The vast expanse of wind and waves will not remember Su. Thousands of wheat carts ride on the snowy Qingjiang River. But it makes me feel full and sad. The green sleeves lean against the catkins lingering in the wind, and the red lips have cherry blossoms rotten by wine. He tweezed his frosty beard in front of him. ——Su Shi, Song Dynasty, "Huanxisha·The wind and waves do not remember Su" Huanxisha·The wind and waves do not remember Su. The wind and waves do not remember Su. Thousands of wheat carts ride on the snowy Qingjiang River. But it makes me feel full and sad.
The green sleeves lean against the wind and the willow catkins linger, and the red lips have cherry blossoms rotten by wine. He tweezed his frosty beard in front of him. Graceful, relegated, melancholic scenery translation and annotations
Translation
I only remember the sound of the wind last night, but I don’t remember when I woke up and saw the heavy snow falling on the river. I thought about this auspicious year and next year. There will definitely be a good harvest of wheat, and as long as the people have enough to eat, I won't worry.
The singing girl stood in the wind, with the snowflakes flying around her like catkins, and her red lips after drinking the wine were as bright as cherries. I was breathless in front of the wine glass, stroking my white beard. Appreciation
The whole poem has a clear realm, prominent images, and profound emotions. The author uses happy scenes to express his worries and gorgeous scenery to express his sorrow. He skillfully uses opposite and complementary artistic techniques, which greatly enhances the image of the art. , profoundly reveals the inner world of the protagonist.
In the first sentence of the poem, the "Su" in "The vast expanse of wind and waves will not remember Su" should refer to Suzhou, and the "Gong" in the old annotation should refer to Su Shi. This sentence means that Su Shi did not care about the land that was wiped out by the storm in Suzhou.
The writer of the first part of the poem was drunk and vaguely heard the roar of the wind. He couldn't remember when he woke up. By dawn, the world was already covered in silver. The poet immediately imagined the harvest scene of thousands of carts of wheat from the association of snow heralding a good year, and felt lucky that the people could have enough to eat. The next film recounts the scene at the banquet when Xu Junyou visited the day before. The singer's green sleeves were as white as catkins, with light snowflakes lingering in them. Her red lips were even more vivid after drinking, like ripe cherries. The poet, on the other hand, was drinking and singing, stroking his cold hands and stroking his white beard, thinking a lot.
The poet's typical action of "tweezing his frosty beard" greatly enhances the image and implicitness of the art, and profoundly reveals the specific environment in which the lyrical protagonist is relegated. Worry. This melancholy image is contrasted with the emerald sleeves surrounded by white snow and the bright crimson lips, making it richer in meaning. Creation background "The Wind and Waves Don't Remember Su" was created in the winter of the fifth year of Yuanfeng (1082). When Su Shi was demoted to Huangzhou, he had no land in Suzhou. He only bought land in Yixing, Tangzhou in the seventh year of Xining (1074). Su Shi wrote this poem when Xu Junyou sobered up and saw heavy snow falling on the second day of his visit. Su Shi (1037-1101) was a writer, calligrapher, painter and gourmet in the Northern Song Dynasty. His courtesy name is Zizhan and his nickname is Dongpo Jushi. Han nationality, Sichuan native, buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). His official career was bumpy throughout his life, but he was knowledgeable, extremely talented, and excellent in poetry, calligraphy, and painting. His writing is unbridled, clear and fluent. Together with Ouyang Xiu, he is called Ou Su, and he is one of the "Eight Great Masters of the Tang and Song Dynasties". His poetry is fresh and vigorous, good at using exaggeration and metaphor, and his artistic expression is unique. He is also called Su Huang together with Huang Tingjian. He started a bold and unrestrained school and had a huge influence on later generations. Together with Xin Qiji, he was called Su Xin. He was good at calligraphy in running script and regular script. He was able to create his own ideas. His pen was rich and ups and downs, and he had an innocent taste. He was called Song Dynasty together with Huang Tingjian, Mi Fu and Cai Xiang. The four schools have the same painting studies and literature, advocate spiritual similarity in painting, and advocate "scholar painting". He is the author of "The Complete Works of Su Dongpo" and "Su Dongpo Yuefu".
Su Shi The sun sets low on Qingchuan River, and the melancholy boat is released. Birds fly far and near to Pingwu, and people follow the flowing water from east to west. The white clouds are thousands of miles away, and the bright moon is in front of the stream and behind it. I only hate being banished to Changsha, where the spring grass in the rivers and lakes is luxuriant. ——Tang Dynasty·Liu Changqing's "The Resentment of the Exalted Immortal·The Sunset is Low on the Qingchuan River"
The Resentment of the Exalted Immortal·The Sunset is Low on the Qingchuan River The Sunset is Low on the Qingchuan River, and the melancholy boat is released. Birds fly far and near to Pingwu, and people follow the flowing water from east to west.
The white clouds are thousands of miles away, and the bright moon is in front of the stream and behind it. I only hate being banished to Changsha, where the spring grass in the rivers and lakes is luxuriant. Graceful, saying farewell, describing the scene and missing the fan, the fan, the beauty's illness comes to cover her face. Yuyan has been haggard for three years, who will discuss the orchestra again? String pipe, string pipe, spring grass, Zhaoyang road is broken. ——Wang Jian of the Tang Dynasty, "Joy in the Palace, Round Fan"
Joker in the Palace, Round Fan Round fan, round fan, used to cover the beauty's face when she is sick.
Yuyan has been haggard for three years, who will discuss the orchestra again.
String pipe, string pipe, spring grass, Zhaoyang road is broken.
Three hundred poems from the Song Dynasty, graceful, Yuefu, chanting things, lamenting the time. The cold wind invades the windows, and the curtains are drawn lazily towards the corridor. The moonlight enters the high-rise building, and I miss the two places and feel sad. The state affairs of the boundless family are merged into Shuang Mo Cui. If the plum blossoms bloom early, a branch should be sent to you! ——Modern·Qiu Jin's "Bodhisattva Man·Sending a Female Companion"
Bodhisattva Man·Sending a Female Companion The cold wind blows sharply into the window, and the curtains are hung lazily walking towards the corridor. The moonlight enters the high-rise building, and I miss the two places and feel sad.
The national affairs of the boundless family were merged into Shuang Mo Cui. If the plum blossoms bloom early, I will send you one! Miss you gracefully