The classic nature of the cultural relics in the Forbidden City. From a material perspective, the Forbidden City is just a complex of ancient buildings, but it is not an ordinary ancient building, but a royal palace. China has always paid attention to utensils to convey morality. The Forbidden City and its royal collection embody traditional Chinese culture, especially the glorious period. They are the crystallization of thousands of years of Chinese utensil regulations, national systems, ideologies, science and technology, academics, and art. , is not only the material carrier of Chinese traditional cultural spirit, but also the most representative symbol of Chinese traditional culture, just like the pyramids are to ancient Egypt and the Acropolis temple is to Greece. Therefore, in a certain sense, the Forbidden City culture is classic culture. Classics are authoritative. The Forbidden City embodies the essence of Chinese civilization. Classics are immortal. The Forbidden City is a historical heritage. It is the accumulation of five thousand years of Chinese history and culture. It contains the endless creativity and spirit of the Chinese nation and has inexhaustible historical life. Classics are traditional. The essence of tradition is the continuation of subject activities. The Chinese history and culture represented by the Forbidden City are in the same vein as contemporary China. Chinese traditional culture is connected with today’s cultural construction. For any nation or country, classic culture will always be the support of its life, spiritual support and source of innovation, as well as the veins and blood for its survival and extension