This monument was originally in the Dong Fangshuo Temple in Dong Fangshuo's hometown (Shentou Town, Lingxian County, Dezhou City) and moved to the city in the Yuan Dynasty. In the sixth year of Kangxi in Qing Dynasty (1667), the monument was partially buried in the soil. It was not until the fifty-seventh year of Qianlong (1793) that it was dug up by Wang Benzhuang, the county magistrate of Ai Yan Shu, and a monument pavilion was built for protection. 1958, the monument pavilion was rebuilt in Texas as a key cultural relic protection. The full name of "Manuscript for Sacrificing a Nephew" is "Sacrificing a Nephew and Giving Dr. Ji". The cursive script was written by Yan Zhenqing, a calligrapher in the Tang Dynasty, and the original is now in the National Palace Museum in Taipei. It was praised by later generations as: "Yan Shu is the best in the world.
"In the 14th year of Tianbao of Emperor Xuanzong of the Tang Dynasty (755), the Anshi Rebellion arose and twenty-four counties in Hebei collapsed. Only Yan Zhenqing's cousin Yan Gaoqing and his son Yan Jiming guarded Changshan County (now southwest of Zhengding County, Hebei Province), while Yan Zhenqing guarded Pingyuan County (now Lingxian County, Shandong Province). Yan Gaoqing planned to kill Qin Li, the ministry of An Lushan, and captured Gao Miao and He Qian. At that time, 17 counties in Hebei responded. In the 15th year of Tianbao (756), An Lushan besieged Changshan, defended Yan Jiming and forced Yan Gaoqing to surrender. But Yan Gaoqing was unyielding and cursed An Lushan, and Yan Jiming was killed. Soon the city was destroyed by Shi Siming, and Yan Gaoqing was taken to Luoyang to see An Lushan. Yan Gaoqing denounced An Lushan and was executed. More than 30 members of the Yan family were killed.
Yan Gaoqing and his son Yan Jiming were killed in the Anshi Rebellion. Therefore, the article says that "thieves and ministers cannot be saved, the isolated city is besieged, the father is trapped and the child dies, and the nest collapses." In the first year of Su Zonggan Yuan (758), afterwards, Duke Lu sent his nephew Quan Ming to clean up the mess. When I arrived in Hebei, I found only the head and a foot of green, and I wrote the article "Sacrifice to My Nephew" with tears in my eyes, with 23 lines, ranging from 11 words to 12 words in each line, with 234 words. At that time, Duke Lu was fifty years old. Calligraphy works are words, and people say there are words. Duke Lu is a loyal and heroic man, and his life is awe-inspiring. His spiritual integrity is embodied in calligraphy. This manuscript is the most enjoyed by book reviewers. This post was originally a manuscript, but it was deleted and smeared. It can be seen that Duke Lu conceived the article and his feelings fluctuated from beginning to end, so it was written with high spirits, magnificent brushwork and natural charm. All the places where the pen is used up and the belt is pulled can be seen clearly. From beginning to end, I used a slightly bald pen, a round and healthy brushwork, and finally surrendered because the ink was not dry. Although the ink color changed greatly because of the initial pause, the black ash was thick and dry, but it was done at one go. In the Yuan Dynasty, Zhang Jingyan wrote an inscription: "It is better to speak than to write a letter, and it is better to write a letter. The cover is an official work, although the end of the letter is a rope contract; Letters are quite indulgent when they are on a whim; Moreover, the drafting was unintentional, and it was his palm that was forgotten. It's great to see it here. " Yuan Xianyu's evaluation of this post is "the second running script in the world".
The Manuscript for Sacrificing a Nephew was collected by Song Xuanhe's Neifu, Yuan, Xian Yushu, Ming, Qing Xue, Wang and Qing Neifu. Since the Song Dynasty, the manuscripts of offering sacrifices to nephews have been carved on stones. In the early years of the Republic of China, Shi (publishing house) first applied photography technology to photocopy and publish "Ink of Yan Sacrifice Nephew" in the form of black and white photos, and then applied Kolo version to photocopy and publish. After the establishment of the Palace Museum in Beiping, similar photocopies were published. Originally in the National Palace Museum in Taipei. The full name is "the Eight Official Pavilion of Tang and Song Dynasties, which will serve the virtuous". Tang Dali was carved on the octagonal stone building in 7 years. Tang Wuzong destroyed the Buddha in front of him and its five faces. In the third year of Emperor Taizong, the county magistrate urged that it be completed according to the rubbings, and a pavilion was built in Jiajing period of Ming Dynasty. During the War of Resistance against Japanese Aggression period, the Japanese army tried to steal this monument, and it was preserved with the efforts of local soldiers and civilians. During the Cultural Revolution, pavilions and historical sites were destroyed. The stone building was smashed into three pieces, three quarters of which are now in Shangqiu Museum, and the whereabouts of the rest are still unknown. 1993, Shangqiu government re-carved the stone building inscription on the original site, which was recorded in the history books. In the Tang Dynasty, there was a department in Shi Siming called Tian. When the "An Shi Rebellion" happened, the rebels Nan Dexin and Liu Congjian besieged Shangqiu. Tian killed Nandexin, drove Liu Congjian away, led his troops to the imperial court, and lifted the siege of Suiyang (Shangqiu). After Tian surrendered, he was named Emperor Hong Qing, and later moved to Xuzhou as the secretariat and Ziqing as the ambassador. In the first year of Baoying, the rebels attacked again, and Tian lifted the siege of Suiyang. Later, Tian was repeatedly praised by North Korea, and the "An Shi Rebellion" was put down in the second year. Tian formally bowed to our envoy in Biansong, and later he was promoted to prince, Taishi and king of Xindu County.
In April of the seventh year of the Tang Dynasty, Tian had a fever for more than a month. Suiyang people suggested to the court to pray for Tian in Baguanting to repay his kindness in saving Suiyang. Xu Xiang, the secretariat of Song State, agreed to pay 300,000 yuan. On the eighth day of the fifth lunar month, an Baguan Pavilion meeting was held in Kaiyuan Temple, which is now Baguan Pavilion, and 1000 monks were invited to chant Buddhist scriptures. Then state and county officials, long history and other civil servants were established at one time 1500 people; The military attache in the town, such as the official health deputy, set up 500 people for a while; The local nobles organized a meeting of 5000 people. For a time, Buddhist rice fragrance filled the countryside, Buddhist stories were heard day and night, and good men and women gathered everywhere. In order to record this activity, the county magistrate invited Yan Zhenqing, a famous calligrapher thousands of miles away, to write in person. Yan Zhenqing was invited from thousands of miles away, full of passion and anger. His words not only have high calligraphy value, but also are extremely precious historical materials. Later carved into an octagonal stone building, 3 meters high, with ***8 sides, each side is about 5 1 cm wide, and the full text is 983 words. This tablet is as big as a fist and was written by Yan Zhenqing in his sixties. Its brushwork is old and spicy, but it does not lose its astringency. Much more comfortable than aunt ma's kiss. Concise than many pagodas. It is quite special in Yan Bei, and there is not much regularity in the later period of Yan Shu. The brushwork seems to be loose and solid, but it is exquisite and rigorous in dissipating the vastness. What is the similarity of style? Because the inscription has been robbed repeatedly, there are different versions of rubbings. The rubbings in Qing dynasty are very precious, and the early ones are rare. Most of the rubbings that can be seen are restored, which is different from the original. The full name is "The Story of the Fairy Altar in Magushan, Nancheng County, Fuzhou in Tang Dynasty", in regular script. Yan Zhenqing writes, writes and writes books.
In addition to his achievements in calligraphy, Yan Zhenqing also studied paleontological fossils. In the sixth year of Tang Daizong Dali (AD 77 1), Yan Zhenqing was appointed Governor of Jiangxi.
State secretariat, when his career was frustrated, so sometimes he asked Zen.
In April of that year, Yan Zhenqing visited Magu Mountain, Nancheng County. Near an ancient altar, he saw some fossils of snail shells sandwiched in the stratum. He studied this phenomenon carefully and put forward his argument: here used to be an ocean, but later it became land, and those fossils are evidence. To this end, he wrote a paper "Fairy Altar of Magu Mountain in Cheng Nan, Fuzhou", which described Magu's enlightenment and recorded it with stones. Not only remembering things, but also reflecting the mood at this time.
This monument is magnificent and has always been valued by people. It is one of the representative works of Yan Ti, and it is the work of Yan Zhenqing in his sixties. At this time, Yan Zhenqing's regular script style has been improved. Ouyang Xiu's Collection of Ancient Records said: "This monument is steep and tight, especially fine, with fine strokes."
Later generations often only admire Gong Yan's calligraphy, calling it "the second book in the world". Stone carving in Tang Dynasty, full name "Tombstone, minister of Tang Dynasty, written by his great-grandfather Yan at the age of 7/kloc-0". The ancients called the tomb a way to clear the way and built stone pillars as the standard, which was called Shinto, that is, the tombstone. The content of the inscription traces back to the achievements of the ancestors of the Yan family and describes the achievements of future generations in the Tang Dynasty. All his books are silent except The Record of Jigu and The Record of the Stone.
"Yan Bei" is engraved on all sides, with male 19 lines and female 20 lines, each with 38 words. There are 5 lines and 37 words on the side of the tablet, accounting for 1667 words. The inscription on the left has been worn out in the Northern Song Dynasty, and there is no date for setting up the monument.
Ouyang Xiu's Postscript of June 1st in the Northern Song Dynasty was written in the 14th year of Li Yu's Tang Daizong Dali (779). Shijiu is located between An, Song and Shaanxi, and its whereabouts are unknown. 1992 10 was unearthed behind the old fanku hall in an (now an social road), which made this masterpiece of "Yan Ti" that has been sleeping underground for more than 0/000 years come to light again. It is now hidden in the forest of steles in Shaanxi Provincial Museum and has been designated as a national key protected cultural relic. It is 64 cm long, 33 cm wide and 12 cm thick. Righteousness, line, seal and official title are all the first examples of broken calligraphy. The first line is engraved with the words "General Pei" and the name of Yan Zhenqing is engraved at the end; There is a five-character poem "Poem of General Pei" in the middle, engraved with magnificent and dangerous words. The whole poem is 18 sentences and 90 words.
The full text of the poem is: "The great monarch is a six-in-one, and the fierce generals are all clear. If the war horse is a dragon and tiger, how magnificent Tengling is! The general faces the Great Northern Wilderness and is brilliant. Sword dance jumps and swims, following the wind. Climbing the Tianshan Mountains, Cui Wei is covered with snow. Entering the array to break the arrogance, the sound is megatron and thunderous. Shoot a hundred horses, and then shoot ten thousand people. The Huns didn't dare to fight the enemy, so they fought back. If the report is successful, you can draw Lin Tai. "
The words of the poem are full of vigor and vitality, and the words are well-written. After reading it, people admire Yan Zhenqing's eulogy of Pei Min's lightning surge, and it seems that he also admires the leap-forward trend of Jie. After reading this bold and majestic lettering, people have a feeling of bravery and heroism. Thirdly, the composition is rigorous and the font structure is strange. 2345 words per line, varied; Sword dancing, one shot dead, afraid to return. The brushwork is coherent and seamless, which is amazing. No wonder Su Shi praised Yan Zi in Song Dynasty and said, "Poetry ends in Du Zimei. The book ends with Yan. " This is indeed a very accurate evaluation. Until today, its artistic life, in the garden of calligraphy art, still shines brightly. Ju Lian in Zhushantang (Ju Lian in Zhushantang) published in Tang Dynasty is Yan Zhenqing's calligraphy, silk calligraphy and regular script, with a length of 15 and a width of 13.7cm each.
The collection is printed with Shaoxing Seal in Song Dynasty, Royal Seal, Jingxi Jingzhi Seal in Jixi, Wang Shimao Seal in Ming Dynasty, Liang Qing Qingbiao Seal, Angel Seal, Modern Ye Gongchuo Seal and Modern Zhang Hengyin Seal.
In front of this volume, there is a line of regular script "Yanzhushan Poetry Post, Top Grade". After the publication of the paper, Mi Youren in the Song Dynasty, Yao Nai and Tie Bao in the Qing Dynasty successively wrote inscriptions.
In March of the 9th year of Tang Dali (774), Yan Zhenqing, then the secretariat of Huzhou, got together with his subordinates Li E, Lu Yu, Shi Jiaoran, Lu, and his friends Pan Shujia's "Zhushan Hall" and recited poems during the dinner. Each of them took turns to make two sentences, which were connected into one piece, called Zhushantang Lianju. Later, it was handed down as a letter from Yan, when Yan was 66 years old.
The book was originally framed in the form of a full picture, and then cut and framed into a volume, almost patchwork, and the composition has been broken. Yan's calligraphy is generally fine in horizontal painting, thick in vertical painting, vigorous and broad, magnificent, and self-recommended in regular script, clear and rigorous. The horizontal and vertical strokes of this book have not changed, and there is no difference in thickness. It is the same and stagnant ... However, after the volume, Mi Youren was ordered by Song Gaozong to add two lines, but it is a relic of Shaoxing Imperial Institute. It can be seen that this volume was carved no later than Shaoxing, but it was not strict. At present, there are different opinions about whether it is a transcript of the Tang Dynasty or a transcript of the Song Dynasty. Yan Zhenqing's calligraphy in Tang Dynasty. There are stone carvings of the Song Dynasty, which were carved in Lishui in the fifth year of Qingyuan. "Jin Bian" says: "This stone is five feet two inches high and two feet five inches wide. The characters are divided into two sections, 13 lines in the upper section and 17 lines in the lower section, each of which is about 12 to 14 words.
Calligraphy is strange and vivid. Dong Qichang commented in the Ming Dynasty: "It's different from the method of two kings to return to qi from qu. Mi Yuanzhang is as vivid as a dragon and snake, and the reader is surprised but not empty. Song Sijia School of Calligraphy is just an ear, and people who haven't learned this narrative are not very popular. "Xi Hong Tang Tie, Zhong Yi Tang Tie, Keiko Tang Tie etc. Persuasive learning
(Tang) Yan Zhenqing
Night light, five chickens,
It's time for men to read.
Black hair didn't know to study hard,
Bai Shoufang regrets studying late.
Precautions:
Wugeng Chicken: At dawn, the chicken crows.
Black hair: youth, refers to teenagers.
Bai Shou: When people are old, they mean the elderly.
Translation:
Hard-working people and hard-working students are still working and studying at midnight, and the lights are still on at midnight. Shortly after turning off the lights and lying down for a short rest, chickens crowed at the fifth watch, and these hardworking people had to get up and be busy again.
This poem tells us that if you don't study hard when you are young, you will study at night when you are old.
Commentary: Every midnight is the best time for boys to study. When I was a teenager, I only knew how to play and didn't know how to study hard. When I was old, I regretted why I didn't know how to study hard when I was young. Song Jing Monument is a famous Song Jing tombstone in Tang Dynasty in China. Its full name is "the Shinto Monument of Wendi Gong Zhen and Song Gong, a gift from the Prime Minister of the Tang Dynasty". Because the inscription was written by Yan Zhenqing, the founding father of Luxian County, when Dr. Jin Ziguanglu went to Fuzhou, it was also called "Yan Monument" in the Tang Dynasty. The monument is now located in Donghu Village Middle School in Shahe City. Originally a provincial-level cultural relics protection unit in Hebei Province, it was approved by the State Council in 2006 as one of the sixth batch of national key cultural relics protection units.
The monument is 4.08m high, 0.6m wide and 0.47m thick. The front, back, left and right sides of the monument are engraved with Yan Zhenqing's surplus-inch regular script, with more than 3,000 words, which tells the glorious story of Song Jing's "three dynasties were officials, upright and upright". The head of the monument is semicircular, and the relief is wrapped around the tails of the four dragons, which is vigorous and powerful. The tablet is square, with 20 Chinese characters in the center, "The tablet of the right prime minister in Tang Dynasty, the ancient ministers, Wen Gongzhen, the Duke of Song Dynasty". The original pedestal, engraved with wallet pattern, is solemn and steady, but it has been lost. At the end of the inscription, the inscription reads: "Dr. Jin Ziguang Lu went to Fuzhou to make a secretariat, and the book was written by Yan Zhenqing, the founder of Luxian County."
Because Song Jing is a generation of celebrities, he praised plum blossom, calling himself plum blossom, with noble moral character and outstanding achievements. His memorial tablet was written by Yan Zhenqing, a famous official and great calligrapher in the Tang Dynasty. Yan Zhenqing was 65 years old when he wrote the inscription for Song Jing. It can be said that the art of calligraphy has reached the state of perfection, so scholars in the Ming Dynasty all called Song Jingbei "the true three unique characters". Indeed, Song Jingbei integrates moral articles and calligraphy art, which is also an important reason why it has been passed down from generation to generation and is famous at home and abroad. In the Song Dynasty, Ouyang Xiu once said a different sentence when he saw the Song Jingbei written by Yan Zhenqing: "If you are a loyal man, first of all, a gentleman solemnly respects you and makes people respect and love you, even though you can't bear to give up." . In the Ming Dynasty, Fang Hao, the magistrate of Shahe County, compared it with many towers and monuments written by Yan Zhenqing, saying that Song Jingbei had four victories: "He explained the cause, which depends on Confucianism, and one is also; The second generation of Censhu, this is self-writing, and the second is also; He is still A Lang, a book in his early years, which has been made public, and a work in his later years, three books; He is in a famous county, and the expanding people have lost the truth after repeated carving. This is in a humble state, without repeated development, and the painting is as good as ever. Wei, a bachelor of the Qing Dynasty, also said: "Tombstone was written by Yan, while Jingxing Qingyun wrote the word Longxiang Fengqi. Mr. Gai Wenzhen is a strange man in the Tang Dynasty, while Mr. Lu is a great upright man, winning glory with the sun and the moon, full of energy, unwilling to treat things lightly, and a treasure of the real world. "Now it is listed in the monument of the Chinese people's home.
In addition, the Suo Jing Monument has been handed down from generation to generation.