The stroke order of nine is: left, horizontal hook, and the strokes are: the simplified radical "丿", 1 stroke outside the radical, 2 strokes in total
The number "九" , has been full of mystery and wonderful charm since ancient times. In traditional Chinese culture, nine is regarded as the most auspicious number, implying longevity, perfection and nobility. It is not only a unique literary form, but also a spiritual sustenance and a manifestation of national emotions. It refers to using only nine words to express an idea, emotion or meaning. This way of expression is simple but not simple, which not only tests the author's skill, but also gives people unlimited space for imagination.
One of the charms of the Nine Characters lies in its simple form. In just nine words, it not only summarizes an idea, but also conveys an emotion. For example, in "Climbing the Stork Tower" written by Wang Zhihuan, a poet of the Tang Dynasty: The sun sets over the mountains and the Yellow River flows into the sea. If you want to see a thousand miles away, go to the next level. This poem uses only nine words to outline a magnificent natural landscape, implying that life must constantly pursue a higher realm. Another example is a popular couplet from the ancients: high mountains and long rivers mean life will be prosperous. As time goes by, spring fills the universe.
This couplet uses nine characters to express people's yearning for a better life and good luck. The second charm of nine characters lies in its rich connotation. In this simple form, nine-character works often have profound meanings and are rich in philosophy. For example, Du Fu's "Spring Outlook" in the Tang Dynasty: The country is broken by mountains and rivers, and the city is full of spring vegetation. The flowers shed tears when I feel grateful, and the birds are frightened by the hatred. The war rages on for three months, and a letter from home is worth ten thousand gold. The white-headed scratches are shorter, and the hairpin is full of lust. Through nine words, this poem reflects the poet's view of the rise and fall of the country.
One is born with two, two is born with three, and three is born with all things. Things depend on people, people plan things, and things come to pass. This couplet uses nine characters to express the law of development of things and people's subjective initiative. The third charm of Nine Characters lies in its unique artistic charm. In Chinese calligraphy, nine-character works are often an excellent vehicle for calligraphers to demonstrate their skills. The nine characters must have both overall coordination and local charm. For example, the Tang Dynasty calligrapher Yan Zhenqing's "Manuscript for Nephew Sacrifice".