What is the core content of the thirty-six laws of Ou Yangxun's regular script structure?

I. overlap

Words should be arranged densely and evenly, neither wide nor narrow.

For example, the word "painting" has nine horizontal paintings. Nine horizontal distances are basically equal, but they are not all parallel, and their expressions are different. The vertical line in the middle divides the whole word in two.

For example, the word "shou" is basically equal in horizontal painting and equal in vertical division of the whole word. The word "inch" is slender, which makes the whole word stretch generously.

Second, avoid it.

Easy to avoid secret books, easy to avoid risks, easy to avoid distance, so that the two just reflect each other.

For example, the word "feng" and the word "Wen" of "feng" are written as "anti-points" because they want to avoid repetition of words.

For example, the word "Fu" contains downward light and left qi.

Third, the top wear.

Many people inherit this word, but many people attach importance to it. Only people who go up and down are light, they need to get motivation.

Such as the word "change", "?" (Luan 2) There are many strokes and few "you", but I don't feel top-heavy at all, except that the strokes of "you" are thicker. The length and size of strokes should also be appropriate.

For example, the word "sound" has more strokes in the upper part. After paying attention to the balance of the layout, I feel that "ears" can support the whole word.

Fourth, interspersed

If calligraphy and painting are interlaced, the density, length and size should be even.

Such as the word "car". One vertical runs through the whole word, making the left and right parts basically equal. And the ratio of length, horizontal and vertical should be appropriate.

For example, in the word "Fu", two long strokes are inserted in the word to make the four boxes in the word basically the same size. And the distance between the three horizontal lines and the five vertical lines of the word is basically equal.