This is a poem to send a revival, and it is a sigh of life caused by Su Shi's relegation to Huangzhou for three years. The poem is desolate and affectionate, expressing Su Shi's melancholy and lonely mood at this time. The calligraphy of this poem is produced in this mood and situation. The whole calligraphy is full of ups and downs, radiant and unrestrained, and there is no shortage of pens. Huangzhou Cold Food Poetry Post has a great influence in the history of calligraphy, which is called "the third running script in the world" and is also a leader in Su Shi's calligraphy works. As Huang Tingjian wrote after this poem: "This book was written by Yan, Yang and Li Xitai. If you want to restore Dongpo, it may not be the case."
Appreciators of all ages praised cold food stickers as masterpieces. In the early years of the Southern Song Dynasty, Zhang Hao's grandnephew Zhang Yan wrote an inscription on another piece of paper behind the manuscript of the poem: "The old immortal (referring to Su Shi) is a rare treasure." Since then, the manuscript of Two Cold Foods in Huangzhou has been called "Post". Dong Qichang, a great painter and calligrapher in the Ming Dynasty, wrote an inscription after the post: "I have read more than 30 original volumes of Mr. Dongpo in my life, and I must take this as a view." In the Qing Dynasty, the cold food post was taken back to the palace and included in the Sanxi Hall post. In the thirteenth year of Qianlong (1748), on the eighth day of April, Emperor Qianlong wrote an inscription on the post, "The great calligrapher of Dongpo should be Yan and Yang Hou. This volume was written by Chen Huangzhou, and later it was degraded to the extreme. The so-called unintentional Yoga Yu is better ... "In order to highlight the past, the word" Tang Xue aftertaste "was specially written in front.
Because of the praise of many scholars, the world called Cold Food Sticker, Preface to Lanting by Wang Xizhi in the Eastern Jin Dynasty and Book of Sacrificing My Nephew by Yan Zhenqing in the Tang Dynasty, or simply called Cold Food Sticker the third running script in the world. Others compared the "three major running scripts in the world" and said: "Preface to Lanting" is the wind of Confucianism, "Post for Sacrificing Nephews" is the wind of the wise, and "Cold Food Post" is the wind of scholars. Both of them are equal, each leading the way, which can be called three milestones in the history of China calligraphy.
In modern times, the fate of "cold food stickers" is ill-fated. In the tenth year of Xianfeng in Qing Dynasty (1860), the British and French allied forces set fire to Yuanmingyuan, and the cold food stickers were burned. It immediately lost the people and collected Feng. After Feng's death, Sheng Boxi collected it and bought it. It was exhibited at the Beijing Painting and Calligraphy Exhibition in 19 17, and was closely watched by painting and calligraphy collectors. 19 18 to Yan Yunbo. That year 65438+February 19 was Su Shi's birthday, and Yan Yunbo made a postscript and recorded the whole story. 1922, when Yan Yunbo was visiting Tokyo, Japan, he sold cold food sticks to Japanese collector Kikuchi Xingtang at a high price. 1September, 923, Ju Chi's family was destroyed in the Tokyo earthquake, and the calligraphy and paintings of ancient celebrities were almost destroyed. At that time, Kikuchi Xingtang risked his life to rescue the cold food station from the fire, which became a much-told story for a while. After the earthquake, Kikuchi Xingtang kept a cold food bar in a friend's Naiteng Lake Zhai for more than a year. 1924 In April, at the request of the Tang Dynasty, Naito Hunan wrote an afterword, which recorded the general situation of the transfer of the cold food station from China to Japan. During World War II, Tokyo was repeatedly bombed by the US Air Force. Fortunately, the cold food post was unscathed.
The loss of cold food sticks overseas has always made Chinese descendants feel uneasy. Just after the Second World War, Wang Shijie, Foreign Minister of the National Government, privately invited friends to visit a cold food station in Japan. When he learned that it was backward, he bought it back with a large sum of money and wrote an inscription on the post, outlining the general process of its loss to Japan and its return to China from Japan. The Millennium national treasure was returned to the motherland by Mr. Wang Shijie, and has been treasured in the National Palace Museum in Taipei so far.
Ten years later, a 7.3-meter-long replica of the scroll of Cold Food Sticker was exhibited in a painting and calligraphy exhibition in Taipei, which was a sensation and surprised everyone who saw it. It is said that there are only 10 copies of this kind, most of which are collected by internationally renowned national museums, and two of them are missing. Around 1975, Jiro Yamashita, a famous "Dongpo fan" of Japanese friends, spent huge sums of money to buy the last replica of Taipei Exhibition Hall. 1985165438+1On October 2nd, Jiro Yamayama led the Japanese "Dongpo delegation to Chibi, Dongpo, Huangzhou. Out of admiration for Su Shi and love for Dongpo Chibi, Jiro Yamayama generously donated the last copy of Cold Food Stick he bought at a high price to Dongpo Chibi Management Office, which became the only treasure in Chinese mainland. 1995, at the initiative of Jiro Yamayama, the "China-Japan Friendship House" was built in Chibi, Dongpo, and the scroll copy of Cold Food Post was publicly exhibited for the first time.
1April 6, 1995, in order to promote China's calligraphy art, the postal department of Taiwan Province Province issued a set of 4 stamps specially designed for 346 cold food sticks, with 4 stamps printed horizontally and 4 sets of stamps, with Huang Tingjian's cold food poems and postscript printed on the margin paper. At the end of the same year, Huangzhou Zhongxing Industrial Group Company also launched two "Huangzhou Chibi" corporate New Year greeting cards, of which the second card (No.1996 E (BK)-0003) was a "cold food post" (part). As soon as these two exquisite stamp products came out, they became the objects of collectors and calligraphers at home and abroad. It is coincidental and inevitable that the mainland and Taiwan Province Province issue stamps (products) of cold food sticks at the same time. Because the two sides of the Taiwan Strait share the same root and the same language, there is only one Su Dongpo who is outstanding in talent and expected by generations! Mi Fei's Shu Su Tie, also known as Imitation of Ancient Poems Tie, was praised by later generations as the first beautiful post in China. Ink silk script, running script. 29.7 cm long and 284.3 cm wide; This book was written in Yuan You's third year in Song Zhezong (1088). At the age of 38, Mi Fei wrote eight poems of his own style, 7 1 line, with 658 words. This book was written by Yuan You in Song Zhezong in the third year (1088). When Mi Fei was 38 years old (1088), he wrote eight poems about maize in various styles.
"Shu Su" is a kind of exquisite silk fabric made in Sichuan in the Northern Song Dynasty, with black silk fence woven on it, which is beautifully made. A man named Shao Zizhong bound a picture of corn into a book and gave it to a famous artist to leave Mo Bao. According to legend, this volume was hidden by Shao, and he wanted to ask the famous artist to leave for his descendants. However, from generation to generation, no one dares to write. Because the grain of silk is rough and difficult to write, unskilled people are afraid to ask. Shu Su Tie was collected by lin xi, the commander of Huzhou (Xing Wu, Zhejiang) in the Song Dynasty, which lasted for 20 years until August in Yuan You in the Northern Song Dynasty. At the invitation of Linxi, Mi Fei went to Tiaoxi, a suburb of Taihu Lake. Linxi took out the book Shu Su and asked Mi Fei to write it. Mi Fei was bold and tried his best to write eight poems in one breath. Several poems in the volume were written at that time to commemorate the visit or to see me off. At the end of the volume, the Department "Yuan You, September 23rd, Ji in Xitang".
Shu Su Tie is written in the column, but its momentum is not limited at all, unrestrained and uninhibited, with a pen, flying with a pen, with changeable turns and twists and turns. Antique is two songs that are still treasured by lines. The more you get to the back, the more free and easy you get. Mifei's calligraphy is unpredictable. This post is changeable in pen, hidden in the front, clear in thickness and varied in posture, which fully embodies his unique style of "brushing words" Due to Su Su's rough writing style, Dong Qichang wrote a postscript to Su Tie: "This volume is like a lion fighting an elephant, go all out and cooperate for life." . In addition, because silk fabrics are not susceptible to ink and there are many dry pens, the ink color is distinct from beginning to end, and it is even more exciting to rush to spring.
Shu Sutie is amazing in structure, flexible and changeable, effective in expansion and contraction, beautiful and straight in shape, elegant in style, casual in posture, without clothes or shoes. The pen swings vertically and horizontally, and the hole jumps down. Fiona Fang combines rigidity with softness. The hidden front is slightly exposed, and the exposed front is also subtle. The pen shows an abrupt end, like a sharp knife, and the hanging needle has a positive side, either curved or straight; The pressure is clear and the bond is firm; It is also a thick fiber, which is neither good nor violent, but also a middle edge, not dry or moist. In composition, the compact stippling is in sharp contrast with the large blank, the heavy strokes and soft lines appear alternately, the smooth brushwork and the dull brushwork are combined with each other, and the dynamic of graceful array is perfectly combined with the calm and graceful silence, forming a unique composition of Shusu Tie. In short, straightforward brushwork, bizarre structure, neutral layout, and the peaceful and simple style of calligraphy since the Jin and Tang Dynasties have created a lively and dynamic artistic conception. Therefore, in the Qing Dynasty, a poem was written to praise this post: "Shu Maozhi is a bird in the silk world and writes about European style. It is naive to go in and out of Wei and Jin dynasties, and horses are absolutely happy. " Dong Qichang wrote an afterword for "Su Cycas in Shu", saying, "This volume is like a lion fighting an elephant. Go all out to cooperate for life. " .
The Shu Cycas was collected by famous collectors such as Xiang, Dong Qichang and so on in the Ming Dynasty, fell into the hands of Xiang, Wang and Fu Heng in the Qing Dynasty, and later entered the Qing Dynasty, and is now in the Palace Museum in Taiwan. Thousands of Characters in Cursive Script is a cursive script handed down by Song Huizong and Evonne, and it is one of the top ten famous posts handed down by China. So 1 1 12 years. It is 3 1.5cm long and 1 172cm wide, and written on a whole piece of writing paper depicting Un-yong Kim. This is Evonne's masterpiece at the age of forty. His brushwork is unrestrained, fluent, unpredictable and spectacular in one go. It is a masterpiece after Zhang Xu and Huai Su. Today, Liaoning Provincial Museum.
This is a rare Hui Zong cursive scroll. Compared with Huai Su, there is almost no difference in the familiarity of pen and structure and even the artistic conception of writing. This pen is full of flying ink, written on the full picture of Un-yong Kim, with a total length of more than three feet. The exquisite design of the text at the bottom was painted on paper by the painter in the palace, which complemented Mo Bao in Hui Zong, and * * * made this unprecedented masterpiece! Known as "Mo Bao".