Characterized by femininity, the pen is relaxed and casual, and the lines are slender, euphemistic and smooth. However, due to the lack of smooth, urgent and slow changes, although it has been dissipated, vain and mature, it is inevitable that the pattern is single and the pen is slippery.
2. The characteristics of Wen Zhiming's calligraphy:
The brushwork is winding, the lines are thin and clear, the structure is sparse and ethereal, the glyph occupies the side, and it fluctuates vertically and horizontally. It is better at drawing short points, vigorous and colorful, and the composition is patchwork and wonderful.
3. The characteristics of Zhao Mengfu's calligraphy:
First, on the basis of inheriting traditional calligraphy, Zhao simplified the complex and turned the past into the present. His brushwork is neither vague nor mysterious, and the brushwork path of starting, transporting and collecting pens is very clear, which makes it easy for scholars to understand and follow. Secondly, the appearance is round, the bones and muscles have connotation, its stippling is gorgeous and vigorous, the structure is broad and beautiful, and the stippling echoes closely.
Soft outside and rigid inside, beautiful figure and strong skeleton. Scholars not only learn its shape, but also learn its spirit; Third, the pen is square and square, and the lines are taken. When writing Zhao Ti, stippling needs to be round and colorful, but the structure of white cloth should pay great attention to being square and rigorous, horizontal and vertical, flat and stretched, and the center of gravity is stable.
Only in this way can we grasp the characteristics of Zhao Ti. In addition, when he writes regular script, he uses running script slightly, which is one of the characteristics of Zhao Ti.
Extended data:
First, Dong Qichang's artistic achievements
Dong Qichang is known as "Zhang Xing Mi Dong" in calligraphy, that is, he is tied with Linyi Xingdong, Zhang Jin Jiang Ruitu and Xu Tianmi; There is a saying in the painting that the south is east and the north is rice.
Mo Shilong and Chen Jiru advocated the theory of "North-South School", that is, the landscape paintings of "courtyard style" and "literati painting" were divided into two schools. There are countless paintings and calligraphy works created by Dong Qichang in his life, among which the paintings and poems of recent people are an important part. "Reading thousands of books" as he said in "Essays on Painting a Zen Room" means that one must learn from tradition and the ancients if he wants to become an artist.
At the age of 65,438+07, he wrote Yan Zhenqing's Many Pagodas when he began to learn calligraphy. At the age of 22, he studied painting with Huang, and later with other painting schools. This practice of learning from the ancients lasted for 80 years and accompanied him all his life. He widely absorbed the strengths of the Tang, Song and Yuan dynasties and learned from others, which made his paintings and calligraphy achieve artistic achievements beyond the ancients.
Second, Wen Zhiming's achievements in calligraphy.
Wen Zhiming's calligraphy is a model of Bofei's specialization. Wen Zhiming has the highest attainments in lowercase letters. The main examples are Wang Xizhi's Huang Tingjing, Le Yi Lun, Zhong You Proclamation and Wang Xianzhi's Sonnets. It can integrate the low-key brushwork of the Tang Dynasty into one furnace and form its own "gentle and pure" style.
Wen Zhiming's running script can be roughly divided into two styles: one is a running script sketch created according to the meaning of Wang Xizhi's preface to the holy teachings; The first one is a large printed letter written in a yellow valley.
Before he formed these two styles, he also went through the stage of learning. He not only searched Wang Xizhi's calligraphy posts as much as possible, but also studied Yan Zhenqing's competing for a seat, offering a memorial to his nephew, Liu Zhong's postscript, Yingzhou's post, Su Dongpo's Poem on the Former Red Cliff (which was supplemented by Su Ti) and Huang Gu's Poem on Jingfubo Temple.
Sometimes, like Zhu Yunming, he writes his own poems in the style of Su, Huang and Mi. Of course, he did not stay at this stage, but entered the post-study, abandoned the ancient method, and finally found his own brushwork that suited his nature.
Third, Zhao Mengfu's achievements in calligraphy.
Zhao Mengfu's article is out of date and bypasses the study of Buddhism and Taoism. His paintings, landscapes take Dong Yuan and Li Cheng; Characters, pommel horse teacher, Li and Tang people; Bamboo, flowers and birds are famous for their mellow brushwork, stone painting is flying white, and calligraphy writes bamboo with a pen.
He strongly advocated changing the style of quadrangles in the Southern Song Dynasty, claiming that "painting is expensive because it has an ancient meaning, even if there is no ancient meaning, it is useless to be meticulous". He was far behind the statutes of the Five Dynasties and the Northern Song Dynasty. People praised him for his "ambition" in the Tang Dynasty and "heroism" in the Northern Song Dynasty, and removed their "slimness" and "preciseness", thus creating a new atmosphere of painting style in the Yuan Dynasty.
Baidu Encyclopedia-Dong Qichang
Baidu Encyclopedia-Wen Zhiming
Baidu Encyclopedia-Zhao Mengfu