Ma Shengli's Artistic Criticism

Calligraphy is the Art of Lines —— Zu Aimin

Shengli calligraphy is well written among peers. The scale can be seen in the serious illness, the twists and turns, the dense layout and the majestic weather. Many young people are caught in the maze of welcome cars, cars and BMW cars, and it is gratifying to be able to win calligraphy soberly. It is even more gratifying to successfully join the China Calligraphers Association.

Since "calligraphy" is called "Tao", we should commit ourselves to each other, filter out many unnecessary things floating in the river of life, integrate our hearts into the endless torrent of life, feel the mountains and rivers, and sympathize with all beings. As for the shape of the "device", I am lonely and groping in the study. Oracle Bone Inscriptions in Shang Dynasty, copper quotations in Spring and Autumn Period and Warring States Period, Shan Ye weather in Qin and Han Dynasties, solemn bearing in Wei and Jin Dynasties, amorous feelings of Tang and Song Dynasties, and endless gossip in Ming and Qing Dynasties. The theme of calligraphy is that the world is long, the feelings are endless, the idea is concise, the feelings in the heart are expressed by the nature of pen and ink, and the hymn of life is sung.

Shengli is young and interested in calligraphy. If he persists in this road of loneliness, he will surely succeed. This reminds me of my friend Brother Xinhua who showed his eldest son the photo of his first birthday victory 30 years ago. A chubby face, thick lips and eyebrows benefit from wisdom and aura. Soon, the children grew up and stood in front of us like poplars, bathed in blue sky and white clouds, cool breeze and bright moon ... They were born late, which was awesome.