"Hanqie Tie" is rich and spiritual, with smooth writing style and round body. Its charm is quite close to that of "Pingfu Tie" by Lu Ji in the Western Jin Dynasty. The difference is that "Hanqie Tie" is smooth and rich, while "Pingfu Tie" It is deep, simple and dark, and clearly has the legacy of Zhang Cao.
"Hanqie Tie" has the ancient meaning of Zhangcao. Zhang Cao, who was anxious to write official script quickly, gradually became standardized and became an independent font and calligraphy style. Wang Xizhi was good at official calligraphy and was good at learning old style chapters (this can be seen from some of the brushwork and composition of "Auntie's Tie", "Chuyue Tie" and "Hanqie Tie"), so his cursive writing presented the new or the new in the old. The middle brings the old, and the two blend together tacitly. "Hanqie Tie" was written by Xizhi in his later years, and he was already proficient in the new calligraphy style of modern cursive writing. However, the Zhangcao calligraphy style in the work can be regarded as an attempt and exploration. As a calligrapher who knows the old and is capable of the new, after the reform of the new method, he can discover fresh elements from the old style, or transform the old style into a new one, creating a form that blends the old and the new. This practice is also a method of innovation. The novelty of "Han Qie Tie" lies in the author's re-creation of Zhang Cao, or the addition of Zhang Cao's brushwork into the new style, so that the new style does not lose the ancient meaning. For the study of "Han Qie Tie", the main thing is to master the method of using the pen for the side forward. The writing style is crisp and vigorous, which includes several elements: 1. Pay attention to the observation and analysis of the proportional relationship between the center and the side forward, the coordination method, and the conversion. direction. 2. The lines of Xiangfeng's pen are contradictory and unified with refreshing, sharp and calm, round and thick, and should not be biased. 3. The changing patterns of speed and rhythm of the center and side forwards.