The techniques of using ink in calligraphy are also endless, and different calligraphers have extremely high requirements for the shade of ink, even catching up with the requirements of Chinese painting for ink color. In the aspect of calligraphy ink, the calligrapher Mi Nangong has different views: he also made many innovations in brushwork, further developed and changed on the basis of completely inheriting the brushwork of the ancients, and enriched and developed the brushwork.
During his stay in Chongning, Song Huizong, Mi Fei served as Foreign Minister in the Ministry of Rites and as a doctor of calligraphy and painting. During the Tang and Song Dynasties, the official in charge of Korean in the Ministry of Rites was also called "Nan Gong Sheren", so later generations also called him "Nan Gong".
Mi Fei is good at poetry, calligraphy and painting, and he founded "Midian Landscape". He is a painter, appraiser and collector. He has a strange personality and crazy behavior. When he meets a stone, he calls him "brother" and worships him, so he is called "Mi Dian". Song Huizong was appointed as a doctor of calligraphy and painting, also known as "Mi Xiangyang" and "Mi Nangong".
The most striking feature of Min Nangong's brushwork creation is the creation of the so-called eight sides. Secondly, Min Nangong's thirsty brushwork. In my opinion, dry pen refers to the effect of writing on paper after most of the ink contained in the pen is lost. The thirsty pen sees moisture in the pallor; Look at the old with a dry pen. In writing, when using thirsty pen and dry pen, we should properly control the amount of ink used.
Mi Fei's Note of Su Jing in Song Dynasty "I wanted to send it tomorrow, the moon will be bright, and it will be sent to my ears tonight;" A few words, with thirsty pen, dry pen performance, astringent pen lines, pale and vigorous.