The brushwork is also the time to write. The basic skills of traditional literati calligraphy, combined with personal insight and persistent luck, are accumulated natural cultivation and a very personal hand-painted heart. But the ink method is different. Using ink, color and water is pure skill. This paper intends to analyze the specific methods and steps of five strokes and seven inks in order to better taste the artistic charm of Huangshan water painting.
First, an overview.
That is, the mountains and rivers are outlined with ink lines. Brush the outline, such as the words are horizontal and straight. For the pen, he emphasized the center and attached importance to the rotation of the pen. Use wingers occasionally. He thinks the center is round and steady, which makes the rocks he painted calm and not frivolous. He asked to use a pen like a leak in the house, which means that you can keep it when you put pen to paper, so that the lines will not be frivolous. The so-called broken hairpin stocks are just false rustling; It is even more important to draw heavy pictures, such as falling rocks from mountains. The lines are clear from beginning to end, meaning to the end of the pen. Yellow and painted hooks, in addition to painting rocks or hills, are also used to draw the general direction of mountains and rivers. Sketch is also drawn in this way.
In Chinese painting, the line with pen-and-ink drawing is called bone, and Hao Jing of the Five Dynasties believed that the bone line played an upright role in life and death. A hook and A Le, not only to hook the shape, but also to hook the potential, but also to reflect the meaning. For a good painter, this is the beginning of a painting game, and the big things are behind.
Second, ink.
On the basis of sketching, ink painting plays this role by clearly dividing each stone and mountain. The so-called clear distinction, one is the size of the stone, the mountain shape, and the other is the spatial distance between the landscape tree and the stone, so as not to cause confusion.
Ink is mainly light ink. But you can also use thick ink. When writing ink, you should have the concept of the overall situation and see it comprehensively, otherwise it is easy to lose sight of one thing and lose sight of another.
Ink wet Guangmo and dry Guangmo. These Guangmo have different effects due to different wet and dry conditions, so they should be used according to the actual situation of the same object. For example, dry Guangmo can be used in nearby mountains, and wet Guangmo can be used in distant mountains. If you draw the foot of a hillside with wet ink, you can draw water with dry ink. On the contrary, if the foot of a hillside is painted with dry ink, wet ink can be used to draw water. In other words, the same painting depends on the actual situation. Judging from the change of ink color, dry-wet contrast can be used flexibly.
Third, make up the pen
After sketching and inking, if you see that the outlines of rocks, trees and buildings are not surrounded enough, make up one or even several strokes to improve them. On the other hand, the painting after inking has the shortcomings of more flesh and less bones (more ink and less strokes), which also needs to be supplemented to strengthen its bones and make the picture strong and powerful.
Fourth, dot ink or dot color.
After Huang painted, he sometimes stood up and carefully observed the whole picture. When he has a score in his mind, he does some inking or coloring. Ink painting is the most important link in the creation of Huangshan water painting. The splendor of Huang's landscape painting often comes from his own characteristics. Huang started from a starting point, and his bald pen seemed to dance on the paper. Dots, flat dots, pointed dots, plum blossom dots and pepper dots are used alternately. When necessary, he is an overwhelming point. Some ideas seem confusing. There is no sky and no land.