Look at the characteristics of Mr. Ge's later works: "using a pen", vigorous and powerful, believing in what he can do, superb, excellent in seal cutting, cursive writing and painting. Vines "grapes", "Petunia" and "wisteria" are flying, and jiaozi is soaring. "Ink", in Su Mo and Jiao Mo, is splashed with water and used at the same time, such as bamboo stone, pine and cypress, lotus flower and palm tree. The ink is full and interesting. "Coloring" is thick and rich, with ancient rhyme and moist, disorderly dyeing, mottled refutation, color and ink fusion, and full of ancient meaning. From the scenery of Jiuzhaigou and the group paintings of Changbai in early autumn, we can see the novelty of splashing ink. "Composition", which cannot be done by law, is impromptu and based on emotion. Painting is poetic, adding ink and color, all of which are random, accessible and self-contained. "Inscription" is followed by good sentences. The pen Fiona Fang is dry and wet, mottled and flying, and poems, books and paintings are natural. Painting with poems, books and scenes is Mr. Yan's inspiration. In his later years, there is often the accidental combination of "sound painting" and "heart painting", the realm of wandering between gods and things, the realization of wonderful ideas, and the combination of realism and romanticism.
After the age of 90, Mr. Mao Ge's works, such as autumn cypress falling, cockscomb red, only need a cry, while flying while flying, palm leaves turning cool, miscellaneous scenery on the table, are all ingenious and casually touched. However, the beauty is that they are very similar, and they are "losing their heads" and "losing their petals". His art practices the motto given to him by Wu Changshuo: "The power of eating stones nourishes the heart of vegetation". His success is inevitable.