Appreciation of cursive works
Cursive calligraphy works are rewarded by heaven 1
Cursive calligraphy works Heaven rewards diligence II
Cursive calligraphy works Heaven rewards diligence 3
Cursive calligraphy works Heaven rewards diligence 4
Cursive calligraphy works Heaven rewards diligence 5
Collect and publish wild grass calligraphy;
Wild grass is a highly exaggerated line plastic art form. Understanding, mastering and skillfully using the law of retraction is very important for creating successful cursive works. Yu Youren, a famous modern cursive writer, said? Wild grass, cursive art. ? Indulge in talking loudly and turn free blogs into energy? . This paper only discusses the connotation of the release of wild grass as follows.
Acceptance and release in Chinese character modeling
Setting the shape with characters is an important law in calligraphy art creation, and Crazy Grass particularly emphasizes the application of setting the shape with characters in creation. Under the premise of obeying and serving the overall beauty of the work, every word is represented as a point of the overall beauty, and the collection and release of this point depends on its position, that is, the stage of expression and expression. If it is the initial stage, it is mainly based on income; The growth stage is mainly gradual release; The turning stage is mainly release; In the combination stage, the interaction between the upper levels is the main thing, and the attention echoes the rising stage, so we can't go it alone. Of course, this is a general measure to grasp the law of shaping with Chinese characters. When it comes to a work, even the performance of the same word in different stages is very different. This difference is not because the law itself has changed, but because the author's thoughts and feelings, body, age (subjective factors), pen and ink, and environment (objective factors) have changed the relationship between acceptance and release in the process of character formation. It can be seen that the change of glyph structure is dynamic and absolute, and the law of retraction is stable and relative.
Receiving and releasing in ink unit
The ink unit is the space and time between words written by the brush after one ink wipe and the next ink wipe. An ink unit is a part of the whole work; For this unit, it is also a global situation. Among them, the collection and release show the language style, style, interest, rhyme, rhythm and characteristics of the mad grass writer. Therefore, every word, every line and every group of lines (that is, calligraphy language, also called vocabulary) must first obey the local global situation, and then the local regional changes. Light and heavy, light and heavy, virtual and real, virtual and real, long and short, long and short, left and right, left and right, dry and moist, black and white, etc. , or follow the trend, or go backwards. Indulge in loud, free change? , unexpected, reasonable. The retraction of an ink unit should inherit, change, compare and develop with the retraction of the previous ink unit, and also be different from the retraction of the left and right ink units, and live in harmony with them, which is a win-win combination of * * * and * * *. Whether each ink unit can receive and release ink well is a key link related to the success or failure of the whole work. Sometimes the collection and release of an ink unit is used to pave the way for expression and performance; Sometimes, its retraction shows the emotional state of the nine-curved ileum; Sometimes this is the result of emotional outbursts. It can be seen that the task of each ink unit is different, and the starting and ending parts of its retraction should not collide, thus forming the contrast and balance of ink color retraction, and naturally producing the beauty of visual impact of dispersion, emotion, rhyme and shape. For this reason, the ink content and ink color of each ink unit can be different (the application of ink method and paper method is involved here and will not be described here). Even if the amount of ink is the same, the number of words written can not be equal, and the weight can not be repeated, so that the changes between ink units are different and melt into one furnace. Seek unity in every feature, seek richness in unity, and then reach the ideal state of an ink unit. It can be said that love brings ink and ink to produce thousands of colors, and God turns pens and pens into thousands of spells.
Receiving and releasing in gas circulation
Qi is the overall artistic effect of a line's momentum, charm and mood. The release of qi is quite similar to the cadence when a person says a word. The speed at which a person sings a song is a natural trace of the author's thoughts, feelings and artistic skills, rather than a pre-designed mechanical manufacture. Therefore, in the limited time and space, using abstract line words, the author's surging agitation, leisurely stroll, anger, ecstasy, grief and indignation are just right, beautiful and unique, which is the starting point and destination of the application of crazy grass calligraphy. There are many constraints on the release of qi, the most important of which is greatly influenced by the previous line. For example, put the corresponding part of the right line, then the corresponding part of this line should generally be expressed as received (in various forms); On the other hand, the corresponding part of the right line is closed, so the corresponding part of this line should respond to put (the form can be bent with bending, alignment, back, weight, shade, size, etc.). Although this is not a pattern, the corresponding parts of the left and right lines, whether in size, shade, thickness, length, virtual reality, positive edge or even the same stroke, cannot compete with each other in the form of retraction. Even if it is interlaced or full text, the same words and strokes (especially vertical, horizontal, left and right) should avoid repetition, that is, competition. The atmosphere in the first line (the introduction) is the frame of reference for the next line and even the whole article. It should be a beautiful and wonderful road that leaves no trace, no traction and no hair, leaves a foreshadowing, is clean, lively and fascinating. Its retraction mainly includes shading, size, positive edge, length, weight and other methods; Take it down (that is, the introductory part) mainly includes techniques such as compactness, width and speed; The transfer (that is, the transformation part) is mainly undertaken by strong means such as swinging, jumping, jumping and madness; Finally (that is, the exit part) mainly falls on the middle line to seek stability, and it can also leave a sense of instability, which is implicit and tasteless, so as to achieve gains and no gains.
Collection and publication of the whole article
From point to line, from line to surface, from surface to body are the basic elements of a calligraphy work. The standard of good or bad depends on whether the author's thoughts and feelings, artistic style and aesthetic concept can be expressed accurately, vividly and creatively, so that readers' vision can be shocked by beauty, truth and goodness, and readers' hearts can be shocked by ideals. Make it accumulate natural association and imagination according to its own life and art, and get beautiful artistic enjoyment. Such a crazy cursive work can be said to be a success. If it lasts for a long time, it is a masterpiece; if it can be passed down from generation to generation, it is a masterpiece. In this sense, the success of the collection and distribution of Mad Grass lies in this. The collection and release of the whole article mainly refers to style and charm, that is, the overall artistic taste? Unique, fresh, modern, advanced and advanced are the artistic characteristics of this kind of wild grass. Generally speaking, it is the harmony, unity and uniqueness of the whole retraction. The points, lines and surfaces complement each other, the viewpoint is charming, the line method is vivid, the surface is fresh and the whole is wonderful. Of course, the unity mentioned here is by no means synonymous with a face, nor is it a clone that annihilates the beauty of an individual, nor is it a uniform printing. But colorful, unique and wonderful, unified and complete. There are also ink method, paper method and mounting, which are also indispensable contents of the whole collection and distribution.