In modern China book circles, Mr. Wei Qihou is a master I have always admired. I visited my husband twice, but I didn't see him, so I lost the opportunity for Mr. Mianling to teach me.
Calligraphy art, with noble personality and rich knowledge, is naturally clean. Noble personality and profound cultural accomplishment are the foundation of Mr. Wei's calligraphy art. He integrates his personality, knowledge, talent and thoughts into calligraphy and painting, so his calligraphy and painting are elegant and beautiful, detached and refined.
"Gan Kun keeps me quiet and busy with fame and fortune." The clock is far from empty, and the bamboo is guilty. Mr. Wei once wrote in his article: "There is justice in the vicissitudes of life, and the mind is self-satisfied." See independence with an open mind, but seek peace of mind, pen and ink are appropriate, and be willful ... "It shows his good mentality of not admiring fame, not pursuing profit, and being indifferent to leisure. Many people suggested that he raise the price of calligraphy, but Mr. Wang refused. He said, my words are to make the people affordable.
Calligraphy should have spirit, tolerance, magnanimity, profound meaning and aftertaste. I learned the aesthetic consciousness and fashion of Wei Jin people, the brushwork from Li to Kai, and the excellent classic inscriptions since Qin, Han, Wei, Jin, Tang, Song and Yuan dynasties. I have been studying all my life, and I have never stopped, and I have never moved in cold and hot weather. He was original and self-expressive, and integrated the brushwork of Han bamboo slips into the artistic creation of calligraphy and cursive script, forming his own artistic style of calligraphy.
Most of his real books are official books, cursive script involves rules and simple strokes, and the running script is inherited by Wang Xun, the two kings, especially Mi Fei, who has won the charm of Han bamboo slips and official script, and is lofty and generous. His calligraphy is elegant, simple, subtle, flowing, elegant, indulgent, graceful and restrained, and he forgets the rules, which is really interesting. The book is concise, but simple and straightforward, rich in later learning and elegant, but unfamiliar with later learning, which makes Jin people feel relaxed and relaxed. The characters in the structure are uneven in size, harmonious and coherent between words, and the interest of nature can be seen inadvertently. Use a pen with both rigidity and softness, and use it between the front and the side. Like a bird's mouth, like painting sand. The key is rhythm and freedom. Pressing the button is frustrating, fast and slow, dry and humid, thick and weak, all of which make it self-sufficient, rich in correspondence, superb and ingenious. He learned from others, integrated all kinds of brushwork, and integrated ancient achievements into one, reaching a state of peace of mind, pushing the study of calligraphy to a new peak, without a trace of carving, and enjoying the panoramic view of infinite scenery. His paintings inherit the aesthetic concept of traditional literati paintings and have profound cultural connotations. The painted bamboo stones, flowers and birds absorb more of the pen and ink language of Badashan people, which is concise, concise, simple, long, sparse and interesting.
Mr. Wei has a close personal relationship with Mr. Fushan and has praised his painting art many times. He has written many poems by Mr. Fushan. He wrote in a painting called "The Water Man of Fuweng": "The beautiful landscape of Fuweng is a goldfish that does not enter the nest of predecessors, and the breeze is ancient. B I was taken to Jinyuan Zhai last winter, so I was lucky to visit the temple. I think about it, but I am sad, helpless, helpless! " Guan Bao's friendship is profound beyond words.
Mr. Wei Qihou is broad-minded, broad-minded and full of books. He is well versed in ancient laws, connecting the past with the future, unconventional, unconventional and unique, and treats a generation of outstanding people sincerely.