What are the four-character idioms that describe good calligraphy writing?
1. What are the idioms that describe good calligraphy writing? 1. The pen is full of ink [bǐhānmòbǎo]: the pen and ink are used very well. Enjoyable and fulfilling. It mostly describes calligraphy and poetry as smooth and vigorous.
2. The pen moves the dragon and the snake [bǐzǒulóngshé]: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
3. Chuxiěhuángtíng [chūxiěhuángtíng]: In old times, there was an idiom when commenting on calligraphy: "The first time I wrote Huangting is just right." Later it was used as a metaphor for doing things just right.
4. The sword was drawn out of its sheath and the bow was opened. Describes a situation that is tense and about to explode. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
5. Litòuzhǐbèi [lìtòuzhǐbèi]: Originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
6. Dragon flying and phoenix dancing [lóngfēifèngwǔ]: Like a dragon flying, like a phoenix flying. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
7. Dragon and snake flying [lóngfēifèngwǔ]: describes the vigorous and vivid calligraphy strokes. Su Shi's poem "Xijiang Yue? Pingshan Hall": "I haven't seen the old immortal in ten years, and dragons and snakes are flying on the wall."
8. 鸾平峰波[luánpiāofèngbó]: Originally described as a calligraphy that is free and unrestrained, without any details. Restricted. It is also a metaphor for the separation of husband and wife among advanced students.
9. Luan Xiang Feng Zhu [luánxiángfèngzhù]: a metaphor for the flying posture of calligraphy strokes.
10. Beauty Hairpin Flower [měinǚzānhuā]: Describes the beauty of beauty in calligraphy or poetry style.
2. Is there any 4-character word that describes calligraphy well? Calligraphy: The pen is full of ink: The pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous.
The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword is at risk: the sword is drawn from its sheath and the bow is opened. Describes a situation that is tense and about to explode. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Using examples: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying examples to explain a book was called "examples to enlighten". See "Fanfan Jiexi".
Strongly penetrating the back of the paper: Originally referring to the powerfulness of calligraphy, it is now also used to describe vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a dragon soaring, like a phoenix flying. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Dragon and snake flying: describe the vigorous and vivid calligraphy strokes. Su Shi's "Moon over the West River"
3. What are the four-character idioms that describe calligraphy: sweeping across thousands of troops, writing like a dragon or a snake, silkworm head and swallowtail, abundant muscles and strength, powerful as a frightening dragon, powerful as a startling dragon, penetrating the back of the paper, penetrating into wood three-thirds, iron painting as silver Hook, fairy dew pearl
1. Bǐzǒulóngshé [bǐzǒulóngshé]
Basic explanation:
Describes calligraphy as vivid and powerful.
2. Cantóuyànwěi [cántóuyànwěi]
Basic explanation:
Describes a calligraphy that is solemn in starting strokes and light in finishing.
3. Fēngjīnduōlì [fēngjīnduōlì]
Basic explanation:
Feng: plump, substantial; tendons: tendons or ligaments on bones; many : redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
4. Jiaoruojinglong [jiǎoruòjīnglóng]
Basic explanation:
Jiao: vigorous. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.
5. force through the paper back [lìtòuzhǐbèi]
Basic explanation:
Through: through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper. It also describes poems with profound ideas and concise words.
6. Three-thirds of the wood [rùmùsānfēn]
Basic explanation:
It is said that Wang Xizhi was writing on a wooden board. When carving, he found that the writing penetrated three-thirds of the wood. The calligraphy is described as extremely powerful. The problem of multi-metaphor analysis is very profound.
7. Iron painting and silver hook [tiěhuàyíngōu]
Basic explanation:
Hua: strokes; hook: hook. Describe calligraphy as strong and soft.
4. Four-character idioms to describe calligraphy works. Hello, I have written a few four-character idioms for calligraphy works. You can go and take a look.
Sweep the army. Describes poetry, calligraphy, etc. as grand and powerful
Bi Zonglong Snake describes calligraphy as vivid and powerful.
Silkworm head and swallow tail describe calligraphy as solemn starting and light finishing.
Fengjin Duoli means that the font structure is solid and plump, and the writing power is strong and sufficient.
Jiao Ruo Jinglong is often used to describe the strong and vigorous calligraphy strokes, or the graceful dancing posture
Li penetrating the back of the paper describes the strong and powerful calligraphy, and the tip of the pen almost penetrates to the back of the paper.
The three-point description of calligraphy is extremely powerful. The problem of multi-metaphor analysis is very profound.
Iron paintings and silver hooks describe calligraphy’s hardness and softness.
The fairy dew pearl describes the calligraphy as elegant and round.
5. What are the four-character words that describe good calligraphy writing: pen is full of ink, pen is full of ink, iron painting is silver hook, pen is old and ink is beautiful, pen is fine and ink is wonderful
1. The pen is full of ink [bǐhānmòbǎo]
Definition: It means that the article expresses smoothly and has sufficient content.
Source: Qin Mu's "Shibei from the Sea of ??Art·Ju Sun": "The authors of those works did not really write and ink at this critical moment, so they could not achieve the expected effect."
2. The pen is full of ink and the ink is full [bǐbǎomòhān]
Definition: The pen is full of power and the ink is sufficient. Describe the poetry as smooth and vigorous.
Source: Volume 6 of "Baiyu Zhai Poetry" by Chen Tingzhuo of the Qing Dynasty: "Zhang Xiaoxiang's "Six States Songtou" is a piece of work, dripping with joy, the pen is full of ink, and the reading makes people dance."
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3. Iron painting and silver hook [tiěhuàyíngōu]
Interpretation: painting: strokes; hook: hook. Describe calligraphy as strong and soft.
Source: Tang Dynasty Ouyang Xun's "On the Use of the Brushstrokes": "Wandering and pitching, graceful and elegant, strong as iron paintings, charming as silver hooks."
4. The old pen and ink are beautiful. [bǐlǎomòxiù]
Interpretation: Refers to the mature posture of the pen and the delicate rhyme of the ink.
Source: Ming Dynasty Song Lian's "Postscript to Dongpo's "Ruquan Ode"": "Li Shilang Wei Zhi said that the pen is old and the ink is beautiful, carrying the atmosphere of the wind and waves on the sea, it should be the first Su Shu in China. 1. Honest and wise words. ”
5. The pen is exquisite and the ink is exquisite [bǐjīngmòmiào]
Definition: The brushwork is precise and the ink is clever.
6. What are the words that describe good calligraphy with brush calligraphy: 1. Stroke of dragon and snake - describes the calligraphy as vivid and powerful.
2 The bottom of the pen is a dragon and a snake - it is still said that the pen is a dragon and a snake. Calligraphy is described as vivid and powerful.
3 Dragons flying and phoenixes dancing - originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes. 4 Yan Jin Liu Gu - Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
5 Luan Xiang Feng Zhu - Xiang: hovering and flying; Zhu: fly high. It is a metaphor for the flying and stretching of calligraphy strokes.
6 Flowers at the bottom of the pen - a metaphor for writing vivid and outstanding articles. The pen walks like a dragon and a snake [bǐzǒulóngshé] Source: Tang Dynasty 1653·Li Bai's "Cursive Script Song": "I only see dragons and snakes walking around from time to time, turning left and right "Wine Xu is shocked." Definition: Describes calligraphy as vivid and powerful.
Synonyms: Luan flying and phoenix flying, word walking dragon and snake, dragon flying and phoenix dancing. Antonyms: spring earthworm, autumn snake, crooked version.
Example 1 Grandpa Zhang’s calligraphy is like a dragon and a snake. No wonder he is so famous in the calligraphy world! 2 Chairman Mao's calligraphy is vigorous and powerful, and his pen is really like a dragon and a snake.
3His calligraphy gives people the feeling of a dragon and a snake.
4 Today there are very few people who learn calligraphy with brush calligraphy, and even fewer calligraphers who are masters of calligraphy. The word 5 is strong and free, the pen is full of ink, and the pen moves like a dragon or a snake. It should be done by calligraphy masters.
Right.