The mountains are towering, and the flowing water is long (the mountain is high and the water is long, which means praising Sima Chengzhen's painting skills and moral character). There are thousands of wonders on the Wangwu Mountain. If there are no sophisticated techniques, how can we describe this fresh and healthy scene?
The stippling of "The Upper Terrace Post" is like walking in clouds and smoke, which is full of broad-minded feelings. Calligraphy works are a reflection of psychological rhythm and personality. Every ink dot and every line in The Upper Terrace Post naturally permeates Li Bai's personality, which shows Li Bai's modesty and natural openness after the despair of officialdom. Just as the book in the works says, "Unless you have an old pen, you can be poor", and its temperament is vividly displayed.
Related introduction:
The Upper Terrace Tie is a paper-based cursive calligraphy work created by Li Bai, a poet and calligrapher in Tang Dynasty, in 744. It is now collected in the Palace Museum in Beijing.
"The Upper Terrace Tie" is a four-character poem written by Li Bai, with 25 words, which not only summarizes Wangwu Mountain's towering and long-standing water, but also expresses the author's admiration for Sima Chengzhen's works. The whole volume is vigorous and elegant, and the pen is freely placed vertically, fast and healthy, and the statutes are not eclectic, just like Li Bai's bold and elegant poetic style. The whole paste structure is also uneven and ups and downs, looking forward to affection and endless fun.
The Upper Terrace Tie is a four-character poem written by Li Bai. It is the only original calligraphy handed down by Li Bai and a national first-class cultural relic. It is called the "First Class A".