The Style of Zhang Xuguang's Works

Wang Yimai, a calligrapher in Zhang Xuguang, advocated the charm of calligraphy. The charming romantic feelings of the two kings and the wantonness of Wang Yang in the Ming and Qing Dynasties made him stop here and linger. Later, with the book style of Song and Ming Dynasties as the adjustment, he extensively dabbled in the calligraphy posts of Mi Fei, Wang Duo, Dong Qichang, Sun and others, seeking novelty and change, sprouting randomly, and striving to create a peaceful and simple natural realm.

Zhang Xuguang advocates tradition and culture, and puts forward that "the real calligraphy creation should be an irrational gallop on the rational plateau". Therefore, I have studied all the famous posts in the past dynasties, and I am good at all kinds of calligraphy. Mr. Shen Peng said: "I can write a variety of calligraphy styles, full of creative spirit, I pursue the trend and give life;" Li Shurong, Zhang Qian, Jin Nong, Xiao Shan and Yi Bingshou are unique in one furnace. Cursive lines are the second king, absorbing the width of Lu Gong and the charm of Su Mi. It is elegant and leisurely, simple and natural, and has its own characteristics. "

His running script pen is calm and atmospheric, and its structure is rigorous and meticulous. It not only has the beauty and elegance of Nanyou, but also has a beautiful and harmonious tone, and pays more attention to the charm and charm of ancient songs. This is manifested in the rich and meticulous brushwork skills, calm and carefree brushwork style, elegant and elegant artistic style. The style of this grass is fantastic, and it is mainly smart and decisive. This kind of works break through the traditional pattern in composition, and skillfully introduce the concept of modern art composition into calligraphy creation, so that the works give people a strong visual impression in expressing emotions and characteristics, and give people a sense of freshness in composition form. In the use of pen, knot words, composition and artistic conception, he pursues a great effect, rather than paying attention to the accuracy and regularity of stippling. The coherence of momentum, the contrast between reality and reality, clever evasion and free expression of passion constitute the overall characteristics of Zhang Xuguang's cursive works. I have a soft spot for official script, and it is hard to give it up. Taking, Xianyu Monument and Monument as the main official calligraphers, the brushwork follows Deng and others in Qing Dynasty. The brushwork of bamboo and silk in Qin and Han Dynasties is vigorous, smart and full of rhythm changes, and it wins with strong brushwork, dangerous posture and big style. Especially in the whole black-and-white segmentation, it not only highlights the contrast between large and small blocks of black and white, but also increases the strength of black and white, showing high spirits. Zhang Xuguang's calligraphy works show everyone's demeanor. It will have an important impact on the book industry in China!