Li Zhenyu? Born in Shandong, 1940, 1963 was assigned to work in Lu' an, Anhui.
Li Zhenxin's paintings are innovative, bold and thoughtful. He is from Shandong, and his paintings have the temperament of a tough guy in the north. Because he was born in Anhui for a long time, his paintings have the elegant beauty of Xin 'an School. His works are rarely rendered with blocks and faces, but are outlined with points and lines, which are as profound and vivid as prints. In particular, a landscape painting with a height of 2 meters and a length of 20 meters on display is even more amazing. In terms of layout, thousands of miles of mountains and rivers are in the picture, with far-reaching ideas and broad weather; In the use of pens, he is free and unrestrained, and he is not shy. The painter writes at will, but his statutes are rigorous, without losing the truth of nature and the appearance of mountains and rivers; On the local fine and durable, on the overall grand; In using ink, I am cautious and cherish ink as gold, but I am full of true spirit and high temperament. The works are both magnificent and beautiful, and the heroic feelings in the painter's heart make people feel excited, as if the breath of Apollo in the painting will surge out at any time.
His masterpiece of landscape painting, through the density of points and lines, shades, light and shade, the actual situation and the ingenious arrangement of pictures, only shows that spring goes to Qiu Lai, the rain moves with the times, Shan Lan fogs up, clouds steam Xia Wei, the valley Qian Shan, ups and downs rush, unfathomable. It has the potential of Ma Benteng, and it is magnificent, which makes people deeply feel the magnificence of mountains and rivers and the magic of nature.
His small landscape and flower-and-bird works also show innovative atmosphere and solid foundation. His pen and ink are either overwhelming or simple and clear, but they all become a world of dots, lines and big strokes. Or show winding mountain roads, slow streams, cloudy skies and blurred wild scenery; Or show that the distant mountains are covered with water, the mountains are connected, and the yin and yang are in rows, as white as smoke; Or the lotus is crystal clear and clean, gulls and herons wander, kingfishers inhabit, and red plums are in full bloom ... It's really interesting and natural, which makes people feel a long-lost freshness and tranquility away from the hubbub.
Li Zhenxin's calligraphy is as simple and elegant as his paintings. There is a tendency to step on the wind wall and a posture of crouching tiger and phoenix pavilion. Yuan Yi is strange and ancient, but the god bear is broad, and its speed is like a swallow crossing a jungle. Dragonflies are still dancing, as wild as nine bright moons and as quiet as spring flowers. He devoted his life to ancient and modern calligraphy. His lines, full of vigor and movement, express and vent the repressed blocks in his chest and heart, such as lightning, lightning and sudden rise.
The unpredictable endless grassland is the organic integration of his fiery life and expressive calligraphy art at a high level. He made the past serve the present and learned from others. In his calligraphy works, we can clearly see the relationship between his calligraphy and his teacher's inheritance, such as "My heart yearns for Zhou and Qin, and my hand pursues the books of Wei, Jin and Six Dynasties" and "Han Zong follows Wei and learns from Yan". Based on this profound background and solid foundation, the bold and unconstrained help of Lu people made him bold and unrestrained. Song Zhengqi, which is composed of 16 screen strips, and the long scroll of Jimei Poetry, which is 20 meters long and 50 centimeters high, are his representative works in pursuing greatness and heroism.