Calligraphy works of junior high school students

Nowadays, the popularization of calligraphy has gradually spread to the public, and calligraphy is no longer a daunting culture and art. Among them, many middle school students like calligraphy. They wrote many excellent calligraphy works. Let's enjoy them together. The following are the calligraphy works of junior high school students I compiled for you, I hope they are useful to you! Appreciation of junior high school students' calligraphy works

Pictures of junior high school students' calligraphy works 1

Pictures of junior high school students' calligraphy works 2

Pictures of junior high school students' calligraphy works 3

Pictures of junior high school students' calligraphy works 4

On the art of calligraphy? Whitening?

China's calligraphy, whether in the overall layout or in the local connection, has a certain gap. This kind of blank gives people ethereal beauty, smooth breathing and room for imagination, thus giving people a unique aesthetic pleasure. This blank is not an artist's omission, but a deliberate creation. This kind? Whitening? This is an important feature of China's calligraphy art, which has its profound historical origin and objective physiological and psychological basis.

China's calligraphy mainly uses lines (not colors in western paintings) as the main means of expression. The lines are based on white. Without white, you can't stand out the lines. Bai, from the beginning, is an important means to express the meaning of China's calligraphy and the life of China's calligraphy art.

China's calligraphy? Whitening? What is the highest state of art? When white is black? . This golden rule of calligraphy creation can be found in China's philosophy of Laozi and Zhuangzi. In the philosophy of Laozi and Zhuangzi, all opposing poles are complementary. In calligraphy creation, black and white depend on each other. Do you have a common life? . The so-called absolute black and white, nothing. Black and existence must be based on white and nothing, and white and nothing must be based on black and existence. In calligraphy creation, lines are flying, crawling, square and round. Is there a place for pen and ink? It's all important, and it can give people a sense of beauty if it's handled well, so pay attention? Is there a place for pen and ink? , pay attention? Black is white? . But, as the ancients said: There is ink in the book, and the beauty of the book is that there is no ink, where there are only signs and there is no charm. ? Modern painter Huang also stressed? Knowing white and keeping black is mysterious and difficult to describe in words. ? Calligrapher Lin Sanzhi pointed out more clearly:? Write in white? ; ? Talk big and small, mainly to get angry? ; ? You have to be panting, panting, too honest. Want a combination of size and density? ; Want it? Seeking purity in chaos, black and white? ; What is important in calligraphy? Tight is tight, empty is empty, and it lies in gaining power? . Since ancient times, brilliant calligraphers not only attach importance to blank space in theory, but also insist on blank space in creative practice? Black with white? With skillful pen and ink skills, he pays attention to the blank space instead of looking at the pen when creating, so that the blank space of the whole work is kept in the alternation of size and density, thus making the whole work clear in black and white and distinct in layers.

The blank of China's calligraphy not only gives people a sense of symmetry and rhythm, but also gives people a unique pleasure. This kind of blank, like playing go? Gas eye? Let the whole game be full of aura and vitality. This kind of blank, like a window in a house, enables the viewer to breathe fresh air through the window, inadvertently relieves the depression and oppression in his chest, and feels a unique spirit of comfort and penetration. This kind of blank, while circulating breath, especially gives people room for imagination, so that people can freely imagine the words after the words, the meaning of broken pens and so on according to their own experience. It is precisely because of this blank that China's calligraphy works meet people's physiological and psychological needs and form its unique aesthetic value.

In China's calligraphy art? White? Or? Nothing? , not negative, absolute, lifeless? White? Or? Nothing? , but? Do nothing, do everything? what's up White? Or? Nothing? It is positive and relative, so it is full of infinite connotation? White? Or? Nothing? . This kind? White? Or? Nothing? Because it meets people's physiological and psychological needs, it runs through various forms of China's art in different forms. Like blank clouds in Chinese painting, in music? Moral? , in poetry? The implication? Just like China's calligraphy, the absence of scenes and the long jump of story lines in Chinese dramas make people see what is out of nothing, what is in nothingness, what is concrete in chaos and what is infinite in blank. Focus on octupole and travel to Wan Ren? , from this? Beyond the image, in the ring? Get free, full and diverse aesthetic pleasure.

Bai, because of its important value in China's calligraphy art, requires artists to pay special attention to it? Whitening? We should try our best to make the changes of lines, pen and ink and their combinations fully express the spirit and charm of calligraphy. Booksellers should not only always pay attention to making lines and pen and ink converge into distinctive features? Concrete? And it makes sense from beginning to end? Black and white division? And pay special attention to the black and white void, nowhere and white, that is, where there is no ink? White? Awakening and ethereal. If you ignore the whole article? Black and white division? What if you don't give up part of it? Concrete? And blank space will cause all kinds of problems caused by lines and ink? Concrete? Complementary map; If we ignore the creation of white cloth between lines and ink, if we can't understand the winding of lines and the dryness of ink, the main purpose is to create white cloth, which will make lines twist and collide blindly and make ink spread and overlap blindly, which will inevitably make people feel crowded and depressed. In this way, the work can't make the viewer have any aesthetic pleasure, and the work can't have any artistic value.

? Whitening? As an important method of China's calligraphy art creation, it is not born, but is cultivated consciously. This kind of cultivation requires theoretical study and trial and error in practice. This kind of learning and thinking can neither be pursued deliberately nor ignored. Deliberate pursuit will inevitably suppress the free expression of the soul; If you don't care, you will lose discipline.