluated by "no less than Zhong You and Zhang Zhi", Mr. Wang can afford it completely; If you judge me as "going down is almost the same as attacking Zhao", I seem to be better. From then on, Mr. Wang didn't have to study hard in the pool like Zhang Zhi, and the pool was all black; Those undyed white silk should be made into sheets directly, instead of writing first and then dyeing to make clothes.
Note 1 stone-word beauty, Jingzhao (Chang 'an) people, good at grass and official script. People call it "Saman". It is reported that Xiang Yu once said to his uncle when he was young: as long as you can remember your name, you don't have to learn any more. Su Shi changed his language. 3-Ch M4NG Hu M4NG-vague, there is no reason to describe the change of cursive script here. 4 (ch ǒ u)-recovery. 5 Zhile-and "wandering around" in the next sentence are both titles in Zhuangzi, and their literal meanings are used here. Happiness, the greatest and highest level of happiness. 6 Liu Zi-Liu Zongyuan. These two words are: I just know that Liu Zongyuan's words are not bad, and only the sick will treat charcoal as delicious. There is a saying here that stone is wine with ink. Liu Zongyuan once said that he had seen a person with visceral diseases who wanted to eat charcoal and acid and alkali. If he couldn't eat it, it would be very uncomfortable. Anyone who loves writing and is good at calligraphy seems to have this quirk. These two words: Shi's calligraphy attainments have also reached the extreme, and he piled up hills with rotten pens, which shows the depth of kung fu. Monk Huai Su, a famous cursive writer in the Tang Dynasty, buried all his used pens at the foot of the mountain, which is called the "pen tomb". These two sentences are described as being written quickly. Create with ten intentions-create freely with intentions. ⑾ Inference-refers to the study of brushwork. ⑿ False-tolerance, here is the author's modesty. [13] These two sentences are: Why are my arguments (that is, "meaning can't be done" and "point painting is faithful") only recognized by you, and my calligraphy works are also favored by you and collected by you? The implication is that Shi agrees with himself. [14]-refers to the famous calligraphers Zhong You and Zhang Zhi in the late Han Dynasty. ⒂ Party ratio. Luo Zhaohe was a calligrapher at the end of Han Dynasty. Shi's calligraphy is comparable to that of Zhong and Zhang, and mine is slightly better than that of Luo and Zhao. These two sentences are: you don't have to learn Zhang Zhilin's calligraphy; Instead of writing with silk, it is better to make sheets with silk. According to reports, Zhang Zhi is studying in Linchi, and the water in the pool is black. If you have silk at home, you must write first and then refine your clothes.
Shi Zui Mo Tang appreciates the beauty of stone words (Su Shi's poetry anthology Cai Weng), a native of Chang 'an. He is good at cursive script and official script, and some people call him "Samadhi". Su Shi must go to his home from Kaifeng to Fengxiang, passing through Chang 'an. 1068 (the first year of Xining), Su Shi Fengxiang returned to North Korea after his term of office and spent the New Year in Shi Jia. He has an authentic copy of Chu Suiliang's Preface to the Holy Teaching, and the name of the hall is "Drunken Ink", and he invited Su Shi to write poems. Su Shi returned to Bianjing and wrote this poem for him.
Su Shi is a great calligrapher, who writes many poems in calligraphy. For example, the poems in Eight Scenes of Fengxiang, Sun Xin's Old Man Searching for Ink Pavilion and Shi Zui Mo in Er Sheng Shu are all famous. Those poems are all about books, and this poem is very special because it is pure fiction.
This is Su Shi's early seven masterpieces of ancient Chinese prose. In his later ancient history of the Seven Dynasties, he was often eloquent and brilliant, which was the early maturity of this feature. The name of the guild hall "Drunken Ink" is very strange, and the name is also churning in the poem.
First of all, I want to praise Shi's cursive script for being excellent, but I think cursive script is useless and should not be learned at all. This ironic way was called "curse topic" by predecessors.
The first sentence was full of complaints. These complaints are inseparable from Su Shi's feelings during that time. In the early days of Fengxiang, Song Xuan, the magistrate, took good care of him. Later, Song Xuan left office and was replaced by Chen Xiliang. Chen Xiliang is cold and critical of his subordinates. Even the words drafted by Su Shi are always smeared. Su Shi is very dissatisfied with this, and he also shows it in his poems, such as sleeping in the guest room. Su Shi's arrival in Beijing coincided with Wang Anshi's proposal to amend the statutes in order to participate in politics. Su Shi was not satisfied with this and was later exiled. At this time, although I didn't fall out with Wang Anshi, I was angry and blurted out this poem. This sentence is not so good on the surface, but it is a bit surprising to attribute the root of "trouble" to "literacy". As for what "worry" is, the author immediately accepted it and let the readers experience it for themselves. The ancients despised literacy, and Xiang Yu was the most famous. He thinks that words are only used to remember names and are not worth learning (Historical Records of Xiang Yu's Biography). The author skillfully used the allusion of Xiang Yu, leaving no trace of the allusion. At the beginning, literacy was redundant, not to mention cursive characters; Writing cursive characters, flying like a phoenix, makes people look amazed when they open the paper, which is even more wrong. The word "melancholy" describes the change of cursive script for no reason. "Worrying about the sky" is derogatory in the open and good in the dark. These two sentences closely echo the following two sentences: "Xing Lai". These four sentences come from surprise, writing two people together, each with its own emphasis.
From the poet to the other side, 562 sentences are the turning point in the composition. Su Shi is a calligrapher. "On Two Rhymes" begins by saying: "Although I am not good at writing, Xiao Shu is nothing like me. It is also a derogatory comment to use "I taste good" as a metaphor for "you have this disease." "Illness" means that he is addicted to good habits, concealing the skill of the other party in cursive writing, which leads to the theme of the following six sentences of "drunken ink". Seven or eight sentences all praise each other's cursive skill with the title of Zhuangzi. Nine or twelve sentences clearly point out the intention of naming after "drunken ink", and eleven or two sentences respond to "how did you get this disease" with Liu Zongyuan's metaphor, which seems to be criticism, but in fact it is good. Confucius said, "Knowing is not as good as being kind, and being kind is not as good as being happy. "If you enjoy it tirelessly, you will achieve something. The following four sentences are positive compliments. These four sentences are very hierarchical. The first sentence is always mentioned, and the second sentence uses the stories of predecessors (such as Wang Xizhi, Zhi Yong and Huai Su) to describe their hardships. Next, write about his profound attainments, which is the result of hard work. These two sentences echo the "Kuai" sentence at the beginning of the article, one is written correctly and the other is visualized. Orderly, language flying.
The four sentences in My Book return to the poet himself, echoing the above sentence "I have good taste". The poet first modestly called his calligraphy "inherently bad", that is, it was against the rules, and the sentence "stippling" corresponded to the sentence "melancholy". The next two sentences ask why Shi prefers his calligraphy so much. On the surface, it is the poet's self-denial, but in fact it is concealing his own calligraphy. If it's writing, it's boring, and it's easy for the poet to blow his own horn and express it in a rhetorical tone, which makes people remember deeply and wins the text. Huai Su said, "Wang Youjun Cloud, I really can read the clock without losing grass. The servant felt that it was not as good as the clock, not as good as the grass. This allusion is used to praise history. At the end of the Han Dynasty, Zhang Zhi (Boying), (Shu Jing) and (Si Yuan) also said that Zhang Boying advocated: "There is Cui Du above, and Luo Zhao below." (See Biography of Jin Shu Wei Heng) The following sentence "Luo Zhao" is to use this code name to close my book. Zhang Zhi is known as "the sage of grass". According to The Chronicle of the Three Kingdoms Shu Wei Wei Shengchen Outline, Zhang Zhi's clothes and silks must be used for writing first, and then dyed into clothes. He studies in the pool and washes pens in the pool every day. The water in the pool turned black. At the end of these two sentences, the poet responded to the first four sentences with this argot, not only to the stone, but also to himself. These four sentences all use written allusions, which are superb and closely related to the theme.
These seven ancient poems embody Su Shi's poetic skills. Zhao commented: "There are absolutely no working sentences to choose from, but the spirit is old and healthy, and there is no surplus or shortage. This is a writer's skill. The so-called "nothing is nothing" means to explain the meaning of the question clearly, and there are no superfluous words. This is the characteristic of Su Shi's style. He is good at writing where it is difficult for others to write, and completely melts narrative discussion into a furnace. The language image is vivid, the structure is ups and downs, and it runs in the opposite direction, avoiding the important and neglecting the important, and there is no hidden direction. Like a powerful and unconstrained style, come and go without a trace; Search carefully, outline, clear context. As the author said, the beauty of painting bamboo: "There are countless moving leaves in troubled times, all of which can be traced back. "(Wang Wei's Wu Daozi Painting) As for the use of allusions, it is handy and clear, which reflects the author's extensive knowledge.
Su Shi's calligraphy skill view is "from skill to Tao", pursuing an unintentional realm, but this realm can only be achieved through accumulated knowledge and diligent practice. In his poems, "piling up like a mountain, failing like a mountain" and "waving all the papers at once" are the processes of accumulating knowledge and being diligent in practice, while "I can't make my books know by heart" is the realm to be achieved. "Collected Works of Su Shi" Volume 69 "Cursive Commentary": "At the beginning of the book, I had no intention of Yoga Yu, but I was a good ear.
Although cursive script is the product of learning, it is out of haste. The ancients said that "haste is cursive", which is wrong. If you are in a hurry, you are also interested in studying. This is extremely harmful, so for Zhou Yue and Zhong Yi, there is nothing to blame. Although my book is not very good, if it is innovative, it is also quick success if I don't practice the ancients. "This is enough as proof.
The creation background of Shi's Drunken Mo Tang This poem was written in the second year of Xining (1069), when Su Shi was thirty-four years old. Su Shi from Kaifeng to Fengxiang, passing through Chang 'an, must go to Shijia. In the first year of Xining (1068), Su Shi Fengxiang returned to North Korea at the end of his term and spent the New Year in Shi Jia. He has an authentic copy of Chu Suiliang's Preface to the Holy Teaching, and the name of the hall is "Drunken Ink", and he invited Su Shi to write poems. Su Shi returned to Bianjing and wrote this poem for him. Poetry: Shi Zui Mo Tang Poetry Author: Shi Poetry Classification: Calligraphy