1. Shangqiu depicts a colorful and vibrant picture of the Xiangjiang River in cold autumn, expresses emotions on the scene, and raises the question of who should dominate the vast land. "Look at the mountains all red, and the forests all dyed." The word "look" leads to seven sentences, describing a colorful autumn scene at the head of Independence Orange Island. It is not only a portrayal of the surrounding maple forest like fire, but also embodies the passionate revolutionary feelings of the poet.
Red symbolizes revolution, fire, and light. "Thousands of mountains are red" is the visual expression of the poet's thought of "a spark that sets a prairie fire on fire" and is an optimistic vision of the revolution and the future of the motherland. "The eagle strikes the sky, the fish flies to the shallow bottom, and all kinds of frosty sky compete for freedom." This is the poet's yearning and pursuit of freedom and liberation.
The poet chose several typical scenery to describe from the mountains, rivers, sky, and underwater, with a mixture of far and near, a combination of movement and stillness, and a sharp contrast. These seven sentences provide the background for the following lyricism and heighten the atmosphere. "Sad and melancholy, I ask about the boundless earth. Who is responsible for the ups and downs?" This question expresses the ambition of the poet and shows his broad mind. He directly switches from describing the scenery to expressing feelings, which naturally brings out the lyricism of the second half. movement.
2. The second half of the poem focuses on lyricism, but there are also scenes within the emotion. "Recalling the extraordinary years of the past is thick", using "mountainous" to describe the years, novel and vivid, naturally arouses memories of past life, turning the invisible extraordinary years into tangible towering peaks, giving people a majestic and magical feeling The sublime beauty.
"Cha is a classmate of a young man, in his prime." The word "Cha" governs seven sentences, vividly summarizing the heroic fighting style and heroic spirit of the early revolutionaries. "The mid-stream hits the water, and the waves stop the flying boat", which is also a magnificent picture of advancing bravely and cutting through the waves. It can be said that the sublime beauty of this poem is intertwined with love as the longitude and scenery as the weft.
Extended information:
"Qinyuan Spring·Changsha"
Author: Mao Zedong
In the cold autumn of independence, the Xiangjiang River goes north, Orange Island head.
Look at the mountains covered with red, the forests all dyed; the rivers full of green, with hundreds of boats vying for the current.
The eagle strikes the sky, the fish flies on the shallow bottom, and all kinds of frost compete for freedom.
With a melancholy outline, I ask, who is in charge of the ups and downs of the vast earth?
I brought hundreds of couples on a trip. Reminiscing about the glorious past.
The young classmate Qia was in his prime, but he was a scholar and scolded Fang Qiu.
To point out the country and inspire the words, the dung is like thousands of households.
Have you ever remembered that when you hit the water in the middle of the current, the waves stopped the boat?
Vernacular Translation:
On a crisp day in late autumn, I looked at the clear water of the Xiangjiang River flowing slowly northward. I stood alone at the head of Orange Island.
Look at the thousands of mountain peaks all turning red, the layers of forest seem to be dyed with color, the river is clear and blue, and the big ships are riding the wind and waves, vying for the first place.
In the vast sky, eagles are flying vigorously, fish are swimming briskly in the clear water, and everything is vying to live a free life in the autumn light.
Facing the boundless universe, (thousands of thoughts come to my mind at the same time) I want to ask: Who will decide and dominate the rise and fall of this vast earth?
Looking back on the past, my classmates and I often came here to play together. Those countless extraordinary years spent discussing national affairs together still linger in my mind.
The students are in their youth and in their prime; they are full of ambition, unrestrained and powerful.
Commenting on national affairs and writing these articles that stir up turmoil and promote purity, the warlords and bureaucrats at that time were treated like dirt.
Do you remember that when we were swimming in a deep and fast river, the waves almost blocked the speeding boat?
Appreciation:
< p> This work was written around 1954 and is a representative work of Mao Zedong's calligraphy. Calligraphers believe that it is the latest work among Mao Zedong's poems and ink, and it is also the most mature and highest work. It is also the last monument among the ink we see. The poem is written in ink on two pages of red bound letterhead, with a total of 15 lines.Mao Zedong's writing style is fast and convenient, but each word is independent, the whole article is harmonious and elegant, sparse and smooth, each word is pearly, starting from bottom to top, looking left and right, to fully capture the beauty of nature; to avoid the tense situation , but the muscles and bones are strong, beautiful and free and easy, the characters are small and sparse, and the characters are many and not connected.
But the Qi veins are smooth, the ink is moist enough, the barrenness is appropriate, there are no oddly large or oddly small characters, no oddly light or oddly heavy strokes, and no leaning ink to take advantage of the situation, like a hundred young men, in their prime. Mao, with graceful demeanor, walks slowly on the bank of the Xiangjiang River, but has great ambitions to "point the country and inspire words". His words are beautiful, flying and majestic, and his luan spans the crane, fluttering and ready to fly.
This work uses a square brush in both garden brushes, mainly hiding the front, and also using the exposed front. The brushwork used in the composition is chic and ancient, fully reflecting the Jiangzuo style, encompassing the muscles and bones of the Beibei Monument, the energy is sparse, the elegance is leisurely, Everywhere is subtle and thought-provoking. The layout is dense and dense, with rows but not columns, and the spaces between the rows are almost as close as the spaces between the words. The structure is soft on the inside and rigid on the outside, "marking the ambition and supporting the emotion." There are more than 100 words in the whole page. The writing and ink color change with the mood of the book, sometimes high and sometimes soothing, making the whole book coherent and perfectly structured
Reference: Baidu Encyclopedia-Qinyuanchun·Changsha