When I say good, I mean making do and getting through class time. It's simple. But ordinary pen calligraphy class can only be taught in this way.
The other is a "responsible" pen calligraphy class. First of all, you should tell them that writing a good hand is a person's second appearance and a direct manifestation of self-cultivation. Many employers have a better first impression of people with good handwriting than those with messy handwriting. Know that this first feeling is very important, and the employer may subtly agree with you. Wait ... in short, it may be better to connect pen calligraphy with the interests of future students; Then print out some good pen characters (various styles) written by hard pen calligraphers for students to choose which one they like, so as to "teach students in accordance with their aptitude". We can't let them all learn from Si Mayan's words, or Pang Zhonghua's and Tian Yingzhang's words. That's not good. The so-called "mutton is beautiful, but it is difficult to adjust" can easily kill their enthusiasm.
Then teach them basic strokes, structures and other methods of practicing calligraphy. After a while, let them have a competition to see who writes well. Give some rewards appropriately. I think it's ok to have a pen calligraphy class like this.
One thing I want to say is: not all children like pen calligraphy, it is good to have one third, don't be too demanding; In addition, not all children can keep practicing for even a week. Those who can persist in practicing for one week will not exceed 20%, those who can persist in practicing for one month will not exceed 10%, those who can persist in practicing for three months will not exceed 5%, and those who can persist in practicing for three years will not even reach 0. 1% in contemporary society. It's all about fate, and only those who have a relationship with pen calligraphy can practice it well.