Handed down from ancient times, a picture of a bamboo pen with withered ink. At the end of the volume, Wang Tingjun wrote with a big calligraphy inscription: "Huanghua Mountain is really secluded. When I was wet behind the world, I felt vulgar and disgusted. Sometimes he uses a bald pen to make a bamboo stump with a brush to take care of his ears. " The painting is full of changes in pen and ink, cypress trees are natural and unrestrained, ink is dripping, and rhyme is like frost. The bamboo pen is strong, the leaves are like knives, and it is unrestrained. Now in Fujii, Kyoto, Japan.
. Li Rihua's Three Paintings of Liuyanzhai in the Ming Dynasty said: "Ting Yun's calligraphy is heavy and fast, not as good as others in the Southern Song Dynasty, the early Yuan Dynasty and Zishan." Although Jin believes that calligraphy has the heroic spirit of exposing the end of northern Hu, it is also romantic. Yuan said, "Old Huang Hua knows his ancestral treasure, so his tolerance is superior to others." Later generations spoke highly of his calligraphy. There are 40 volumes of Collected Works, including Huang, Bian 10, but most of them are scattered in the troubled times at the end of Jin Dynasty. The existing ink includes the inscription on the portrait of You Zhu Qiuci, including studying and rebuilding the temple in Bozhou and rebuilding the monument in the Temple of the King of Shu. Huang Ji Hua, compiled by historians, archaeologists and Northeast literary historians, contains his articles, poems and chronicles and is handed down to the world.