1. The pen moves the dragon and snake: it describes the vividness and momentum of calligraphy. From "cursive songs": I always see dragons and snakes walking, and the left plate is stunned.
2. Swallowtail of silkworm head: It describes that calligraphy is dignified in starting and light in finishing. From "The Painting of Xuanhe Yan Zhenqing": Only he is loyal to the day and knows the world well, so his spirit is unique and inclusive. ..... After the popular learning, it is to seek the end of its shape, which is called the swallow-tail of the silkworm head, and it is only obtained.
3. Abundant muscles and strength: Calligraphy has muscles and bones, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than strong. From "Pen Map": At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law, and the discussants said that it was full of strength and strength, and it had a tendency to travel in clouds and rain.
4. The past is rich but the present is barren: a metaphor for different styles of calligraphy. From "Calligraphy to Record": impermanence is called ancient fat, and Zi Jing is called barren today. Ancient and modern times are different, and fat and thin are quite opposite.
5. Hu is fat and thin: Hu: Hu Zhao in the Three Kingdoms period; Zhong: Zhong in the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Describe the beauty of calligraphy. The source of Tang Zhang Yanyuan's Book of Dharma: Liu Desheng, a famous official in the Wei Dynasty of the Three Kingdoms, made a good name for his running script, while Hu Zhao and Zhong You copied his method, while Hu Shu was fat and Zhong Shu was thin, and each had its own beauty.
6. Domestic chickens and wild birds: a metaphor for different calligraphy styles. It is also a metaphor that people love novelty and hate ordinary things. From Song Su Shi's "Postscript Yu Zheng West Station": At the beginning of the expedition to the west, I was dissatisfied with leisure, but I thought Boying was reborn.
7. if you are agile, you will be surprised. It is often used to describe the vigorous strokes of calligraphy or graceful dancing. From Biography of Wang Xizhi in the Book of Jin: You Shan Li Shu is the highest in ancient and modern times, and critics call it a pen gesture, thinking that it is like floating clouds and agile.
8. Penetrate the back of the paper: It describes that the calligraphy is strong and powerful, and the brush stroke almost penetrates the back of the paper. From "Zhang Changshi's Twelve-meaning brushwork": Intention comes first; Through the back of the paper.
9. Luan Xiang Feng Zhu: Metaphorically, calligraphy strokes are flying and stretching. From Jin Luji's "Fu on Floating Clouds": Luan Xiang is a phoenix, Hong Jing is a crane flying, whales and whales are sailing back to the waves, and sharks and crocodiles are rushing.
1. dragons and snakes fly: it seems that dragons fly and snakes swim. Describing calligraphy as vigorous and vigorous. From Song Su Shi's "Xijiangyue Pingshan Hall": I haven't seen an old fairy for ten years, and dragons and snakes are flying on the wall.
11. Flying like a dragon and a phoenix: Originally, it described the winding and majestic mountains, and later, it also described the powerful and flexible strokes of calligraphy. From, Han Zhangheng's Ode to Tokyo: The mountain with a long eye, the water is blooming, the dragon and the phoenix dance, and it is extracted in Lin 'an. 2. What idioms are there to describe the art of calligraphy?
The dragon snake at the bottom of the pen, the Mo Miao with fine brushwork, the dragon snake with a pen, the swallow-tailed silkworm head, the hiding of the head and the protection of the tail, the sinking of the body, the calmness of the body, the beginner's doodling, the ups and downs, the Ding Zhenkai grass, the Ding Zhenyong grass, the flying dragon dancing with the phoenix, the abundant muscles and strength, the phoenix dancing with the dragonfly, and the phoenix dancing with the dragonfly. Jiao Ruoyou dragon, strong bones and abundant muscles, thirsty horse running to the spring, thirsty horse angry, thirsty deer running to the spring, Li Tou paper back, Lin Chi Xue Shu, Liu Gu Yan Jin, dragon and phoenix dance, dragon and snake flying, dragon and snake flying, dragon stretching and bending, dragon jumping and tiger lying, Rowen Tiger Zhen, Rowen Tiger Zhen. Thirsty horse running to the spring, angry and thirsty horse riding, flying high, floating like a cloud, playing in the sea with a crowd, painting sand like a cone, getting into the wood, writing a good book without choosing paper and pen, Tang Linjin posting, iron painting silver hook, spitting jade hook silver, Wang Yang wantonly, Wang Yang Hongsi, Wang Yang wantonly, literary talent Binghuan, writing fenglei, Xianlu. Failure to learn the sword, Yan family's hunger for a job, Yan Gu Liu Jin, Yan Jin Liu Gu, Yan Jing Liu Gu, one-word understanding, silver hook's tail, silver hook's iron painting, silver hook's jade spitting, swimming clouds and shocking dragons, right army's habits, worrying about the beauty of the face, and being subtle and full of ink: pen and ink are used very freely and fully. It describes calligraphy and poetry as rich and vigorous. Jin people have a small regular script of Huang Ting Jing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, it was used as a metaphor for doing things just right. Spring worms and autumn snakes: a metaphor for poor calligraphy, bending like the tracks of spring worms and autumn snakes. The sword was drawn from its sheath and the bow was opened. It described the tense situation as explosive. Later, Summarize the calligraphy of Spring and Autumn Annals into several categories, and give a general explanation. Later, it is said that the style of the book is "giving examples and giving examples". See "giving examples and giving examples". Through the back of the paper: the original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vivid and profound poetry. Flying like a dragon, flying like a phoenix. The original description is bold and magnificent. Now there are many. It also describes the lifelike plastic arts of dragons and phoenixes. Dragons and snakes fly: it describes the vigorous and vivid calligraphy style. Su Shi's "Xijiangyue Pingshantang" says: "I haven't seen an old fairy for ten years, and dragons and snakes fly on the wall." Luan Piao Fengbo: Luan: a legendary bird like phoenix. Originally, it described calligraphy as chic. Unrestricted. It also means that the husband and wife of the advanced students are separated. Luan Xiangfeng is flying high. It means that the calligraphy style is flying. Beauty hairpin flowers describe the beauty of calligraphy or poetry style. The original description is that the calligraphy style is strong (it is said that Jin and Wang Xizhi wrote on the board, and the ink penetrated into the board three points deep), but now it is more. Hook: Hook. Describe that calligraphy is strong and beautiful. Graffiti with letter: writing casually. Graffiti: figurative words are poorly written and scribbled casually. Later, use "Graffiti with letter" and "Graffiti" to describe that calligraphy is poor or scribbled casually. Graffiti with letter: listening and scribbling casually; Letter pen: write casually; Graffiti: The figurative words were poorly written and scribbled casually. Later, graffiti or letter graffiti were used to describe poor handwriting or careless writing. 3. Idioms of calligraphy art
Chinese idioms have a comprehensive reflection on the art forms of Chinese painting, music, dance, opera and calligraphy.
in painting. The idiom "have a plan in mind" means that Wen Tong, a painter of the Song Dynasty who is famous for painting bamboo, had a complete idea before he put pen to paper, which is used to describe that he had a plan in mind before he did things.
"A rabbit starts to fall" describes the agility of writing in order to capture the image when painting (later referred to as writing). "Big ink" means that painting should start from the main place.
"Two-pronged approach" originally refers to the stunt that Zhang Cao, a famous painter of pine painting in the Tang Dynasty, can wield two pens at the same time, and it also refers to two things being done at the same time. "handy" describes skillful skills.
"Poetry in painting" describes Wang Wei's paintings in the Tang Dynasty as poetic. "Clouding the moon" refers to painting (later also refers to composition) when it is touched and dyed from the side.
"Make the finishing point" refers to the key pen and ink in painting (later also refers to writing). In addition, there are idioms such as "painting a snake to add feet", "painting a tiger dog" and "painting fat to carve ice", which are used to ridicule the clumsiness of painting, or to laugh at their futility and even self-defeating.
Idioms are also inextricably linked with music culture. In ancient China, the musical rhythm was very subtle, and there were "five tones" and "six rhythms".
"Five Tones" refers to the characteristic feather of Gong Shang angle, which is similar to 123456 on the notation. The idiom "tone-deaf" means that people don't understand music at all.
"changing one's palace and changing one's feathers" means changing the tune of music, and it also means that the content of things has changed. "Attract merchants to carve feathers" refers to mastering the solemn music law.
originally, "law" refers to twelve different length pipes used to set the standard tone, with Huang Zhong and Da Lu as the first two laws. The idiom "Huang Zhong Da Lv" describes the grandeur, solemnity and mystery of melody or language.
"Huang Zhong destroys and abandons" means that a talented person is not appointed. From the idioms such as "silk and bamboo orchestral string", "flute playing", "golden stone stringed silk", "harps don't tune", "bells and drums chime", "Qin Zheng Zhao Se" and "Sheng Qing Tong", we can know that ancient Chinese musical instruments include plucked instruments such as "Qin" and "Se".
Idioms such as "Huang Zhong Da Lu", "A piece of palace merchants", "Including the sign of merchants' mouths", "Carving feathers by attracting merchants", "Changing merchants' feathers" and "Five Tones and Six Rhythms" record the unique musical theory of ancient China and the palace tune theory formed from it. There are also idioms such as "Qi Zhong Wei Gu", "Qin Zheng Zhao Se" and "Chu Si Yan Ge" which reflect the regional characteristics of ancient Chinese music life. "Yangchun Baixue" and "Xialiba people" recorded the ancient music tracks, while "great sounds and sounds", "sounds beyond the strings" and "lingering sound" reflected the ancient people's pursuit of the musical realm, "the voice of Zheng Wei" and "lingering sound". "Striving for the strings" and "Sorrow for the Bamboo" reflect the effects of different music played by ancient silk and bamboo music; "Striving for the strings", "Playing the bamboo with silk" and "beating gongs and drums" show the different playing methods of different musical instruments; and "Qin Xin Jian Dan", "Qin Broken Zhu Xian", "Qin Song and wine Fu" and "Qin and instrument in harmony" show that ancient Chinese people originated from music.
There are also operas, dances, calligraphy, seal cutting, painting, etc. Like music, we can learn their basic features systematically and completely from idioms. In addition, the idioms "rubber-column drumming", "fiddling", "the room is like a cantilever", "copper-clad iron plate", "anxious pipe playing the string", "mourning for the bamboo" and "breaking the golden stone" respectively use the names and categories of some musical instruments, and also describe the morphological structure and playing characteristics of some musical instruments, which are not mentioned here.
As for "one board and three eyes" (also called "one board and three eyes"), it refers to the beat of traditional Chinese opera music after the Ming and Qing Dynasties. This idiom means that words and deeds are orderly, and sometimes it means that things are rigid. Huangzhong is a percussion instrument in ancient China, which is mostly used in temples. Therefore, the idiom "Huangzhong Wafu" is used to describe literary works with high or low artistry, "Huangzhong destroys and abandons" is used to describe talents and talents, and "Huangzhong Dalu" describes solemn, fair, harmonious and mysterious music or words.
Calligraphy is the art of writing Chinese characters with a brush. It is a special art gradually formed under the long-term application and development of calligraphers' aesthetics. Calligraphy is one of the excellent traditional cultures of the Chinese nation, which has not only the practical value of language, but also the value of artistic appreciation.
Many idioms in Chinese reflect the art of calligraphy, or they are metaphors of brushwork, style, or their quality. Such as: while the dragon and the phoenix dance, tense, iron-painted silver hooks, the first writing of Huangting, willow bones and tendons, spring worms and autumn snakes, letter graffiti.
Another example is the idiom "step by step", which originally means that when writing an article, the structure is properly arranged, and the words and sentences are standardized; "A thousand miles in length" means that a picture or poem is short in length, but extremely rich in content and far-reaching in artistic conception; "Setting off the clouds to support the moon" originally refers to a technique of rendering clouds to set off the moon when painting, and later refers to a technique of expressing the subject or theme by shading or describing it from the side when painting or writing. "Skinness in the Suburb" is a generalization of a certain artistic conception and style of poetry. "Parallel four wives and six wives" refers to the dual parallelism of sentences with four or six words in parallel prose prevailing in the Six Dynasties. "One word, one bead" is a metaphor for singing and spitting words clearly, tactfully and roundly, and it is also a metaphor for the essence of poetry writing; "Luan Piao Feng Bo" describes the pen gesture of calligraphy. "The sword is running high" and "getting to the point" describe the forceful and vigorous calligraphy with profound skill.
The idioms "wear out the inkstone" and "never stop waving" describe the hard work and perseverance in practicing calligraphy. "Tie Hua Yin Gou" describes the vigorous and vigorous calligraphy.
Idioms such as "the dragon dances like a tiger", "the dragon dances like a phoenix", "the snake flies like a dragon" and "the beautiful woman dances like a flower" are all used to describe the beauty and vividness of calligraphy. As for the idiom "spring worm and autumn snake", it is a metaphor for the poor calligraphy.
There are indeed countless idioms like this. Literature and art: amazing, Wei made up three marvels, wonderfully excelling in astronomical geography: vast territory and vast resources, sparsely populated, high-altitude politics and military affairs: strategic planning, high-spirited, and soldiers are not tired of cheating. Etiquette and customs: courtesy and courtesy, courtesy and reciprocity, three cardinal guides, food, clothing, housing and transportation: stretched, ragged, hungry and cold, full of warm clothes, 4. Idioms describing calligraphy skills
1. Cherish ink as gold-cherish: cherish.
cherishing ink is like gold. Refers to not writing easily.
2. Flowing clouds and flowing water-describe that articles are naturally unconstrained, just like floating clouds and flowing water. 3, the pen sweeps a thousand troops-describe the pen strength, as if it has the momentum of sweeping a thousand troops.
4, gas penetration Changhong-penetration: penetration. The spirit of justice goes straight to the sky and crosses the rainbow.
describe the spirit as extremely lofty and the spirit as extremely heroic. 5, dragons and snakes fly-as if dragons fly and snakes swim.
It describes calligraphy as vigorous and vigorous. 6, lifelike-lifelike: lively and vivid appearance.
means that the artistic image is very realistic, just like living. (Words) 7. Free and unfettered-restraint: restriction and restraint.
describes being free and carefree. 8, the dragon snake at the bottom of the pen-Jude said that the pen is a dragon snake.
Describe calligraphy as vivid and imposing. 9, while dancing like a dragon and a phoenix-originally described the majestic mountains, and later described the calligraphy as powerful and flexible.
1, thunderous-whether: thunderous; Jun: An ancient unit of weight, 3 Jin is a jun.. Describe the great power, unstoppable.
11. Iron-painted silver hook: painting: strokes; Hook: Hook. Describe calligraphy as strong and beautiful.
12. Penetrating the back of the paper: The original meaning of calligraphy is vigorous and powerful, but now it is also used to describe the vivid and profound poetry. 5. What are the good words and sentences that describe calligraphy works?
1. The pen is full of ink. bǐ hā n mò b? o
The pen and ink are used very freely and fully. Describe calligraphy and poetry.
2. The dragon and snake described by bǐ zǒu lóng shé
leap. Describe the vigorous and free-spirited brushwork of calligraphy.
3. While flying like a dragon, it flies like a phoenix. The original description is bold and unrestrained and magnificent. Nowadays, calligraphy is described as lively, flexible and skilled, and vivid plastic arts of dragons and phoenixes.
4. The dragon and snake fly. lóng shé fēi dòng
describes the vigorous and vivid calligraphy style. Su Shi's poem "Xijiangyue Pingshantang" reads: "I haven't seen the old fairy for ten years, and the dragons and snakes are flying on the wall."
5. Luan Piao Fengbo luán piāo fèng bó
Luan: a legendary phoenix bird. Originally, calligraphy was described as chic and unrestrained, and it was also compared with the separation of husband and wife of advanced students.
6. Luan Xiangfeng luán xián