Calligraphy art is an art full of humanistic spirit, and the ancients discussed the humanistic spirit of calligraphy. Liu Gongquan said: the heart is right and the pen is right. Su Shi said: Ancient prose writers are also talking about their own lives. If it is not a person, it is not expensive. In the late Ming Dynasty, Xiang Mu said with elegant words in calligraphy: On books, such as appearance, on books, such as viewing people. Throughout the ages, emphasizing the personality status of calligraphers and the quality of books is an individualistic evaluation method of character, which has long influenced the calligraphy world. As an independent art, calligraphy, like other arts, has its own aesthetic connotation and value, and it does not need to be grafted or attached to a non-original environment to survive. However, calligraphy is a flaunted art. While calligraphy wounds show artistic charm, the calligrapher's personality, knowledge and other factors will also be highlighted. Therefore, calligraphy is a humanistic art and an individual art.
There is no pure art in the world, especially calligraphy, which must carry Chinese characters and express things and emotions through Chinese characters. Then, a calligrapher's works, even the original works written by others, are first written after being recognized by the calligrapher's personality and filled with all his emotions, and each work will undoubtedly be branded with his own personality. The products provided by artists must meet people's spiritual needs, which is the artist's conscience and social responsibility. In order to produce qualified products, artists must invest, screen, fill, debug and even refine them repeatedly from spiritual, moral, material, social and life aspects. The cultivation of art must be the cultivation of personality, and it is the cultivation of knowledge in the humanities field. As a calligrapher, we should abide by the principle of being a man and fully grasp the ideological and artistic nature of our works.
Humanistic spirit is a kind of character and feeling that humanistic intellectuals should have, and it is the spiritual feature of this class. China has the humanistic spirit of taking society as the standard, benevolence as the center, self-cultivation, self-cultivation, self-cultivation, and the rule of the family and the world as the goal. The west has the humanistic spirit of Renaissance, aiming at individual liberation and taking freedom, equality and fraternity as slogans. From this perspective, human nature should be a spiritual pursuit, a value orientation or a way of thinking. Calligraphy is an elegant art with a strong humanistic atmosphere. If we do not emphasize the rich connotation of the works and improve the spiritual quality of the works, we can only consume the artistic life of calligraphy with impetuousness and extravagance. Now some people put forward the slogan that calligraphers should become scholars, and advocate strengthening the humanistic quality of calligraphers and the all-round cultivation of Chinese studies. Some people say: reading nourishes the nature, painting nourishes the heart, and I have no problem with those who can achieve perfection without reading. Calligraphy is an excellent part of traditional culture, and all the activities of ancient intellectuals are inseparable from pen and ink for a moment. Scholars use Confucianism and Taoism to interpret poems and practice calligraphy, and calligraphy also reflects the living state of scholars holographically. Some people say that calligraphy is more brilliant in youth, more traditional in middle age and more educated in old age. A student's education reveals the accumulation of cultural heritage, which requires not only a thorough study of classics and history, but also long-term observation.
Calligraphy, as a part of traditional culture, is a history of humanistic spirit in a sense. As contemporary people, more thinkers, scholars' profundity and persistence, and public intellectuals' social conscience, we should pay attention to the development of calligraphy with the enthusiasm of paying attention to national quintessence, which we must do or work hard today.
6. Regarding the interpretation of calligraphy, the following statement is correct.
A, calligraphy is a humanistic art, with its own aesthetic connotation and value, independent of non-original ecological environment.
B, calligraphy is a pure art that carries Chinese characters, injects calligraphers with full emotions and shows artistic charm.
C. Calligraphy is an art of showing off things and emotions through Chinese characters, which highlights the indifferent personality and knowledge of calligraphers.
D. Calligraphy is an elegant art with a strong humanistic atmosphere, which permeates the social conscience and sense of responsibility of all artists.
7. Regarding the understanding of the humanistic spirit of calligraphy, one of the following statements is incorrect.
First, Liu Gongquan, Su Shi and others' individualistic evaluation of a book as a good or bad character contains a strong humanistic spirit of calligraphy.
B. Calligraphers can only create works with humanistic spirit by refining their works from spiritual and moral aspects and engraving their own personality brand.
C, calligraphers strengthen the accumulation of cultural heritage and pay attention to the connotation of life, and the humanistic spirit of their calligraphy will be nourished.
As a part of traditional culture, calligraphy's development history is a literary spiritual history of pursuing individual liberation.
8. Among the following understandings and analysis, one that conforms to the original content is
A. As an artist, especially a calligrapher, you must abide by the principle of being a man, cultivate art, and improve your personality and knowledge.
B, China's humanistic spirit takes society as the standard and benevolence as the center, which is a higher spiritual pursuit than the western humanistic spirit of pursuing individual liberation.
C. Calligraphers use all their life experiences to shape calligraphy, so their works also partly reflect the life state of calligraphers. This is what we often say: words are like people.
D, paying more attention to the development of calligraphy is the only value pursuit of contemporary calligraphers.
Look at the answer:
6.A(B) Pure artistic statement is wrong; Item C is indifferent to fame and fortune and belongs to nothingness; All artists in item D are wrong)
7. D (It is wrong to say that item D aims at the liberation of personality)
8.A(B) The statement that China's humanistic spirit is higher than that of the West is false; The local mapping error of item C should be holographic mapping. The only value pursuit of item D is unfounded in the text)