Kongtong calligrapher

Shi Dabin doesn't have many pots. Shi Dabin (1573—— 1648), born between the Wanli period of the Ming Dynasty and the Shunzhi period of the Qing Dynasty, is the son of Shi Peng, one of the famous "four masters" of purple sand. He studied the mud making, modeling technology, modeling design and carving of purple sand pottery, and established a difficult technical system of using clay tablets and inlaying which is still followed by purple sand industry. He chose purple sand mud and blended it into various mud colors for products, forming a simple and vigorous style. Most of his early works imitated the big pot for spring, and later changed it into a small pot according to the literati's tea drinking habits, and signed the date to make it. It is known as the authentic pot art and has many handed down works, which are collected in museums such as Beijing, Shanghai, Nanjing and Taiwan Province Province. Life experience Shi Dabin is a master of Yixing purple sand art, the grandson of Yan in Song Shangshu and the son of a good friend. His life activities ranged from Wanli period of Ming Dynasty to Kangxi period of Qing Dynasty. The art of big guest pot enjoyed a high reputation in the Ming Dynasty, which was more common in literati's accounts. Tea Shu by Xu Cishu in the Ming Dynasty: "The teapot used in spring was made by guests in this world and was greatly cherished by people of that time." . After offering sacrifices to the spring, Shi Dabin created many special tools for making pots, created many pot shapes, and trained a number of disciples such as Li Zhongfang and Xu Youquan. Connecting the preceding with the following, it developed the art of purple sand. Shi Dabin's early works are simple and elegant. A good imitation of the spring pot. Since I arrived in Loudong, Suzhou and handed over several generations of Chen Meigong, the style of making pots has changed. Change the pot from big to small. It is said that Shi Dabin's creative attitude is extremely serious, and he will destroy any dissatisfied works. Nine times out of ten, I will not hesitate to break it. At that time, tea was popular, and the requirements for pot art were very high. Shi Dabin was about eighty years old all his life, and produced thousands of products, which spread widely. There is a poem to prove it: "Gong Zhongyan said that the pot is big, and the overseas competition is a distant dish." Chen Zhenhui, one of the four sons of Yixing in the late Ming Dynasty, wrote in "Mixed Autumn Garden": "The name of the pot is far away, that is, it is still unknown in a remote place. Its system began with offering sacrifices to spring, the pot style is simple and elegant, and tea has the interest of secluded fields. Later, such as Chen Hu (Chen Mingyuan) and Xu Hu, I didn't think that Dabin was just in case. " Although there are many works by Shi Dabin, few have been handed down. During the Qianlong period of the Qing Dynasty, Shi Dabin's works were regarded as rare treasures. Shi Dabin was about 300 years ago. According to the brief statistics of later generations, his works, including dozens, are only a few. It can be seen that the essence is precious. There are also many private collections at home and abroad, which are not counted for the time being, because it is impossible to check the authenticity. Most of the time, pots have the sign of "big trash can" to identify them. The main works existing among the people in our country are the following three works by Shi Dabin: 1965 Six Square Pots and Red Earth Purple Sand unearthed from the tombs of the Ming Dynasty in Jiangdu, Yangzhou, which most experts consider to be authentic. Ming Chengzu Wanli is forty-four years old. "Six Square Pots" exist in Yangzhou Museum. The shape of the pot is regular, and the word "Dabin" is engraved on the bottom of the pot. "Zisha Flat Pot" is engraved with the words "Yuan Yuan Tang Cang, distinguished guest system". The pot is now in Shanghai Museum. "Tianxiangge Pot", the mud color is purple and black. The lid of the pot is engraved with the words "Tianxiang Pavilion, Grand Guest". The appearance of the pot is generous and concise, or it is considered to be Shi Dabin's early works. Now it's in Nanjing Museum. "Monk's hat pot." The shape of "monk's hat" has been common in porcelain modeling since the Tang and Song Dynasties. Shi Dabin drew lessons from purple sand modeling and made a "monk's hat pot" with sharp edges, smooth lines and elegance. At the bottom, the words "born lotus is a big guest" are used. The pot is now in Shanghai Friendship Store. In addition to tea sets, Da Bin's works also have a study for fun. One of its remarkable artistic features is its own calligraphy. Shi Dabin used to find someone to pay for it. After making many scholars, Shi Dabin tried to figure out the calligraphy style of famous artists and studied hard. Many things happen, and Shi Dabin finally wrote a good hand. He took bamboo as a blade and bamboo as a ghost, and signed his name on the pot art works. His calligraphy has won the admiration of many celebrities. So that later, Dabin's calligraphy was regarded as one of the criteria to distinguish the authenticity of his works. Shi Dabin, Li Zhongfang and Xu Youquan are famous teachers, but their creative styles are different. Shi Dabin appreciated some works very much, so he put his name on his brother's works. This is a kind of "privilege" in the purple sand industry, and it is the recognition of one's apprentice skills and the highest reward. Then someone said, "Li Daping is a famous man." In other words, the pot made by Li Zhongfang is the name of Shi Dabin. Therefore, it can be considered that among Shi Dabin's works, there are also works by his disciples. But which one is unknown. Even so, the artistic value of this pot is equivalent to or even better than that of the time pot. Shi Dabin's works are recorded in writing and collected by people, including the following items: According to Li Dou's "Yangzhou Places of Interest" in Qing Dynasty, there is a Shi Dabin pot in the offering (Tian Leitan), and the lid and mouth of the pot are stuck together and cannot be opened. Shake it. There's water in it. It's been watered for decades. In Liang Shaoren's Essays on Two Kinds of Autumn Rain Temples in Qing Dynasty, Liang once saw a alms bowl that was "smarter than stupid". There are water chestnuts on the bowl, litchi is good, killing dragons. Take its homonym. "The past is like a dream" contains "the plowman carries the pot". The front is engraved with the cross of "negative leading, cold forbearance". Carve a farmer and a child on the dark side. Also known as "Changbai Mouth Fairy Hidden Pot". Pan Boying collected four pieces of big guest pot products. There is a saying called "be happy all the time and be with others". The color of clay in four pots is unknown. Praise the collection of time pots and learn from the walnut ink. Ma You wrote a poem about it. There are twelve characters in Ming Hu, such as "Ming Xiang Ming Gong Qing drama, Wanli Geng Yin Da Bin". There are two pots in Qufu Kongdong Hall. "Zhonghu" is light purple in color and clear in cytoplasm, and is known as "simple and stable". It's called Baoqinghu. The "pot" is made by Chen. It is as flat as a persimmon and can't hold a glass of water. The handle is engraved with "Dabin". Zhou Rong's Yixing Porcelain Pot contains a piece of Tiaoliang Pot collected by Yang Xian. A Tibetan "Han Yu pot". Zhang Hong Tibetan pig liver cauldron. Coincidentally and simply, there are 13 cursive characters at the bottom: "The leaves are hard and frosty, and the flowers are rich and red, which is made by the guests." There is a large pot in the shape of a flat flowerpot hidden in the "Piyun Building", and the bottom is engraved with the calligraphy Gu Zhuo of "Da Ke Zhi", which is between the seal scripts. "Four Books in the Study" said: "Shi Dabin uses purple sand teapot, and" big guest "means big guest". The "diamond fancy" pot has the word "big guest" in regular script. "Hexagon pot", with two lines of regular script engraved at the bottom, "Made by Shi Dabin in Wanli, Shen Bing". The bottom pot is made for the owner of treasure and thrift. In the Qing dynasty, there was a saying that "the sand pot in Shishao Mountain is Cai". Baojiantang is the room name of Zhongma in Minghua Pavilion. When Wu hid the three products of the pot, he noted: I gave the big guest pot three products, all of which were not engraved. There are two poems by Ou Gong at the bottom of the pot, which are the most beautiful. Wu, whose real name was Qian, was born in Qianlong period. He is the author of Taoxi Hakka Language and so on. "Liuhe Family Pot". Wu Dui said, "I once argued with Shao for a pot of soil, in order to reward him with a pot of big barrels ... The bottom cover is a pot, and the tea enters it without leaking, so it is named Liuhe pot, which is separated from it by six." Zhang Yanchang collects "Ling Hua octagonal pot" at home, with money beside him. See Yang Xiantao's theory. Uncle Zhang did not hide the "Korean pot." Didn't Zhang Shu write a poem: "Who fought for China in the loess? His name has remained immortal for thousands of years. This title is true, Zhu, Gong Ye and gradually Zhao. Self-enrichment skills must be superb and can support words to your satisfaction. It' s really helpless to win the sun and the moon in the pot. " The pot is more than three inches high, two inches square and two inches square, with four regular script at the bottom. Wang Shizhen, a native of Yangshan, Qingyu, hides plum blossom pots. Wang Youshi: "Wei Cun presented a plum blossom sand pot made by Shi Dabin, and featured this article to thank the nobles." The poem says, "The teapot in Yangxian County is purple and looks like plum blossoms. Cold sand has been treated for more than a hundred years, and who knows when it will be wonderful. I feel that you gave me a gift from a white-headed guest. You know I have been poor all my life. Qing loves plum blossoms and tea, and can store mental buds while flowers are waiting. If he could sail easily when he was young, he would have tea with me. " Janice's Record of Yang Xianming and Xu Taolu says: "When uncle didn't show up, the pot life was painted, and Zhang Shanglin. The poem says: "I have read the vicissitudes of life for 200 years and carved the name for 1000 years." "From now on, Tsing Yi Pavilion will live in the new spring. This is uncle Zhang's last pot. This pot is suspected to be the same as the "Korean pot" mentioned above. Let's save it. ) In the Qing Dynasty, Zhang Yanchang's "On Yang Xiantao" recorded that there was a small pot of cold gold and purple in Wang Xiushan, with a regular script "Made by Bin Shi Da". Zhai Zhu contains: Ni's Sixty-four Pieces of Yanzhai Pots. I saw a pot on the beach at nine o'clock: the title was "Chen Jia handmade in Shidabin in autumn and August". There are two other pots in Yang Xiantao's Shuo: Zhanggua Country and Sangmao Pot. A neighbor gave Caiyi a gift, which later belonged to Li Jingkang. The above also includes the statistics of some domestic scholars, whose pots are mainly found in words, pictures and transmitters. Shi Dabin's works have different styles, or have no signature, or the word "Dabin", or the surname of "Shi Dabin", or engraved poems. Just a few examples. You can study it further. From this, we can know the general situation of Shi Dabin's works and the general circulation of Shi Dabin's works. %D%A