Appreciation of Pingfu Post Calligraphy in Western Jin Dynasty

. "Ping Fu Tie" was written in the Western Jin Dynasty, and it is the earliest famous Western Jin Law Tie handed down from generation to generation. The author wrote on hemp paper with a bare pen, and the ink was slightly green. The brushwork is euphemistic, the style is plain, and its font is cursive. "Ping Fu Tie" occupies an important position in the history of China calligraphy, and it is also of reference value for studying the changes of characters and calligraphy. "Ping Fu Tie" is Cao Zhang's masterpiece, which has a close blood relationship with Juyan Han bamboo slips, but it greatly enhances the continuity of stippling, such as "mouth" shape, three Han bamboo slips and two Ping Fu Tie. There are still many words in the post, and many stipplings are connected into one stroke, which shows the great progress in writing skills. Continuous stippling means that the curve of stroke trajectory increases. Twist can adapt to this kind of frequent bending, and at the same time, frequent bending promotes the full development of twist. In addition to the simple, natural and simple temperament unique to Jin people, the reply post also has a hint of bamboo slips and cursive script. Taking the bald pen as the dry front, the pen turns with the trend, which is plain and quaint, and the critics say that "it is impossible for the ancients to write." The structure is free and easy, showing a relaxed and free state. [13] The flat stickers are full of the ancient meaning of Cao Zhang, emitting a simple, heavy and dignified atmosphere. Luji was influenced by the ancient thick book style of Qin, Han and Three Kingdoms, so it was pressed with a pen and lifted lightly. Most of the lines are similar in thickness, mainly round, without that kind of chic and elegant writing. Modeling is also based on tolerance and bunching, so as not to let the lines wander too far, just like a bud in bud, but it has not been unfolded in place and closed again. In the hands of Lu Ji, cursive script has not yet become a form of ups and downs. Calligraphers focus on a single word, trying to write it, but failing to enjoy it. It is precisely because of this control that Jews took advantage of the horse and controlled it with titles, showing implicit beauty. The seemingly relatively static state is more anticipated than the horse rushing and the arrow leaving the string. Since ancient times, there has been a saying of "hiding the front", that is, not to let too many sharp strokes appear, even like a sword hidden in the sheath, with a strong spirit. As a calligrapher's performance, it should be like Lu Shiyong of Amin Dynasty said, "If you want to show and hide, you will feel infinite." This, "Ping Fu Tie" is a model. [