Untitled time was long before I met her, but a longer time was how we felt after we broke up?

It is a love poem by Li Shangyin, a poet in the Tang Dynasty, with the theme of separation between men and women. Taking the word "don't" in the sentence as the full text, this paper describes the pain of a pair of lovers' parting and their yearning after parting, and expresses their sincere lovesickness. But it also reveals the poet's political frustration and spiritual boredom, full of sadness, and expresses his great love and deep yearning for his lover through myths and legends. This poem incorporates the poet's personal life feelings.

The whole poem revolves around the first sentence, especially the words "Don't be embarrassed". Three or four sentences are a portrayal of mutual loyalty and vows of eternal love. The fifth and sixth sentences respectively describe the feelings of depression, resentment, indifference and even decline caused by not meeting each other. The only thing we can hope for is the idea in those seven or eight sentences: I hope the bluebird can spread acacia frequently.

Creation background

In the Tang Dynasty, people advocated and believed in Taoism. When Li Shangyin was fifteen or sixteen years old, that is,

Untitled calligraphy works were long before I met her, but it was even longer since we broke up.

He was sent to Yuyang Mountain by his family to learn Taoism. In the meantime, he met and fell in love with Song Huayang, a female Taoist priest in Yuyang Mountain, but their feelings could not be known to outsiders, and there was an irresistible wave of love in the author's heart, so he could only remember his feelings with poems and hide the topic, thus making his poems both vague, graceful and affectionate. Most of Li Shangyin's untitled poems are about their love stories. This poem is one of them.