Wang De'an, a native of Xingyang, Henan, is an artist and was born in 1945. He is a member of the Landscape Painting Art Committee of Henan Artists Association and a distinguished painter of Henan Painting and Calligraphy Academy. In his early years, he was self-taught, and later studied under the famous painter Wang Wenfang of the Beijing Academy of Traditional Chinese Painting. In the 1960s and 1970s, he further studied at the famous Jiangsu Academy of Traditional Chinese Painting, where he studied under the famous landscape painter and deputy director of the Academy, Mr. Song Yulin, and occasionally studied under Mr. A generation of traditional Chinese painting masters such as Shi Yaming, Song Wenzhi, Wei Zixi and other famous teachers, every time their insights are reflected in their paintings, they are highly praised by their teachers, friends and elders. As a painter, Mr. De'an has made in-depth exploration and study of traditional brush and ink techniques. He has a thorough understanding, grasps the experience and aesthetic concepts summarized by his predecessors, and uses the language of art to integrate traditional techniques to express modern people's understanding of the traditional brush and ink techniques. The understanding of society, life, and nature is the so-called "clear mind and view of Tao" mentality to create environments and write hearts. During the 40 to 50 years of study and creation, Mr. Wang De'an willingly "lived in one place" and faithfully practiced Mr. Huang Binhong's teachings of "reading thousands of books and traveling thousands of miles" with a pious attitude. Mr. Wang De'an's landscape paintings are rooted in tradition. In his bits and pieces of brushwork, we see Fan Kuan, Li Tang, Shi Tao, Gong Xian, and the legacy of some famous painters today. He paints trees and rocks to see the ancient spirit, and paints water and clouds to see the beauty of elegance. His brushwork is delicate and calm, fresh and clear. On the road of learning, he dabbled extensively, not limited to bits and pieces, but "observing the Tao" with his heart. The traditional brush and ink techniques are not superficial attempts to practice, but to learn from each other's strong points, explore the ins and outs, discover the rules, master the rules, comprehend the essence, and suddenly understand the "picture theory". Therefore, in his writings there are both very traditional Mogu works from the Tang and Song Dynasties, as well as classic works that depict the style of the times with traditional pen and ink. In his paintings, Mr. De'an particularly emphasizes the texture of lines and "painting into painting". His lines often start and end in a measured manner, run legally, extend outward but are restrained, simple and rounded, and the brushwork is continuous and powerful. He consciously integrated the abstract expression of calligraphy with the imagery of painting, forming an artistic realm of "having his own rules without showing off his skills". Looking at Mr. De'an's paintings, whether they are gurgling streams, abrupt cliffs, or huge ravines, they use real scenes and true feelings to fill the cartoonish scenes, which further demonstrates an inherent "elegant" style. Mr. De'an tried to study the landscape paintings of the Song Dynasty (Song Wenzhi), and further studied under Song Yulin of the Jiangsu Traditional Chinese Painting Academy. This is a rare opportunity for ordinary people. He has a deep understanding of the mountains and rivers of Jiangsu and Zhejiang in the south and the landscape paintings of the Southern School. Unique knowledge and understanding, accumulated over time and deepened, have gained its "rhythm" and "ease". There are many such paintings under the painter's pen, often with novel and unique compositions, fresh and elegant style, gentle and elegant, which remind people of the artistic charm of "little lotuses showing their sharp corners" and "small bridges and flowing water, people's houses". Due to the influence of Jinling School landscape painting, Mr. De'an's paintings have an innocent and elegant side. However, as a northerner, his long-term influence of regional culture and his study and adoption of painters such as Shi Tao and Gong Xian have changed his painting style, adding a bit of richness and complexity to the elegance. Pu Mao's feeling comes. The composition of Mr. De'an's paintings often strives for uniqueness while being stable. He often adopts a top-down composition in a flat and distant composition, which increases the angle of sight and makes the field of vision wider. Even if it is within the size, it can still be vast. Mr. De'an's paintings are often dense and layered in terms of pen and ink. When creating, he often sketches with pen first and then renders them with ink, so that the colorless areas are revealed. The whole work is seamless and smooth. And reach the perfect state.