Ren Zhan is a commoner in Lilu, Qin Dynasty. He is young, his family is poor and has no money, but he likes to calligraphy and painting. He is blindly learning and scribbling; when he is a little older, he enters school and admires the handwriting of his teachers and friends; when he is older, he enters school. The calligraphy and painting group received teacher training and began to taste calligraphy; however, they failed to learn calligraphy and painting. After entering the world, he was busy making a living and stopped practicing calligraphy. When he was no longer confused, he returned to his old love. Occasionally, he got a copy of Ou Gong's "Jiucheng Palace". He couldn't put it down, followed it step by step, and imitated it. Later, fortunately, Tian Yingzhang, the master of European regular script today, He gave instructions, gave guidance, and slowly wrote down the Dao; then, he studied the regular scripts of masters Wang Xizhi, Zhao Mengfu, and Zhong Shaojing, and did not dare to neglect them. He walked slowly until now, and he already understood the destiny. However, he also did not know how to calligraphy. Yun, shame on you!
Zhan is gentle in nature and soft-spoken, careful in thinking and deeds, and sincere in others' thoughts; in writing, he is untalented and dull, but knows how to be diligent. Those who are willing to follow the vast calligraphy trail "beg for alms" from time to time and everywhere, and stagger forward————
? Preface to the first month of the Wuxu Year
Aisin Gioro Yongxuan, Prince Cheng of the Qing Dynasty (1752-1823) was the eleventh son of Qianlong and the elder brother of Emperor Jiaqing. He served as a military officer during the Jiaqing period. He first studied Zhao Mengfu's calligraphy, and later also learned the characteristics of Ouyang Xun's calligraphy, and extensively copied calligraphy from Jin, Tang, Song, and Ming dynasties, thus forming a style that is upright, elegant, vigorous, and smooth. His calligraphy style inherits more of the characteristics of Zhao Mengfu's calligraphy. It is very round and beautiful, and has the characteristics of the imperial court's pavilion style, but at the same time it has the turning and vigorous characteristics of Ouyang Xun's calligraphy, which is different from the pavilion style. Blindly pursuing integrity and beauty.
Prince Cheng is famous for his regular script and running script. He is a famous calligrapher in the Qing Dynasty. He, Weng Fanggang, Liu Yong and Tiebao are also known as the four Qianlong calligraphers. In the third year of Daoguang's reign, Yongxuan passed away. At the age of seventy-two, he was given the posthumous title of Zhe and became Prince Chengzhe. Yongxuan had a son, Mianqin, who passed away in the title of prince and died. His son Yishou passed in the title and passed away. His son Zai Rui passed away in the title of the county. He passed away. His posthumous title was "Gong". There was another son, Miansi, who adopted his twelfth brother, Yongcang, and assumed the title of Baylor; Zi Mianyi, who adopted his third brother, Yongzhang, was demoted to the title of Baylor.
This post is dignified and neat, meaningful and beautiful, tactful and smooth, and also in regular script, with full flavor of Zhao Kai script. Yu Yixue repeatedly failed to understand the method, had no form, and lacked its meaning. Try harder!