Liu Xiaoqing, June 1942, No.1 Piao, Er Quan, Zhaiming? A gourd ladle? , Chongming, Shanghai. Books are good at writing and writing, especially in small letters, and they have very good attainments. The following is a selection of Liu Xiaoqing lower case calligraphy that I compiled for you. I hope it will be useful to you!
appreciation of Liu Xiaoqing's fine calligraphy
Liu Xiaoqing's fine calligraphy 1
Liu Xiaoqing's fine calligraphy 2
Liu Xiaoqing's fine calligraphy 3
Liu Xiaoqing's fine calligraphy 4
Liu Xiaoqing's personal profile
Liu Xiaoqing, 1942.6, No.1. A gourd ladle? , Chongming, Shanghai. He graduated from the Department of Traditional Chinese Painting of Lu Xun Academy of Fine Arts, served as the vice chairman of Shanghai Calligraphers Association, and is now a member of the Academic Committee of China Calligraphers Association, an adjunct professor at the College of Literature of Shanghai University, the dean of Shanghai Hudong Academy, the deputy editor of Calligraphy magazine of Shanghai Calligraphy and Painting Publishing House, and the librarian of Shanghai Literature and History Museum. He studied under Qian Shoutie and Ying Yeping, and was good at writing and painting landscapes.
His works have participated in the 1st to 7th China Calligraphy Exhibition and dozens of Shanghai exhibitions. For example, Shanghai Calligraphy Sketch Exhibition, Shanghai Calligraphy Seal Cutting Exhibition, the 6th Shanghai International Calligraphy Exhibition, Shanghai Memorial Shen Yinmo Calligraphy Exhibition, Shanghai Modern Calligraphy Exhibition, China-Japan Modern Calligraphy Exchange Exhibition, Shanghai Hundred Calligraphy Exhibitions, and China Calligraphy Association Member Boutique Exhibition.
He has published a series of books, such as Junior's Calligraphy Practice, China's Calligraphy Techniques, Creation and Appreciation of Calligraphy Art, China's Calligraphy Techniques Commentary, How to Write Running Script, Basic Knowledge of Running Script, Guide to Running Script Techniques, A Concise Atlas of Calligraphy Techniques, A Collection of Famous Poems in Liu Xiaoqing in Past Dynasties, and Yu Garden Poems in Regular Script.
the basic principle of regular script
the method is born from reason, and learning calligraphy is not only about similarity, but also about likeness. It has three basic principles for reference.
The structural beauty of the glyph must conform to the principle of natural beauty.
Cai Yong, an ancient calligrapher, said in Nine Potentials. The husband's book originated from nature, and nature is established. What is the birth of Yin and Yang? . Chinese characters have different structures, such as length, size, skew, density, width and thinness. When dealing with the contrast of glyphs, we should conform to the natural shape and the basic principle of unity of opposites.
structural beauty is a kind of beauty of unity of opposites. The structure of calligraphy is to complement each other through various changes such as straightening, density, length, size, stagger, expansion, opening and closing, pitching and back-to-back, and to achieve the overall beauty of fairness, symmetry and coordination by means of unity of opposites.
it must be combined through the bundle of strokes.
Calligraphy creation is a continuous movement process. What is the factor that connects all stippling with words? Potential? . ? Potential? Divide pen potential and body potential. The pen gesture represents the continuation of time, and the body gesture represents the expansion of space. As a moment in the process of movement, each word will react and change differently according to different pen gestures and body postures. Therefore, if a word is to be written well, it must be integrated and used through the gesture of the object, so as to give full play to the tension and expressiveness of the font.